Rossini: La cenerentola (2005)
Alla fine del XVIII secolo, in Italia, nella dimora signorile di Don Magnifico, la giovane e graziosa Angelina lavora come cameriera. Derisa dalle sue due frivole sorellastre, Clorinda e Tisby, Angelina crede di amare un giovane valletto e si reca al ballo. Vestita con i suoi abiti più belli, vi incontra colui che in realtà è il Principe e fugge dopo avergli consegnato un braccialetto che gli permetterà di riconoscerla poco dopo. Le maschere cadono, la bontà e l'amore trionfano! «La Cenerentola» è l’ultima opera buffa composta da Gioachino Rossini per il pubblico italiano. Dramma giocoso in due atti, su libretto di Jacopo Ferretti, liberamente tratto dalla fiaba «Cenerentola» (1697) di Charles Perrault, in cui la magia è stata eliminata a favore di un realismo venato di umorismo e critica sociale. Creata per il Carnevale di Roma al Teatro Valle di Roma, il 28 gennaio 1817. Registrata dal vivo all'Opera di Glyndebourne, a Lewes, nell'East Sussex, il 2 e il 4 giugno 2005.
Direttore: Robin Lough
 |
Ruxandra Donose as Angelina (Cenerentola) |
 |
Luciano di Pasquale as Don Magnifico |
 |
Maxim Mironov as Prince Don Ramiro |
 |
Simone Alberghini as Dandini |
 |
Raquela Sheeran as Clorinda |
 |
Lucia Cirillo as Tisbe |
 |
Nathan Berg as Alidoro |
 |
Vladimir Jurowski as Conductor |
 |
The Glyndebourne Chorus as Chorus |
|
London Philharmonic Orchestra as Orchestra |
|
Bernard McDonald as Chorus Master |
|
Pieter Schoeman as Leader |
|
Richard Barker as Foretepinao Continuo |
|
Susanne Beer as Cello Continuo |
|
Paul Kimber as Bass Continuo |
| Directing | Peter Hall | Stage Director |
| Sound | Vladimir Jurowski | Conductor |
| Crew | Gioachino Rossini | Compositor |
| Art | Hildegard Bechtler | Set Designer |
| Lighting | Peter Mumford | Lighting Design |
| Directing | Robin Lough | Director |
| Writing | Jacopo Ferretti | Writer |
| Writing | Charles Perrault | Original Story |
| Costume & Make-Up | Moritz Junge | Costume Designer |
| Art | Lynne Hockney | Art Direction |
| Sound | Roberto Polastri | Assistant Music Supervisor |
| Directing | James Robert Carson | Assistant Director |
| Production | Gus Christie | Executive Producer |
| Production | David Pickard | General Manager |
| Production | Sarah Haywood | Finance |
| Crew | Dave Locker | Technical Supervisor |
| Costume & Make-Up | Katy Fray | Makeup Artist |
| Art | Paul Brown | Props |
| Lighting | Keith Benson | Lighting Manager |
| Production | Sergio Ruiz | Producer |
| Production | Lucy Billingham | Producer |
| Production | Lauren Henty | Producer |
| Production | Emma Hall | Producer |
| Costume & Make-Up | Karen Maffey | Makeup Artist |
| Costume & Make-Up | Karen Maffey | Wig Designer |
| Sound | Steve Williams | Sound Assistant |
| Sound | Steve Blinko | Sound Assistant |
| Sound | Harold Loveday | Sound Assistant |
| Sound | Gary Stewart | Sound Assistant |
| Sound | Beth Missen | Sound Assistant |
| Camera | Wayne Ratcliffe | Camera Operator |
| Camera | Peter Johnson | Camera Operator |
| Camera | Phillip Pierce | Camera Operator |
| Camera | Dan Scala | Camera Operator |
| Camera | Geoff Greenslade | Camera Operator |
| Camera | David Montoya | Camera Operator |
| Camera | Doug Young | Camera Operator |
| Camera | David Gopsill | Camera Supervisor |
| Crew | David Perez Gancedo | Manager of Operations |
| Sound | Andy Rose | Sound Engineer |
| Directing | Judith Ghesterman | Script Supervisor |
| Crew | Peter Mumford | Lighting Camera |
| Editing | Trevor Brown | Color Grading |
| Editing | Graham Portbury | Editor |
| Editing | Simon Horobin | Editor |
| Sound | James Whitbourn | Music Producer |
| Production | Toshio Asaoka | Associate Producer |
| Production | Hans Petri | Executive Producer |
