Sie nannten ihn King (1965)
Der Film erzählt von den Hehlereien eines geschäftstüchtigen GIs in einem japanischen Kriegsgefangenenlager. Er trotzt den menschenunwürdigen Zuständen, manipuliert seine Umgebung und kontrolliert schließlich die Schwarzmarktgeschäfte im Lager, bis er eine Machtposition genießt, die weit über seinen militärischen Rang und seine gesellschaftliche Stellung hinausgeht. Der Film handelt vom Kampf eines Mannes, der um jeden Preis überleben und zu Reichtum kommen will.
Der Regisseur:
Bryan Forbes
Der Autor:
Bryan Forbes
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George Segal as Corporal King |
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James Fox as Peter Marlowe |
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Tom Courtenay as Grey |
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Patrick O'Neal as Max |
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James Donald as Dr. Kennedy |
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John Mills as Smedley-Taylor |
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Denholm Elliott as Larkin |
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Leonard Rossiter as McCoy |
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Joe Turkel as Dino |
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Todd Armstrong as Tex |
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Gerald Sim as Jones |
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Richard Dawson as Weaver |
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John Standing as Daven |
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John Ronane as Hawkins |
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Alan Webb as Brant |
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Geoffrey Bayldon as Vexley |
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Wright King as Brough |
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Hamilton Dyce as Padre |
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Michael Lees as Stevens |
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John Merivale as Foster |
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Arthur Malet as Blakeley |
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Michael Stroka as Miller |
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Dale Ishimoto as Yoshima |
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William Fawcett as Steinmetz |
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Teru Shimada as Japanese General |
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David Frankham as Cox |
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John Warburton as Commandant |
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Reg Lye as Tinker Bell |
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John Orchard as Gurble |
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Hedley Mattingly as Dr Prudhomme |
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John Barclay as Spence |
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Louis Neervort as Torusumi |
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Edward Ashley as Prouty |
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Anthony Faramus as Prisoner |
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David Haviland as Masters |
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Laurence Conroy as Townsend |
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Roy Duane as Peterson |
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John Levingston as Myner |
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Sam Reese as Kurt |
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Bryan Forbes as Radio (Voice) |
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Brian Gaffikin as Prisoner in Hut |
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Mathew McCue as Prisoner |
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George Pelling as Major Barry |
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Mickey Simpson as First Sergeant Camp Liberator |
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Dick Johnson as Pop |
| Directing | Bryan Forbes | Director |
| Art | Robert Emmet Smith | Art Direction |
| Production | James Woolf | Producer |
| Writing | James Clavell | Novel |
| Art | Frank Tuttle | Set Decoration |
| Camera | Burnett Guffey | Director of Photography |
| Editing | Walter Thompson | Editor |
| Art | Robert Emmet Smith | Production Design |
| Writing | Bryan Forbes | Screenplay |
| Sound | John Barry | Original Music Composer |
| Directing | C.M. Florance | Assistant Director |
| Sound | John Barry | Conductor |
| Camera | Andrew J. McIntyre | Camera Operator |
| Art | William V. Kantor | Property Master |
| Costume & Make-Up | Joe DiBella | Makeup Artist |
| Sound | John Cox | Sound |
| Sound | Harold Lee | Sound Recordist |
| Crew | John Burke | Special Effects |
| Sound | Doug Grant | Boom Operator |
| Directing | Russell Saunders | Assistant Director |
| Costume & Make-Up | Ed Ware | Costumer |
| Directing | Robert Templeton | Assistant Director |
| Lighting | Seldon White | Gaffer |
| Costume & Make-Up | Ben Lane | Makeup Supervisor |
| Sound | Charles J. Rice | Sound Supervisor |
| Camera | James Saper | Assistant Camera |
| Camera | Walter Meins | Grip |
| Camera | Willard Klug | Grip |
| Sound | James Z. Flaster | Sound |
| Sound | Roy Baker | Sound Editor |
| Art | Clarence Peet | Props |
| Production | Marvin Miller | Associate Producer |
| Camera | Kenny Bell | Still Photographer |
| Visual Effects | Gerald Endler | Mechanical Designer |
| Production | Marvin Miller | Unit Manager |
| Crew | George Orrison | Stunts |
| Art | Ed Shanley | Construction Coordinator |
