В прошлом году в Мариенбаде (1961)
Этот фильм в момент своего появления вызвал бурю споров, массу противоречивых оценок - от восторгов до полного неприятия, став на какое-то время чуть ли не нарицательным при определении заумно-интеллектуального (как на Западе) или буржуазно-элитарного (так у нас) кинематографа. Например, ошибочный вариант перевода “Прошлым летом в Мариенбаде” даже спровоцировал отечественного драматурга Александра Вампилова на демонстративно спорящую перекличку заголовка его пьесы “Прошлым летом в Чулимске”.Вторая игровая картина 39-летнего Алена Рене снята им по сценарию одного из основоположников “нового романа” Алена Роб-Грийе, затем тоже переквалифицировавшегося в режиссёры, и, несомненно, оказала в дальнейшем значительное влияние на мировой кинематограф благодаря своим оригинальным поискам и открытиям в области киноязыка. Многие из новаций, предложенных Робб-Грийе и Рене, всё равно были восприняты и усвоены деятелями кино.
Директор:
Alain Resnais
Писатель:
Alain Robbe-Grillet
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Дельфин Сейриг as A – The Brunette Woman |
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Giorgio Albertazzi as X – The man with the Italian Accent |
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Sacha Pitoëff as M – The Other Man with the Lean Face, The Husband |
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Франсуаз Бертен as A Character from the Hotel |
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Luce Garcia-Ville as A Character from the Hotel |
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Héléna Kornel as A Character from the Hotel |
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Françoise Spira as A Character from the Hotel |
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Karin Toche-Mittler as A Character from the Hotel |
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Pierre Barbaud as A Character from the Hotel |
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Wilhelm von Deek as A Character from the Hotel |
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Jean Lanier as A Character from the Hotel |
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Gérard Lorin as A Character from the Hotel |
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Davide Montemurri as A Character from the Hotel |
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Gilles Quéant as A Character from the Hotel |
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Gabriel Werner as A Character from the Hotel |
| Costume & Make-Up | Bernard Evein | Costume Design |
| Production | Raymond Froment | Producer |
| Sound | Francis Seyrig | Original Music Composer |
| Directing | Alain Resnais | Director |
| Writing | Alain Robbe-Grillet | Screenplay |
| Production | Pierre Courau | Producer |
| Editing | Henri Colpi | Editor |
| Editing | Jasmine Chasney | Editor |
| Art | Jacques Saulnier | Production Design |
| Art | Jean-Jacques Fabre | Set Decoration |
| Sound | Jean Nény | Sound Re-Recording Mixer |
| Production | Anatole Dauman | Producer |
| Sound | René Renault | Sound |
| Production | Léon Sanz | Production Manager |
| Art | André Piltant | Set Decoration |
| Sound | Jean-Claude Marchetti | Sound |
| Costume & Make-Up | Alexandre Marcus | Key Makeup Artist |
| Sound | Guy Villette | Sound |
| Art | Georges Glon | Set Decoration |
| Costume & Make-Up | Éliane Marcus | Makeup Artist |
| Art | Georges Glon | Assistant Art Director |
| Directing | Volker Schlöndorff | Second Assistant Director |
| Camera | Louis Balthazard | Key Grip |
| Sound | André Girard | Conductor |
| Production | Jean-Jacques Lécot | Assistant Production Manager |
| Art | Jean-Jacques Fabre | Assistant Art Director |
| Camera | Philippe Brun | Camera Operator |
| Art | Jean Fouchet | Title Designer |
| Sound | Robert Cambourakis | Sound Assistant |
| Art | André Piltant | Assistant Art Director |
| Production | Robert Dorfmann | Co-Producer |
| Camera | François Lauliac | Second Assistant Camera |
| Camera | Georges Pierre | Still Photographer |
| Production | Janine Thaon | Production Secretary |
| Camera | Guy Delattre | First Assistant Camera |
| Lighting | Elie Fontanille | Electrician |
| Directing | Sylvette Baudrot | Script Supervisor |
| Directing | Jean Léon | First Assistant Director |
| Art | Charles Merangel | Set Dresser |
| Camera | René Stocki | Key Grip |
| Sound | Marie-Louise Girod | Musician |
| Directing | Florence Malraux | Second Assistant Director |
| Camera | Sacha Vierny | Director of Photography |
| Writing | Alain Robbe-Grillet | Storyboard |
| Writing | Alain Robbe-Grillet | Idea |
