Свинцовый рюкзак (2018)
Сегодня день правды. Томасу 12 и он устал слушать оправдания взрослых, сегодня день, когда человек, убивший его отца, выходит из тюрьмы. И Томас подготовился к этому.
Директор:
Darío Mascambroni
Писатели:
Miguel Angel Papalini, Florencia Wehbe, Darío Mascambroni.
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Facundo Underwood as Tomás |
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Gerardo Pascual as Pichín |
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Elisa Gagliano as Andrea |
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Osvaldo Wehbe as Pancho |
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Rubén Gattino as Jejé |
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Агустин Риттано as Nenino |
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Ignacio Álvarez as Gringo |
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Franco Grazzia as César |
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Jeremías Britos as Tula |
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Beto Bermúdez as Fran |
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Marcelo Arbach as Preceptor |
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María Belén Pistone as Tía |
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Marcelo Benejan as Ricardo |
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Ramiro Maestrello as Daniel |
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Lucas Zárate as Hermano mayor de Pichín |
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Sebastián Galíndez as Chico pelea |
| Production | Fernanda Rocca Lada | Executive Producer |
| Directing | Darío Mascambroni | Director |
| Camera | Nadir Medina | Director of Photography |
| Editing | Lucía Torres Minoldo | Editor |
| Sound | Martín Alaluf | Sound Director |
| Production | Fernanda Rocca Lada | Producer |
| Production | Yanina Moyano | Producer's Assistant |
| Camera | Ezequiel Matcovich | Assistant Camera |
| Production | Marcela Zilli | Administration |
| Costume & Make-Up | Mariana Asis | Costume Design |
| Camera | Nadir Medina | Camera Operator |
| Art | Anita Chacon | Art Direction |
| Production | Paula Verónica Rodríguez | Administration |
| Art | Julia Pesce | Set Decoration |
| Art | Rodrigo Alabart | Props |
| Sound | Federico Disandro | Boom Operator |
| Sound | Santiago Rozadas | Foley Artist |
| Editing | Leandro Mirotti | Assistant Editor |
| Directing | Florencia Wehbe | Assistant Director |
| Lighting | Andres Grabois | Lighting Manager |
| Lighting | Maximiliano Wendler | Lighting Technician |
| Camera | Santiago Vallejo | Key Grip |
| Crew | Nicolas Crespo | Special Effects |
| Sound | Santiago Rozadas | Foley Editor |
| Directing | Ricardo Ryser | First Assistant Director |
| Production | Catalina Crocco | Production Trainee |
| Camera | Martín Velasco | Additional Camera |
| Costume & Make-Up | Yanina Pastor | Assistant Costume Designer |
| Lighting | Santiago Vallejo | Lighting Technician |
| Sound | Mariano Morcos | Dialogue Editor |
| Editing | Christian Leiva | Color Grading |
| Sound | Mariano Morcos | Foley Mixer |
| Production | Franco Álvarez Ujfalusi | Production Trainee |
| Lighting | Maximiliano Wendler | Lighting Manager |
| Sound | Martín Alaluf | Sound Effects Editor |
| Production | Ernesto López Jove | Production Trainee |
| Sound | Ezequiel Brodsky | Boom Operator |
| Lighting | Octavio Bertone | Gaffer |
| Sound | Martín Alaluf | Sound Effects |
| Directing | Miguel Angel Papalini | Continuity |
| Camera | Federico Piatti | First Assistant Camera |
| Costume & Make-Up | Melina Araya | Makeup Designer |
| Art | Jessicca Johanna Putero | Assistant Set Decoration |
| Sound | Erwin Otoño | Sound Technical Supervisor |
| Sound | Jorge Nazar | Original Music Composer |
| Writing | Miguel Angel Papalini | Screenplay |
| Production | Darío Mascambroni | Producer |
| Sound | Jerónimo Piazza | Original Music Composer |
| Production | Dalmira Tobal | Production Manager |
| Sound | Mariano Morcos | Sound Re-Recording Mixer |
| Writing | Florencia Wehbe | Screenplay |
| Writing | Darío Mascambroni | Screenplay |
| Lighting | Baltasar Albrecht | Electrician |
