Leprechaun - Der Killerkobold (1993)
Der Leprechaun liebt es, Schuhe zu putzen, er liebt Käfer zum Frühstück, am meisten aber liebt er sein Gold. Und das hat ihm jemand gestohlen und versteckt. Als Tori und ihr Vater JD in ein altes, verfallenes Haus ziehen, das Ozzi mit Nathan und Alex gerade renoviert, kommt der Leprechaun frei, der 10 Jahre in einer Holzkiste gefangen war, gebannt durch ein vierblättriges Kleeblatt. Ausgerechnet Ozzi findet das verborgene Gold des Leprechauns am Ende eines Regenbogens. Damit beginnt eine blutige Heimsuchung. Der Leprechaun wird nicht ruhen, bevor er alle Münzen zurückerobert hat. Doch eine Münze ist in Ozzis Bauch...
Der Regisseur: Mark Jones
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Warwick Davis as Leprechaun |
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Jennifer Aniston as Tory |
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Ken Olandt as Nathan |
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Mark Holton as Ozzie |
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Robert Hy Gorman as Alex |
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Shay Duffin as O'Grady |
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John Voldstad as Shop Owner |
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John Sanderford as J.D. |
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Pamela Mant as Mrs. O'Grady |
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William Newman as Sheriff Cronin |
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David Permenter as Deputy Tripet |
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Raymond C. Turner as Dispatcher |
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Heather Kennedy as Waitress |
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Tim Garrick as Customer |
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Alexandra Sachs as Little Girl (voice) |
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Brandon Sachs as Little Boy (voice) |
| Production | Mark Amin | Executive Producer |
| Sound | Kevin Kiner | Original Music Composer |
| Production | Lisa London | Casting |
| Camera | Levie Isaacks | Director of Photography |
| Art | Naomi Slodki | Production Design |
| Costume & Make-Up | Gabriel Bartalos | Makeup Artist |
| Production | Jeffrey B. Mallian | Producer |
| Editing | Christopher Roth | Editor |
| Production | Barry Barnholtz | Associate Producer |
| Production | Michael Prescott | Co-Producer |
| Production | William Sachs | Co-Producer |
| Directing | Mark Jones | Director |
| Production | David Price | Co-Producer |
| Writing | Mark Jones | Writer |
| Production | David Tripet | Executive In Charge Of Production |
| Production | Mark Zetler | Location Manager |
| Directing | Adam C. Taylor | First Assistant Director |
| Directing | Susan Albright | Second Second Assistant Director |
| Lighting | Matthew Taylor | Electrician |
| Lighting | Ron Hoffman | Electrician |
| Lighting | Ron Edmonson | Electrician |
| Camera | George T. Kalinski | Grip |
| Production | Jim Begg | Supervising Producer |
| Production | Russell D. Markowitz | Unit Production Manager |
| Art | Linda S. Brown | Set Decoration |
| Camera | Wayne Tremble | First Assistant Camera |
| Camera | Arthur Scipio Africano | Second Assistant Camera |
| Lighting | Todd Appleman | Gaffer |
| Camera | Matt Gulbin | Grip |
| Production | Sabrina Sipantzi | Production Coordinator |
| Costume & Make-Up | Judy DiBerardino | Wardrobe Supervisor |
| Camera | Mitch Gulbin | Best Boy Grip |
| Sound | Geoffrey Patterson | Sound Mixer |
| Camera | Bob Myers | Key Grip |
| Camera | Andy Graham | First Assistant Camera |
| Camera | Karen L. Ogle | Still Photographer |
| Lighting | Joseph Ressa | Electrician |
| Directing | Andrea Netze | Second Assistant Director |
| Sound | Michael Florimbi | Sound Mixer |
| Camera | Scott Jensen | Grip |
| Camera | John Overacker | Grip |
| Art | Tim Papienski | Art Direction |
| Costume & Make-Up | Randy Westgate | Assistant Makeup Artist |
| Costume & Make-Up | Holly Davis | Costume Designer |
| Costume & Make-Up | Klexius Kolby | Assistant Makeup Artist |
| Lighting | Peter Cornford | Electrician |
| Art | Mark Luine | Property Master |
| Costume & Make-Up | Lisa Buono | Key Makeup Artist |
| Lighting | William Beal | Best Boy Electric |
| Sound | Mike Anderson | Boom Operator |
| Sound | Craig Roberts | Sound Recordist |
| Camera | Bill H. Roberts Jr. | Second Assistant Camera |
| Lighting | Greg Tapper | Electrician |
| Sound | Madeline Ellis | Sound Assistant |
| Sound | Kara Nanas | Sound Assistant |
| Editing | Casey Dake | Assistant Editor |
| Editing | Steve Wolfson | Assistant Editor |
| Crew | Richard Jordan | Post Production Supervisor |
| Sound | Todd Herman | ADR Editor |
| Sound | Tom Amelotte | Sound Re-Recording Mixer |
| Sound | Joe Barnett | Foley Mixer |
| Sound | Jeffrey R. Whitcher | Sound Effects Editor |
| Sound | Scott Smith | Dialogue Editor |
| Sound | Sharon Michaels | Foley Artist |
| Camera | Michael Gulbin | Dolly Grip |
| Art | Elan Papa | Property Master |
| Crew | David Kindlon | Animatronics Designer |
| Crew | Christopher Roth | Post Production Supervisor |
| Sound | Sean Macias | Foley Artist |
| Sound | William Smith | Sound Re-Recording Mixer |
| Lighting | Steve Gero | Rigging Grip |
| Editing | Richard Conkling | First Assistant Editor |
| Crew | Tony Cox | Stunts |
| Crew | Billy Bob Jackson | Stunts |
| Crew | Susan Hurtado | Stunts |
| Crew | Kurt D. Lott | Stunts |
| Sound | Reinhard Stergar | Sound Mixer |
| Sound | Cliff Gynn | Sound Assistant |
| Editing | Ron Wengler | Color Timer |
| Crew | Susan Rossitto | Stunts |
| Camera | Lance Fisher | First Assistant Camera |
| Lighting | Steve Gero | Gaffer |
| Visual Effects | Michael Hyatt | Animation |
| Camera | Lisa Guerriero | Camera Loader |
| Directing | Sydney Conrad Shapiro | Script Supervisor |
| Production | Catherine Stroud | Casting Assistant |
| Crew | Denise Lynne Roberts | Stunts |
| Crew | Deep Roy | Stunts |
| Crew | Bruno Stempel | Special Effects |
| Camera | Kris Conde | Second Assistant Camera |
| Crew | Cole S. McKay | Stunt Coordinator |
| Crew | Eric Leisher | Special Effects |
| Camera | Lawrence Dolkart | Best Boy Grip |
| Crew | Andy Armstrong | Stunt Driver |
| Crew | Martin Klebba | Stunt Double |
| Directing | Lexxie Cariste | Script Supervisor |
