Mean Streets - Domenica in chiesa, lunedì all'inferno (1973)
New York, 1973. Charlie è un trentenne diviso tra l'aspirazione all'arrampicata sociale con l'aiuto di uno zio mafioso, l'amore per la cugina epilettica Teresa e la volontà di prendersi cura del cugino di lei, Johnny Boy, un mattacchione insofferente a qualsiasi regola di comportamento. Charlie si muove per le strade del suo quartiere, Little Italy, tra debiti, risse e scorribande notturne, alla vigilia della festa di San Gennaro. Con lui ci sono anche Tony, titolare del bar che funge da ritrovo fisso del gruppo, e Michael, l'arrogante e il permaloso della compagnia, pronto a tutto per di dare una dimostrazione di forza.
Direttore:
Martin Scorsese
Scrittori:
Mardik Martin, Martin Scorsese.
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Robert De Niro as John 'Johnny Boy' Civello |
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Harvey Keitel as Charlie Cappa |
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David Proval as Tony DeVienazo |
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Amy Robinson as Teresa Ronchelli |
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Richard Romanus as Michael Longo |
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Cesare Danova as Giovanni Cappa |
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Victor Argo as Mario |
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George Memmoli as Joey 'Clams' Scala |
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Lenny Scaletta as Jimmy |
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Jeannie Bell as Diane |
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Murray Moston as Oscar |
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David Carradine as Drunk |
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Robert Carradine as Boy With Gun |
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Lois Walden as Jewish Girl |
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Harry Northup as Soldier |
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Dino Seragusa as Old Man |
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D'Mitch Davis as Cop |
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Peter Fain as George |
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Juli Andelman as Girl At Party |
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Robert Wilder as Benton |
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Ken Sinclair as Sammy |
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Jaime Alba as Young Boy #1 |
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Ken Konstantin as Young Boy #2 |
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Nicki "Ack" Aquilino as Man On Docks |
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B. Mitchell Reed as Disc Jockey |
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Martin Scorsese as Jimmy Shorts (uncredited) |
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Catherine Scorsese as Woman on Landing (uncredited) |
| Camera | Kent L. Wakeford | Director of Photography |
| Editing | Sidney Levin | Editor |
| Production | E. Lee Perry | Executive Producer |
| Writing | Mardik Martin | Screenplay |
| Writing | Martin Scorsese | Screenplay |
| Directing | Martin Scorsese | Director |
| Production | Jonathan T. Taplin | Producer |
| Editing | Martin Scorsese | Editor |
| Art | David Nichols | Production Design |
| Writing | Martin Scorsese | Story |
| Crew | George Toth | Animal Wrangler |
| Directing | Russell Vreeland | First Assistant Director |
| Camera | Pat O'Mara | First Assistant Camera |
| Directing | Bobbie Sierks | Script Supervisor |
| Crew | Chris Thompson | Production Office Assistant |
| Crew | Sandra Weintraub | Post Production Supervisor |
| Production | Paul Rapp | Production Manager |
| Crew | Bill Catching | Stunt Coordinator |
| Sound | John Wilkinson | Sound Re-Recording Mixer |
| Camera | John Murray | Key Grip |
| Camera | Harry Young | First Assistant Camera |
| Camera | Gene Talvin | Camera Operator |
| Camera | Norman Gerard | Additional Photography |
| Costume & Make-Up | Norman Salling | Wardrobe Supervisor |
| Sound | Charles Grenzbach | Sound Re-Recording Mixer |
| Sound | Donald F. Johnson | Sound Mixer |
| Art | David Nichols | Other |
| Costume & Make-Up | Cornelia McNamara | Other |
| Directing | Ron Satlof | Second Assistant Director |
| Production | David Osterhout | Assistant Production Coordinator |
| Crew | Neil Rapp | Production Office Assistant |
| Sound | Kenneth Schwarz | Boom Operator |
| Editing | George Trirogoff | Assistant Editor |
| Sound | Glen Glenn | Sound |
| Production | Peter Fain | Production Coordinator |
| Crew | Joe Cupcake | Production Office Assistant |
| Lighting | Bill Young | Best Boy Electrician |
| Camera | Pat O'Mara | Camera Intern |
| Crew | Bill Balles | Special Effects |
| Art | Doyle Hall | Other |
| Sound | Walter Goss | Sound Re-Recording Mixer |
| Crew | Pamela Williams | Production Office Assistant |
| Crew | Bob Orrison | Stunts |
