Blue Film (2026)
Fetisch-Camboy Aaron Eagle sieht die Chance seines Lebens: Ein anonymer Zuschauer bietet ihm 50.000 Dollar für eine gemeinsame Nacht. Doch an der vereinbarten Adresse erwartet ihn ein vermummter Mann, der Aaron zu einem intimen Interview einlädt, das er per Videokamera aufzeichnet. Es folgen eindringliche, seltsam persönliche Fragen: über Aarons Geburtsort, sein erstes Mal, was seine Tattoos bedeuten. Aaron ist entschlossen, nicht die Kontrolle zu verlieren – doch der Fremde scheint ihn besser zu kennen, als er zuzugeben bereit ist. In dieser Nacht werden die beiden Männer neben ihren Körpern auch ihr Innerstes entblößen müssen. Und sich der Frage stellen, wo ihre moralischen Grenzen verlaufen.
Der Regisseur: Elliot Tuttle
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Reed Birney as Hank Grant |
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Kieron Moore as Aaron Eagle |
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Turner Beckett as Pre-teen (uncredited) |
| Directing | Elliot Tuttle | Director |
| Writing | Elliot Tuttle | Writer |
| Production | Mark Duplass | Consulting Producer |
| Production | Bijan Kazerooni | Producer |
| Production | Will Youmans | Producer |
| Production | Adam Kersh | Producer |
| Production | Waylon Sall | Producer |
| Production | Eric Kohn | Executive Producer |
| Camera | Ryan Jackson-Healy | Director of Photography |
| Production | Eléonore Hendricks | Casting Director |
| Editing | Zach Clark | Editor |
| Sound | Isaac Eiger | Original Music Composer |
| Sound | Diego Romero | Production Sound Mixer |
| Production | Reed Birney | Executive Producer |
| Art | Marley Sall | Art Direction |
| Costume & Make-Up | Anna McGrath | Costume Design |
| Visual Effects | Kai Tattersall | Visual Effects Supervisor |
| Lighting | Taylor Frontier | Gaffer |
| Sound | Waylon Sall | Music Supervisor |
| Directing | Olivia Rubin | Script Supervisor |
| Directing | Mark Reichard | First Assistant Director |
| Directing | Lana Stern | Second Assistant Director |
| Costume & Make-Up | Dou Pothmolita | Makeup & Hair |
| Art | Abel Ryan | Art Department Coordinator |
| Camera | Adam Lee | First Assistant Camera |
| Camera | Joshua Germain | Second Assistant Camera |
| Camera | Monica Mejia | Key Grip |
| Camera | Zachary Ariel Domingo | Grip |
| Camera | Jose Caldera | Grip |
| Camera | Ewan McNeil | Grip |
| Camera | Annabel Renshaw | Grip |
| Camera | Max Schmitz | Grip |
| Editing | Ian Kornbluth | Additional Editing |
| Editing | Grant McFadden | Additional Editing |
| Editing | Dustin Stanek | Assistant Editor |
| Editing | Ryan Jackson-Healy | Colorist |
| Sound | John Michael Kelville | Sound Re-Recording Mixer |
| Sound | John Michael Kelville | Sound Editor |
| Sound | Matthew Rollins | Sound Re-Recording Mixer |
| Sound | Matthew Rollins | Sound Editor |
| Production | Amanda Rosen | Location Manager |
| Camera | Danny McGrath | Set Photographer |
| Crew | Twanda Hogans | Studio Teacher |
| Production | Elijah McNally | Production Assistant |
| Production | Elijah Newman | Production Assistant |
| Production | DJ Sall | Production Assistant |
| Crew | Shelly Tuttle | Thanks |
| Crew | Jeff Tuttle | Thanks |
| Crew | Miles Tuttle | Thanks |
| Crew | Danny Scharar | Thanks |
| Crew | Ryan Simpkins | Thanks |
| Crew | Tara Lynne Barr | Thanks |
