Il cocktail del diavolo (1968)
Accusato di aver stuprata ed uccisa una ragazza bianca, un giovane negro, James Lake, viene condannato all'ergastolo sulla base di alcuni indizi a lui sfavorevoli. Riuscito ad evadere dal carcere, benché braccato dalla polizia, egli inizia per proprio conto le indagini, alla ricerca del vero colpevole. Durante la fuga, James trova insperato aiuto e ospitalità da parte di un bianco, che però intende servirsi di lui come sicario per sbarazzarsi della consorte. Rivelata alla donna la diabolica macchinazione del marito, James la induce a collaborare alla ricerca delle prove della propria estraneità all'uccisione della ragazza. Individuato finalmente il responsabile nel patrigno della vittima ed ottenutane la confessione, James rientra in carcere, in attesa del processo che sancirà la sua completa innocenza.
Direttore: Charles Martin
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Dana Wynter as Ellen Whitlock |
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Raymond St. Jacques as James Lake |
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Kevin McCarthy as Leslie Whitlock |
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Barbara McNair as Lily |
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John Russell as Sheriff |
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Ann Prentiss as Thelma Wilson |
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Royal Dano as Carl Blair |
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Steve Sandor as Harry |
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Susan Seaforth Hayes as Sally Blair |
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James Craig as Police Chief Jim |
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Arthur O'Connell as Prosecutor |
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Don Newsome as William Lake |
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Gregg Palmer as Special Officer |
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Mimi Gibson as Marion |
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Chet Stratton as Walter Jackson, the Pilot |
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James McEachin as Defense Counsel |
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Ed Cook as Officer |
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Edward Schaaf as Henry Wilson |
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Kort Falkenberg as Gas Station Attendant |
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Jason Johnson as Truck Driver |
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Frank Gerstle as Sergeant |
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James Drake as Deputy |
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Pepper Martin as Prison Guard |
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E.A. Sirianni as Doctor |
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Todd Martin as Officer Frank |
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Don Megowan as Officer |
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Harold J. Kennedy as Judge |
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Jon Lormer as Chaplain |
| Directing | Charles Martin | Director |
| Production | Charles Martin | Producer |
| Camera | William W. Spencer | Director of Photography |
| Writing | Charles Martin | Writer |
| Editing | Richard K. Brockway | Editor |
| Writing | Charles Martin | Lyricist |
| Sound | Sammy Fain | Songs |
| Sound | Albert D. Cuesta | Sound Recordist |
| Sound | Robert Martin | Sound Mixer |
| Crew | James Hibbard | Choreographer |
| Production | Fay L. McMullen | Producer's Assistant |
| Writing | Coleridge-Taylor Perkinson | Lyricist |
| Crew | Justus Gibbs | Special Effects |
| Production | Marvin Paige | Casting |
| Sound | Igo Kantor | Music Editor |
| Sound | Coleridge-Taylor Perkinson | Songs |
| Production | Harry Kaye | Associate Producer |
| Costume & Make-Up | Sharon Swenson | Wardrobe Coordinator |
| Art | William M. Bates | Property Master |
| Sound | John Shouse | Sound Editor |
| Camera | Jack Woolf | Camera Operator |
| Costume & Make-Up | Forrest T. Butler | Wardrobe Coordinator |
| Editing | Gilbert Greene | Assistant Editor |
| Directing | Michael P. Schoenbrun | Second Assistant Director |
| Art | Richard Pefferle | Set Decoration |
| Directing | Victor Vallejo | Assistant Director |
| Production | John W. Rogers | Associate Producer |
| Writing | Chester Himes | Novel |
| Sound | Harry Sukman | Music |
| Art | James W. Sullivan | Art Direction |
| Sound | Albert Sendrey | Orchestrator |
| Sound | Harry Sukman | Conductor |
| Directing | George Rutter | Script Supervisor |
