Havanna (1990)
Dezember 1958. Der Spieler Jack wird auf Kuba durch die attraktive Roberta in die politischen Wirren vor der Machtübernahme Castros verwickelt. Eigentlich nur auf der Suche nach einem "großen Spiel" lernt er ihren Mann Arturo, einen der Führer der Revolution, kennen. Als beide verhaftet werden, hat Jack gerade sein Spiel arrangiert. Hin- und hergerissen zwischen Profession und der Zuneigung zu Roberta, entscheidet er sich für die Frau. Er holt sie aus dem Gefängnis, Arturo gilt als tot. Jack und Roberta beginnen ein Verhältnis, doch als die Nachricht eintrifft, daß Arturo lebt, verzichtet Jack auf die Liebe seines Lebens. Als Castro am Neujahrstag die Macht übernimmt, kehrt Jack in die USA zurück.
Der Regisseur:
Sydney Pollack
Die Autor:
David Rayfiel, Judith Rascoe.
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Robert Redford as Jack Weil |
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Lena Olin as Bobby Duran |
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Alan Arkin as Joe Volpi |
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Tomas Milian as Menocal |
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Daniel Davis as Marion Chigwell |
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Tony Plana as Julio Ramos |
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Betsy Brantley as Diane |
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Lise Cutter as Patty |
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Richard Farnsworth as Professor |
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Mark Rydell as Meyer Lansky |
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Vasek Simek as Willy |
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Fred Asparagus as Baby Hernandez |
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Richard Portnow as Mike MacClaney |
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Dion Anderson as Roy Forbes |
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Carmine Caridi as Captain Potts |
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James Medina as Corporal |
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Joe Lala as Cuban Businessman |
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Salvador Levy as Menocal's Lieutenant |
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Bernie Pollack as Hotel Man |
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Owen Roizman as Santos |
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Victor Rivers as Young Cuban #1 |
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Alex Ganster as Young Cuban #2 |
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René Monclova as Sim #1 |
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Miguel Ángel Suárez as Sim #2 |
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Dennis Farina as Joe Volpe's Assistant (uncredited) |
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Raúl Juliá as Arturo Duran (uncredited) |
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Franklin Rodríguez as Jose |
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Karen Russell as Dancer #2 |
| Directing | Sydney Pollack | Director |
| Writing | David Rayfiel | Screenplay |
| Costume & Make-Up | Mary Ann Valdes | Hairstylist |
| Camera | Rob Hahn | Camera Operator |
| Production | Lynn Stalmaster | Casting |
| Production | Sydney Pollack | Producer |
| Editing | Fredric Steinkamp | Editor |
| Production | Ronald L. Schwary | Executive Producer |
| Sound | Martin Trevis | Boom Operator |
| Production | Robin Citrin | Location Manager |
| Costume & Make-Up | Bernie Pollack | Costume Design |
| Production | Richard A. Roth | Producer |
| Camera | Owen Roizman | Director of Photography |
| Art | Steve George | Set Decoration |
| Writing | Judith Rascoe | Screenplay |
| Editing | William Steinkamp | Editor |
| Art | George Richardson | Art Direction |
| Costume & Make-Up | Lisa Tomblin | Hairstylist |
| Costume & Make-Up | Mark Wittenberg | Makeup Artist |
| Crew | Tony Vandenecker | Special Effects Coordinator |
| Crew | Vincent Paterson | Choreographer |
| Art | Terence Marsh | Production Design |
| Art | Michael Seirton | Set Decoration |
| Writing | Judith Rascoe | Story |
| Sound | Dave Grusin | Original Music Composer |
| Directing | David Tomblin | First Assistant Director |
| Sound | Mark Smith | Sound Re-Recording Mixer |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Sound | Joel Valentine | Sound Effects Editor |
| Sound | Brad Sherman | Sound Effects Editor |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Sound | Don Brown | Sound Engineer |
| Sound | J. Paul Huntsman | Supervising Sound Editor |
| Directing | Adam Somner | Third Assistant Director |
| Lighting | Bob E. Krattiger | Best Boy Electric |
