Per favore, non toccate le vecchiette! (1968)
Un produttore di Broadway, per frodare il fisco, si fa finanziare da ricche vecchiette uno spettacolo, sicuro che sarà un fiasco. Film d'esordio di M. Brooks (che prese un Oscar per la sceneggiatura) è diventato un cult movie per la sgangherata forza satirica nella rappresentazione del mondo teatrale. Grande spasso nelle scene della commedia musicale. La voce della canzone “Springtime for Hitler” è di Brooks.
Direttore: Mel Brooks
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Zero Mostel as Max Bialystock |
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Gene Wilder as Leo Bloom |
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Dick Shawn as Lorenzo St. DuBois (L.S.D.) |
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Kenneth Mars as Franz Liebkind |
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Estelle Winwood as "Hold Me Touch Me" |
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Christopher Hewett as Roger De Bris |
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Andréas Voutsinas as Carmen Ghia |
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Lee Meredith as Ulla |
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Renée Taylor as Eva Braun |
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Michael Davis as Production Tenor |
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John Zoller as Drama Critic |
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Madlyn Cates as Concierge |
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Frank Campanella as The Bartender |
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Arthur Rubin as Auditioning Hitler |
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Zale Kessler as Jason Green |
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Bernie Allen as Auditioning Hitler |
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Rusty Blitz as Auditioning Hitler |
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Anthony Gardell as Auditioning Hitler |
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Mary Love as Lady |
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Amelie Barleon as Lady |
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Nell Harrison as Lady |
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Elsie Kirk as Lady |
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Anne Ives as Lady |
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Barney Martin as Göring |
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David Patch as Goebbels |
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Diana Eden as Showgirl |
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Tucker Smith as Lead Dancer |
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David Evans as Lead Dancer |
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Josip Elic as Violinist |
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Shimen Ruskin as The Landlord |
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William Hickey as The Drunk |
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Brutus Peck as Hot Dog Vendor |
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Mel Brooks as Singer in "Springtime for Hitler" (voice) (uncredited) |
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Bill Macy as Jury Foreman (uncredited) |
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Linda Gillen as Sax Player (uncredited) |
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Robert Paget as Auditioning Hitler (uncredited) |
| Production | Sidney Glazier | Producer |
| Sound | John Morris | Original Music Composer |
| Directing | Mel Brooks | Director |
| Editing | Ralph Rosenblum | Editor |
| Art | Charles Rosen | Production Design |
| Production | Louis A. Stroller | Unit Manager |
| Directing | Michael Hertzberg | Assistant Director |
| Sound | Mel Brooks | Songs |
| Production | Jack Grossberg | Associate Producer |
| Sound | John Morris | Conductor |
| Art | Elinor Bunin | Title Designer |
| Sound | Norman Blagman | Songs |
| Production | Robert Porter | Production Supervisor |
| Writing | Mel Brooks | Lyricist |
| Production | Connie Schoenberg | Production Secretary |
| Writing | Herbert Hartig | Lyricist |
| Sound | Felix Giglio | Music Supervisor |
| Camera | Edward R. Brown | Camera Operator |
| Art | James Dalton | Set Decoration |
| Costume & Make-Up | Celia Bryant | Wardrobe Master |
| Crew | Alan Johnson | Choreographer |
| Production | Alfa-Betty Olsen | Casting Director |
| Directing | Martin Danzig | Second Assistant Director |
| Editing | Michael Breddan | Assistant Editor |
| Crew | Eli Aharoni | Carpenter |
| Art | Joe Williams Sr. | Construction Manager |
| Lighting | Morton Novak | Gaffer |
| Sound | Willard W. Goodman | Production Sound Mixer |
| Directing | Betty Todd | Script Supervisor |
| Camera | Edward Engels | Grip |
| Production | Robert Buchman | Producer's Assistant |
| Crew | Shelly Bartolini | Scenic Artist |
| Sound | Alan Heim | Sound Editor |
| Writing | Mel Brooks | Writer |
| Camera | Joseph F. Coffey | Director of Photography |
| Costume & Make-Up | Irving Buchman | Makeup Artist |
| Costume & Make-Up | Gene Coffin | Costume Design |
