I Used to Be Famous (2022)
Vince (Ed Skrein) war früher in der angesagtesten Boyband der Welt. Jetzt ist der geplagte ehemalige Popstar allein und verzweifelt. Er träumt von einem Comeback und beginnt, in den Straßen von Peckham aufzutreten, in der Hoffnung, dass irgendjemand zuhört. Ein improvisierter Jam mit Stevie (Leo Long), einem autistischen jungen Schlagzeuger mit einem unglaublichen Rhythmusgefühl, führt zu einer unerwarteten Freundschaft zwischen den beiden unverstandenen Musikern. Gemeinsam bilden sie durch die Kraft der Musik eine einzigartige Verbindung.
Der Regisseur: Eddie Sternberg
 |
Ed Skrein as Vince |
 |
Eleanor Matsuura as Amber |
 |
Eoin Macken as Austin |
 |
Kurt Egyiawan as Dia |
 |
Neil Stuke as Dennis |
 |
Racheal Ofori as Mel |
 |
Leo Long as Stevie |
 |
Lorraine Ashbourne as Cheryl |
 |
Stanley Morgan as Vince (age 19) |
 |
Lee Neville as Priest (uncredited) |
| Directing | Eddie Sternberg | Director |
| Writing | Eddie Sternberg | Writer |
| Writing | Zak Klein | Writer |
| Costume & Make-Up | Elizabeth Richards | Costume Supervisor |
| Production | Paul Grindey | Executive Producer |
| Production | James R.M. Hunt | Other |
| Production | Damian Jones | Executive Producer |
| Production | Collie McCarthy | Producer |
| Production | Christopher Pencakowski | Co-Producer |
| Production | John Palfery Smith | Line Producer |
| Sound | David M Saunders | Original Music Composer |
| Editing | Julian Ulrichs | Editor |
| Camera | Angus Hudson | Director of Photography |
| Production | Isabella Odoffin | Casting |
| Art | David Warren | Production Design |
| Art | Maike Koch | Art Direction |
| Art | Judy Ducker | Set Decoration |
| Costume & Make-Up | Helen Bolter | Costume Design |
| Costume & Make-Up | Konnie Daniel | Makeup & Hair |
| Costume & Make-Up | Gloria Peñaranda | Makeup & Hair |
| Costume & Make-Up | Karen Scott | Makeup Supervisor |
| Crew | Dan Styles | Fight Choreographer |
| Visual Effects | Ciaran Crowley | Visual Effects Supervisor |
| Visual Effects | Jamie O'Hara | Visual Effects |
| Directing | Abdoulie Mboob | Script Supervisor |
| Directing | Júlia Gallart Sunyer | Script Supervisor |
| Directing | Alexander Holt | First Assistant Director |
| Directing | Christopher Murray | Other |
| Crew | Ondy Janov | Floor Runner |
| Directing | James R. Kipping | Second Assistant Director |
| Crew | Pippa McCormick | Other |
| Directing | Ava Shacklady | Other |
| Camera | Sanja Bucko | Still Photographer |
| Lighting | Dury Burdis | Electrician |
| Lighting | Judge Burdis | Electrician |
| Camera | Alice Canty | Focus Puller |
| Camera | Emma Friend | First Assistant "B" Camera |
| Camera | Henry Landgrebe | Steadicam Operator |
| Lighting | Matt Markham | Electrician |
| Lighting | Dominik Palgan | Best Boy Electric |
| Camera | Derrick Peters | Camera Operator |
| Camera | Sonia Rodríguez Serrano | Second Assistant "A" Camera |
| Lighting | Thomas Royal | Rigging Gaffer |
| Lighting | Paul Sheppard | Genetator Operator |
| Camera | Jerome Smith | Digital Imaging Technician |
| Lighting | Kieran Waites | Gaffer |
| Sound | Lori Dovi | Production Sound Mixer |
| Sound | Liam Cotter | Other |
| Crew | James Cooper | Playback Coordinator |
| Sound | James Hyde | ADR Mixer |
| Sound | Nina Rice | Sound Mixer |
| Art | Dean Wares | Main Title Designer |
| Sound | Steve Single | Sound Re-Recording Mixer |
