Speriamo che sia femmina (1986)
Een veelzijdige verkenning van de zinloosheid van seksuele stereotypen. Liv Ullmann is een gravin die na haar scheiding de familieboerderij overneemt. Ullmann realiseert zich dat ze voor hulp niet kan vertrouwen op de patriarchale samenlevingsstructuur en runt de boerderij zelf met de hulp van haar vrouwelijke bedienden en familieleden. Wanneer de graaf (Philipe Noiret) terug in haar leven komt, worden hij en zijn mannelijke vrienden overklast door de expertise van de dames.
Regiseur:
Mario Monicelli
Schrijvers:
Leonardo Benvenuti, Piero De Bernardi, Tullio Pinelli, Mario Monicelli, Suso Cecchi d'Amico.
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Liv Ullmann as Elena |
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Catherine Deneuve as Claudia |
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Philippe Noiret as Leonardo |
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Giuliana De Sio as Franca |
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Stefania Sandrelli as Lolli |
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Bernard Blier as Uncle Gugo |
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Giuliano Gemma as Nardoni |
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Athina Cenci as Fosca |
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Paolo Hendel as Giovannini |
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Lucrezia Lante della Rovere as Malvina |
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Adalberto Maria Merli as Cesare Molteni, amante di Claudia |
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Nuccia Fumo as Rosa Nardoni, mamma di Guido |
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Paul Müller as Prete direttore dell'ospizio |
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Carlo Monni as Autista |
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Francesca Calò as Martina, figlia di Claudia |
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Simona Cera as Immacolata detta Imma, figlia di Fosca |
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Enio Drovandi as Don Maurizio |
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Mario Cecchi as Mario il contadino |
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Riccardo Diana as Franco il bracciante |
| Directing | Mario Monicelli | Director |
| Writing | Tullio Pinelli | Story |
| Production | Giovanni Di Clemente | Producer |
| Sound | Nicola Piovani | Original Music Composer |
| Production | Giammaria Vismara | Production Supervisor |
| Costume & Make-Up | Mario Scutti | Makeup Department Head |
| Costume & Make-Up | Gerardo Raffaeli | Hairstylist |
| Production | Francesco Anniballi | Production Secretary |
| Camera | Roberto Brega | Camera Operator |
| Editing | Ruggero Mastroianni | Editor |
| Sound | Nicola Piovani | Conductor |
| Lighting | Domizio Ercolani | Gaffer |
| Directing | Francesca Roberti | Script Supervisor |
| Camera | Camillo Bazzoni | Director of Photography |
| Sound | Graziano Ruzzeddu | Sound |
| Camera | Gianfranco Salis | Still Photographer |
| Production | Bruno Ridolfi | Production Manager |
| Directing | Riccardo Milani | Second Assistant Director |
| Editing | Gasperina Marani | Assistant Editor |
| Editing | Ambra Giombolini | Assistant Editor |
| Directing | Francesco Germi | Second Assistant Director |
| Production | Antonio Tacchia | Production Supervisor |
| Camera | Maurizio Piano | Assistant Camera |
| Editing | Leda Bellini | Assistant Editor |
| Art | Giancarlo Capuani | Set Decoration |
| Writing | Leonardo Benvenuti | Screenplay |
| Writing | Piero De Bernardi | Screenplay |
| Production | Raimondo Castelli | Production Coordinator |
| Sound | Romano Pampaloni | Sound Mixer |
| Writing | Tullio Pinelli | Screenplay |
| Writing | Mario Monicelli | Screenplay |
| Costume & Make-Up | Ezio Altieri | Costume Design |
| Camera | Roberto Luzzi | Assistant Camera |
| Art | Enrico Fiorentini | Production Design |
| Camera | Massimo Di Venanzo | Camera Operator |
| Writing | Suso Cecchi d'Amico | Screenplay |
| Sound | Marco Grillo | Boom Operator |
| Costume & Make-Up | Nadia Vitali | Assistant Costume Designer |
| Sound | Renato Marinelli | Foley Artist |
| Costume & Make-Up | Renata Magnanti | Hairstylist |
| Camera | Giacomo Tomaselli | Key Grip |
| Directing | Giacomo Campiotti | First Assistant Director |
