The Shrouds - Segreti sepolti (2025)
FantascienzaThrillerHorrorDrammaMistero
Rimasto vedovo di Becca da quattro anni, Karsh ha faticosamente trovato il modo di elaborare il lutto, benché in maniera peculiare. Grazie ai suoi ingenti mezzi finanziari ha fondato una società, GraveTech, che fabbrica sudari speciali, che permettono di riprendere con videocamere i defunti e di farli osservare post mortem ai congiunti attraverso un dispositivo elettronico. Soprattutto Karsh può così osservare Becca in ogni momento, anche da morta. Così facendo, scopre un'anomalia nelle ossa di Becca, come se queste stessero mutando sottoterra. Nel frattempo il cimitero GraveTech dove è sepolta Becca subisce un atto di vandalismo e di hacking informatico, apparentemente riconducibile a un gruppo di ecoterroristi islandesi. Maury, cognato di Karsh, e Terry, sua ex moglie e sorella di Becca, identica a lei tranne per carattere e acconciatura, pensano che siano coinvolti servizi segreti russi e cinesi, interessati alle potenzialità strategiche offerte dai sistemi GraveTech.
Direttore: David Cronenberg
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Vincent Cassel as Karsh Relikh |
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Diane Kruger as Becca Relikh / Terry Gelernt / Hunny |
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Guy Pearce as Maury Entrekin |
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Sandrine Holt as Soo-Min Szabo |
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Elizabeth Saunders as Gray Foner |
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Jennifer Dale as Myrna Shovlin |
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Eric Weinthal as Dr. Hofstra |
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Jeff Yung as Dr. Rory Zhao |
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Ingvar E. Sigurðsson as Elvar |
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Vieslav Krystyan as Karoly Szabo |
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Matt Willis as Muscle |
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Steve Switzman as Dr. Jerry Eckler |
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Victoria Fodor as Restaurant Hostess |
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Jill Niedoba as Private Plane Hostess |
| Directing | David Cronenberg | Director |
| Production | Michel Merkt | Producer |
| Production | Martin Katz | Producer |
| Production | Saïd Ben Saïd | Producer |
| Directing | David Warry-Smith | First Assistant Director |
| Costume & Make-Up | Jane Flanders | Costume Supervisor |
| Costume & Make-Up | Alexandra Anger | Prosthetics |
| Costume & Make-Up | Larissa Palaszczuk | Key Makeup Artist |
| Costume & Make-Up | Anna Dal Farra | Assistant Costume Designer |
| Costume & Make-Up | Silvana Sacco | Costumer |
| Crew | Douglas Wilkinson | Post Production Supervisor |
| Directing | Dug Rotstein | Script Supervisor |
| Directing | Ken A. Smith | Second Assistant Director |
| Costume & Make-Up | Monica Pavez | Prosthetic Makeup Artist |
| Writing | David Cronenberg | Writer |
| Editing | Christopher Donaldson | Editor |
| Production | Anthony Vaccarello | Producer |
| Production | Kevin Chneiweiss | Executive Producer |
| Production | Marieke Tricoire | Executive Producer |
| Sound | Rob Bertola | Supervising Sound Editor |
| Sound | Paul Germann | Sound Effects Editor |
| Sound | Jill Purdy | Supervising Sound Editor |
| Sound | Mark Zsifkovits | Sound Mix Technician |
| Sound | Christian T. Cooke | Sound Mixer |
| Lighting | Terry Barbet | Key Rigging Grip |
| Camera | Briana Blades | Grip |
| Sound | Howard Shore | Original Music Composer |
| Art | Justin Stephenson | Main Title Designer |
| Visual Effects | Guillaume Le Gouez | Visual Effects Supervisor |
| Costume & Make-Up | Diane Mazur | Makeup Department Head |
| Art | Jefferson Gonsalves | Set Dresser |
| Directing | Billy Gridley | Third Assistant Director |
| Art | Shari Spier | Graphic Designer |
| Sound | Trevor Goulet | Sound Mixer |
| Production | Steve Solomos | Co-Producer |
| Production | Deborah Marks | Production Manager |
| Art | Carol Spier | Production Design |
| Art | Jason Clarke | Art Direction |
| Costume & Make-Up | Anne Dixon | Costume Design |
| Costume & Make-Up | Jaime Donnelly | Key Hair Stylist |
| Camera | Douglas Koch | Director of Photography |
| Costume & Make-Up | Anna-Claude Biron | Seamstress |
| Sound | Jason McFarling | Boom Operator |
| Camera | Jason Greenslade | Dolly Grip |
| Costume & Make-Up | Jozie Conte | Costume Set Supervisor |
| Production | Srđan Vilotijević | Location Manager |
| Camera | Sophie Giraud | Still Photographer |
| Crew | Arlene Halpenny-Heeley | Driver |
| Production | Winnie W. Wong | Production Assistant |
| Camera | Brian E. Hill | Assistant Grip |
| Camera | Mark Manchester | Key Grip |
| Lighting | Vasco JW Silva | Assistant Gaffer |
| Production | Sandra Alcocer | Assistant Production Coordinator |
| Sound | Steve Baine | Foley Artist |
| Visual Effects | Benjamin Blatière | Digital Compositor |
| Visual Effects | Téo L'Huillier | Digital Compositor |
| Visual Effects | Emmanuel Le Courbe | Digital Compositor |
| Visual Effects | Louis Lion | Digital Compositor |
| Visual Effects | Emilia Napame | Digital Compositor |
| Visual Effects | Eve Panneau | Digital Compositor |
| Visual Effects | Vincent Perzo | Digital Compositor |
| Visual Effects | Thomas Ravaud | Digital Compositor |
| Visual Effects | Jordan Recoquillon | Digital Compositor |
| Visual Effects | Jacob Rogers | Digital Compositor |
| Visual Effects | Anima Rolland | Digital Compositor |
| Sound | Mark Zsifkovits | Sound Re-Recording Mixer |
| Visual Effects | Pierre Procoudine-Gorsky | Visual Effects Producer |
| Production | Kateryna Merkt | Executive Producer |
| Production | Charles Tremblay | Executive Producer |
| Production | Ariane Giroux-Dallaire | Executive Producer |
| Production | Deirdre Bowen | Casting |
| Visual Effects | Peter McAuley | Visual Effects Supervisor |
| Art | Vincent Harper | Set Dresser |
| Art | Ian Santiana | Set Dresser |
| Camera | Andreas Evdemon | Camera Operator |
| Costume & Make-Up | Paula Fleet | Hair Department Head |
| Sound | Christian T. Cooke | Sound Re-Recording Mixer |
| Sound | David Rose | Sound Effects Editor |
| Sound | Fraser Gee | Foley Artist |
| Sound | Peter Persaud | Foley Recordist |
| Sound | Daniel Moctezuma | Foley Recordist |
| Crew | Glenn Hughes | Picture Car Coordinator |
| Lighting | Chris Pye | Lighting Technician |
| Crew | Aurore Rousset | CG Supervisor |
