Die Nadel (1981)
Der deutsche Spion Henry Faber in England nur die Nadel genannt, findet während des Zweiten Weltkrieges ein wichtiges Detail raus: an welcher Stelle, die Alliierten am D-Day landen wollen. Als sein Fluchtversuch aus scheitert, stösst er auf ein Pärchen, das ihn rettet…
Der Regisseur:
Richard Marquand
Der Autor:
Stanley Mann
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Donald Sutherland as Faber |
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Kate Nelligan as Lucy |
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Ian Bannen as Godliman |
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Christopher Cazenove as David |
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Faith Brook as Lucy's Mother |
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Barbara Ewing as Mrs. Garden |
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David Hayman as Canter |
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Alex McCrindle as Tom |
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Philip Martin Brown as Billy Parkin |
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Stephen MacKenna as Lieutenant |
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George Belbin as Lucy's Father |
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Barbara Graley as David's Mother |
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George Lee as Constable |
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Arthur Lovegrove as Peterson |
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Colin Rix as Oliphant |
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Chris Jenkinson as German SS Officer |
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William Merrow as German Radio Operator |
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Patrick Connor as Inspector Harris |
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Rupert Frazer as Muller |
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Jonathan Nicholas Haley as Jo |
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John Bennett as Kleinmann |
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Sam Kydd as Lock Keeper |
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John Paul as Home Guard Captain |
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Richard Graydon as Home Guard Private |
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Michael Mellinger as Portuguese Man |
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Allan Surtees as Colonel Terry |
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Don Fellows as American Colonel |
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Stewart Harwood as Sailor #1 |
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Rik Mayall as Sailor #2 |
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Rory Edwards as Sailor #3 |
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Ellis Dale as Station Master |
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Bill Fraser as Mr. Porter |
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Michael Josephs as German Naval Captain |
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John Rees as German Naval Operator |
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John Grieve as Inspector Kincaid |
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Bruce White as Oban Policeman |
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David Ashton as Oban Radio Operator |
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Bill Nighy as Squadron Leader Blenkinsop |
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Stephen Phillips as Home Guard Corporal |
| Writing | Stanley Mann | Screenplay |
| Camera | Alan Hume | Director of Photography |
| Directing | Richard Marquand | Director |
| Sound | Miklós Rózsa | Original Music Composer |
| Production | John Comfort | Production Manager |
| Camera | Alec Mills | Camera Operator |
| Costume & Make-Up | John Bloomfield | Costume Designer |
| Production | Celestia Fox | Casting Director |
| Costume & Make-Up | Wally Schneiderman | Makeup Artist |
| Directing | Angela Allen | Continuity |
| Costume & Make-Up | Beryl Lerman | Makeup Artist |
| Directing | Valerie Booth | Continuity |
| Camera | David Farrell | Still Photographer |
| Production | Claude Hudson | Production Supervisor |
| Sound | Claude Hitchcock | Sound Recordist |
| Costume & Make-Up | Mark Nelson | Hairstylist |
| Directing | Roger Simons | Assistant Director |
| Costume & Make-Up | Joan Carpenter | Hairstylist |
| Visual Effects | George Gibbs | Special Effects Supervisor |
| Art | Ken Pattenden | Construction Manager |
| Art | Ken Softley | Construction Manager |
| Editing | Nick Hosker | Assistant Editor |
| Crew | Jack Lowin | Second Unit Cinematographer |
| Production | William Lang | Location Manager |
| Camera | Mike Frift | Focus Puller |
| Sound | Gerry Humphreys | Sound Re-Recording Mixer |
| Directing | Anthony Squire | Second Unit Director |
| Crew | Eddie Stacey | Stunt Coordinator |
| Production | Lee Bolon | Location Manager |
| Lighting | Bob Bremner | Gaffer |
| Art | Wilfred Shingleton | Production Design |
| Art | Hugh Scaife | Set Decoration |
| Production | Stephen J. Friedman | Producer |
| Art | John Hoesli | Art Direction |
| Writing | Ken Follett | Novel |
| Editing | Sean Barton | Editor |
| Art | Bert Davey | Art Direction |
| Crew | Jennifer Patrick | Dialogue Coach |
