27: El club de los Malditos (2018)
Na de dood van een muzikant onder verdachte omstandigheden onderzoeken een onderzoeker en een muziekfan waarom rocksterren vaak op 27-jarige leeftijd overlijden.
Regiseur: Nicanor Loreti
| Writing | Paula Manzone | Writer |
| Writing | Alex Cox | Writer |
| Sound | Pablo Sala | Sound Designer |
| Sound | Pablo Sala | Sound |
| Production | Kutty Canteros | Production Assistant |
| Sound | Lucas Pablo Ulecia Sanz | Boom Operator |
| Art | Catalina Oliva | Production Design |
| Crew | Nahuel Lozano | Stunt Double |
| Sound | Cristian Rolon | Boom Operator |
| Visual Effects | Alberto Jaceniuk | Special Effects Supervisor |
| Sound | Luciana Migliano | Sound Recordist |
| Directing | Bernardo Bronstein | Continuity |
| Camera | Benjamín Delgado | First Assistant Camera |
| Lighting | David Sroka Cubero | Electrician |
| Costume & Make-Up | Gustavo Alderete | Costume Design |
| Directing | Martín Armoya | Assistant Director |
| Production | Esteban Mentasti | Executive Producer |
| Production | Kutty Canteros | Producer's Assistant |
| Production | María Belén Dono | Administration |
| Art | Catalina Oliva | Art Direction |
| Art | Valentín Carminati | Props |
| Camera | Lucas Cheja | Still Photographer |
| Production | Néstor Sánchez Sotelo | Executive Producer |
| Production | Néstor Sánchez Sotelo | Production Director |
| Directing | Inés Villanueva | Second Assistant Director |
| Production | Arelis Ruiz Arias | Producer's Assistant |
| Camera | Benjamín Delgado | Focus Puller |
| Lighting | Jorge Martínez | Lighting Manager |
| Camera | Santiago Abate | Focus Puller |
| Camera | Gustavo Triviño | Steadicam Operator |
| Crew | Lanfranco Burattini | Special Effects Coordinator |
| Production | Eduardo Alvarez | Production Assistant |
| Camera | Pablo Parés | Camera Operator |
| Camera | Emilio Razzetto | Grip |
| Camera | Sebastián Navone | Grip |
| Camera | Federico Jose Casagrande | Second Assistant Camera |
| Crew | Kaiken Meternicht | Video Assist Operator |
| Visual Effects | Juan Solo | Visual Effects |
| Camera | Mariano Suárez | Camera Operator |
| Lighting | Carlos Diaz | Gaffer |
| Crew | Román Kampelmacher | Special Effects Technician |
| Camera | Lucas Timerman | First Assistant Camera |
| Camera | Lucas Timerman | Focus Puller |
| Lighting | Matías Moccia | Electrician |
| Camera | Mariano Razzetto | Key Grip |
| Art | Milagros Garro | Assistant Set Designer |
| Costume & Make-Up | Elizabet Gora | Makeup Designer |
| Production | Adrián López | Producer's Assistant |
| Art | Cecilia Jacquemin | Set Designer |
| Costume & Make-Up | Barbara Querido | Hair Designer |
| Camera | Santiago Abate | First Assistant Camera |
| Crew | Hernán Ricci | Special Effects Technician |
| Crew | Constanza Pugliese | Special Effects Technician |
| Sound | Pablo Sala | Music |
| Production | Federico Peña | Production Manager |
| Production | Roy Elfenbaum | Production Trainee |
| Lighting | Salvador Berciani | Electrician |
| Art | Victoria Cachan | Assistant Set Designer |
| Costume & Make-Up | Natalia González | Assistant Costume Designer |
| Costume & Make-Up | Rebeca Martínez | Special Effects Makeup Artist |
| Editing | Emanuel Flax | Editor |
| Visual Effects | Pablo Zamparini | Visual Effects |
| Editing | Pablo Parés | Color Grading |
| Directing | Bernardo Bronstein | Script Supervisor |
| Directing | Nicanor Loreti | Director |
| Writing | Nicanor Loreti | Writer |
| Camera | Mariano Suárez | Director of Photography |
| Production | Hori Mentasti | Executive Producer |
