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Anitya (Impermanence) (2016) as Herself |
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返歸 (2024) Producer |
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所以我快樂 (2024) Producer |
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四十六月 (2023) Producer |
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where time stood still (2022) Director |
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The Dying Artist (2019) Producer |
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OSOM (Jangan Kena Tangkap Sudah) (2019) Production Design |