Похождения Дон Жуана (1948)
В центре сюжета Дон Жуан, вернувшийся в Испанию и очутившийся в водовороте интриг, заговоров и романтических отношений.
Директор:
Vincent Sherman
Писатели:
Гарри Кернитц, George Oppenheimer, Уильям Фолкнер, Robert Florey.
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Эррол Флинн as Don Juan de Maraña |
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Viveca Lindfors as Rainha Margarida |
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Robert Douglas as Duque de Lorca |
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Алан Хейл as Leporello |
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Romney Brent as Filipe III de Espanha / II de Portugal |
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Энн Разерфорд as Donna Elena |
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Robert Warwick as Don José, Conde de Polan |
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Jerry Austin as Don Sebastian |
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Douglas Kennedy as Don Rodrigo |
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Jean Shepherd as Donna Carlotta |
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Mary Stuart as Catherine |
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Helen Westcott as Lady Diana |
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Fortunio Bonanova as Don Serafino Lopez |
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Обри Мазер as Lord Chalmers |
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Уна О’Коннор as Duenna |
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Рэймонд Бёрр as Capitão Alvarez |
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Rama Bai as Girl at Inn |
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Karen Randle as Girl at Inn (uncredited) |
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Leon Belasco as Don de Córdoba (uncredited) |
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Barbara Bates as Innkeeper's daughter (uncredited) |
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Monte Blue as Turnkey (uncredited) |
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David Bruce as Count D'Orsini (uncredited) |
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David Cota as Carlos (uncredited) |
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Linda Lombard as Girl at Inn (uncredited) |
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Caren Marsh as Girl At Inn |
| Editing | Alan Crosland, Jr. | Editor |
| Writing | Herbert Dalmas | Story |
| Writing | Гарри Кернитц | Screenplay |
| Production | Jerry Wald | Producer |
| Writing | George Oppenheimer | Screenplay |
| Directing | Vincent Sherman | Director |
| Lighting | Joe O'Connell | Gaffer |
| Art | Lyle B. Reifsnider | Set Decoration |
| Sound | Everett Alton Brown | Sound Director |
| Crew | Fred Cavens | Stunts |
| Visual Effects | Mitchell Kovaleski | Color Designer |
| Camera | Elwood Bredell | Director of Photography |
| Costume & Make-Up | Marjorie Best | Wardrobe Supervisor |
| Writing | Уильям Фолкнер | Screenplay |
| Costume & Make-Up | Faye Hanlin | Hairstylist |
| Production | Frank Mattison | Production Manager |
| Sound | Ray Heindorf | Music Supervisor |
| Art | Edward Carrere | Art Direction |
| Costume & Make-Up | Perc Westmore | Makeup Department Head |
| Crew | John Crouse | Special Effects |
| Art | Harry Platt | Set Decoration |
| Crew | Don Turner | Stunts |
| Lighting | Frank Flanagan | Gaffer |
| Costume & Make-Up | Travilla | Costume Supervisor |
| Costume & Make-Up | Norman Pringle | Makeup Artist |
| Costume & Make-Up | Leah Rhodes | Costume Supervisor |
| Visual Effects | Natalie Kalmus | Color Designer |
| Crew | Josef Wollf | Post Production Assistant |
| Costume & Make-Up | Ward Hamilton | Makeup Artist |
| Art | Harper Goff | Set Designer |
| Crew | Paul Baxley | Stunts |
| Costume & Make-Up | Helen Goodman | Wardrobe Supervisor |
| Costume & Make-Up | Cherie Banks | Hairstylist |
| Costume & Make-Up | Robert J. Schiffer | Makeup Artist |
| Camera | Lloyd MacLean | Still Photographer |
| Costume & Make-Up | Rudy Harrington | Wardrobe Supervisor |
| Costume & Make-Up | Mike Ryan | Wardrobe Supervisor |
| Sound | Murray Cutter | Orchestrator |
| Crew | Erika Streithorst | Translator |
| Costume & Make-Up | Roy Dumont | Wardrobe Supervisor |
| Art | J. Leslie Asher | Prop Designer |
| Crew | Jock Mahoney | Stunts |
| Crew | Bert LeBaron | Stunts |
| Camera | Harold Noyes | Grip |
| Art | Morris Goldman | Prop Designer |
| Crew | Sol Gorss | Stunts |
| Writing | Robert Florey | Screenplay |
| Directing | Richard Maybery | Assistant Director |
| Camera | Al Green | Camera Operator |
| Camera | James Knott | Camera Operator |
| Lighting | John Pofahl | Best Boy Electrician |
| Sound | Maurice Murphy | Dialogue Editor |
| Costume & Make-Up | Marjorie Best | Costume Design |
| Visual Effects | William C. McGann | Special Effects Supervisor |
| Directing | Wandra Ramsey | Script Supervisor |
| Sound | Max Steiner | Music |
