My Cousin Rachel (2017)
Een jonge Engelsman genaamd Philip de Cornish erft het landgoed van zijn voogd. Al snel wordt Philip verliefd op zijn verleidelijke nichtje Rachel. Zijn gevoelens worden echter complex als er bewijs naar boven komt dat suggereert dat Rachel Philip's voogd heeft vermoord en ze alleen belangstelling in Philip heeft om de erfenis te stelen.
Regiseur:
Roger Michell
Schrijver:
Roger Michell
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Rachel Weisz as Rachel |
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Sam Claflin as Philip |
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Holliday Grainger as Louise |
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Iain Glen as Kendall |
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Pierfrancesco Favino as Rinaldi |
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Simon Russell Beale as Couch |
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Vicki Pepperdine as Mrs. Pascoe |
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Tim Barlow as Seecombe |
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Bobby Scott Freeman as John |
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Tristram Davies as Wellington |
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Andrew Havill as Parson Pascoe |
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Poppy Lee Friar as Mary Pascoe |
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Katherine Pearce as Belinda Pascoe |
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Roy Sampson as Doctor |
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Adam Loxley as Adam |
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Andrew Knott as Joshua |
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Alexander Arnold as Young Lad |
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Carl McCrystal as Geoffrey |
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Dorian Lough as Gabriel |
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Tobias Beer as William |
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Harrie Hayes as Tess |
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Chris Gallarus as Timothy |
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Neill MacColl as Singer |
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Wilf Walters as Pig Farmer |
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Margaret Michell as Market Girl |
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Corin Chatwin as Philip at 2 |
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Sparrow Michell as Philip at 4 |
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Austin Taylor as Philip at 6 |
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Louis Suc as Philip at 12 |
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Stuart Davidson as Farmer (uncredited) |
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Deano Bugatti as Ambrose (uncredited) |
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Attila G. Kerekes as Villager (uncredited) |
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Holly Sohail as Woman (uncredited) |
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Don Whistance as Farmer (uncredited) |
| Directing | Roger Michell | Director |
| Production | Anita Overland | Co-Producer |
| Editing | Kristina Hetherington | Editor |
| Production | Enrico Ballarin | Line Producer |
| Production | Kevin Loader | Producer |
| Writing | Daphne du Maurier | Novel |
| Writing | Roger Michell | Adaptation |
| Sound | Rael Jones | Original Music Composer |
| Production | Fiona Weir | Casting |
| Costume & Make-Up | Dinah Collin | Costume Design |
| Art | Barbara Herman-Skelding | Set Decoration |
| Camera | Mike Eley | Director of Photography |
| Art | Alice Normington | Production Design |
| Writing | Roger Michell | Screenplay |
| Production | Roger Michell | Executive Producer |
| Production | Harriet Lawrence | Location Manager |
| Production | Leonardo Semplici | Location Manager |
| Production | Simonetta Di Fresco | Production Manager |
| Production | Nicola Morrow | Unit Production Manager |
| Production | Rebecca Booth | Production Coordinator |
| Production | Victoria Zalin | Production Coordinator |
| Production | Sarah Wilson | Casting Assistant |
| Art | Howard Watkins | Title Designer |
| Art | Jonathon Lawrence | Location Scout |
| Art | Emma Woodcock | Location Scout |
| Sound | Al Green | Music Editor |
| Production | Claudio Lullo | Unit Manager |
| Production | David Powell | Unit Manager |
| Crew | Louise Seymour | Post Production Supervisor |
| Art | Elo Soode | Concept Artist |
| Art | Elo Soode | Conceptual Design |
| Lighting | John Truckle | Rigging Gaffer |
| Costume & Make-Up | Marese Langan | Hair Designer |
| Directing | Tom Rye | Second Assistant Director |
| Art | Francesco Postiglione | Assistant Property Master |
| Camera | Sergio Bernuzzi | Key Grip |
| Camera | Isabella Alfonzo | Camera Trainee |
| Camera | Nicola Dove | Still Photographer |
| Lighting | Gary Hayler | Best Boy Electric |
| Camera | Christopher Starkey | Second Assistant "B" Camera |
| Camera | Oliver Driscoll | First Assistant "A" Camera |
| Directing | Barrie McCulloch | First Assistant Director |
| Sound | Paul Carter | Sound Designer |
| Sound | Matt Davies | Dialogue Editor |
| Camera | Alessandro Brambilla | Steadicam Operator |
| Costume & Make-Up | Renata Gilbert | Makeup & Hair |
| Costume & Make-Up | Barrie Gower | Prosthetic Designer |
| Sound | Paul Cotterell | Sound Re-Recording Mixer |
| Camera | Jeremy Braben | Aerial Director of Photography |
| Art | Jonathan Houlding | Concept Artist |
| Camera | Peter Ayriss | Drone Pilot |
| Editing | Jo Dixon | First Assistant Editor |
| Costume & Make-Up | Kay Bilk | Makeup & Hair |
| Crew | Seon Rogers | Stunt Coordinator |
| Camera | Ian Coffey | First Assistant "A" Camera |
| Lighting | Paul Molloy | Electrician |
| Camera | Maiya Rose | Second Assistant "A" Camera |
| Costume & Make-Up | Marese Langan | Makeup Designer |
| Crew | Rob Jarman | Stunts |
| Sound | Danny Hambrook | Sound Mixer |
| Production | Robert Platt-Higgins | Post Production Coordinator |
| Costume & Make-Up | Victoria Bancroft | Prosthetic Makeup Artist |
| Sound | Mark DeSimone | ADR Mixer |
| Camera | Simon Baker | Second Unit Director of Photography |
| Crew | Penny Dyer | Dialect Coach |
| Art | Charmian Adams | Supervising Art Director |
| Visual Effects | Chris Reynolds | Special Effects Supervisor |
| Sound | Danny Sheehan | Supervising Sound Editor |
| Sound | Oskar von Unge | Foley Editor |
| Camera | Luke Selway | Second Assistant "A" Camera |
| Crew | Charles Bodycomb | Armorer |
| Sound | Barnaby Smyth | Foley Artist |
| Camera | Francesco Ferrari | First Assistant "B" Camera |
| Costume & Make-Up | Jenna McGranaghan | Costume Supervisor |
| Sound | Simon Diggins | ADR Mixer |
| Crew | Jamie Edgell | Stunts |
| Crew | Claudia Kalindjian | Unit Publicist |
| Directing | Kevin Loader | Second Unit Director |
| Crew | Lee Sheward | Stunt Coordinator |
| Costume & Make-Up | Chris Lyons | Special Effects Makeup Artist |
| Costume & Make-Up | Nathaniel De'Lineadeus | Special Effects Makeup Artist |
| Costume & Make-Up | Decor Elaine | Makeup Artist |
| Costume & Make-Up | Patt Foad | Prosthetics |
| Production | Katie Goodson | Executive Producer |
