Aprile (1998)
Gleichzeitig jedoch kehrt immer wieder der Traum vom Musical zurück, und als er Silvio Orlando für die Hauptrolle gewinnen will, stellt sich heraus, dass ebendieser bereits vor neun Jahren für dasselbe Projekt Tanzstunden genommen hatte. Als Moretti schon nach einem Drehtag aufgibt, kann Orlando nicht fassen, diesem Chaoten wieder vertraut zu haben. Die Vorfreude auf das kommende Kind vervollständigt das Durcheinander. Bis Nanni und seine Freundin Silvia Nono sich auf den Namen Pietro einigen, dürfen die Zuschauer einer amüsanten Diskussion folgen. Über die negativen Auswirkungen von Strange Days, «eines solchen Quatsches», auf das Ungeborene ist der werdende Vater nach einem Kinoabend überzeugt. Als Pietro schliesslich offenbar ungeschädigt zur Welt kommt, schreit der Vater in der obligaten Vespa-Szene das Gewicht des Knaben in die Strassen, während alle anderen hupenden Römer sich über den Sieg der Linken freuen.
Der Regisseur: Nanni Moretti
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Nanni Moretti as Self |
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Silvio Orlando as Self |
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Silvia Nono as Self |
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Pietro Moretti as Self |
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Agata Apicella Moretti as Self |
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Nuria Schoenberg as Self |
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Silvia Bonucci as Self |
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Quentin de Fouchécour as Self |
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Renato De Maria as Self |
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Daniele Luchetti as Self |
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Nicola Piepoli as Self |
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Corrado Stajano as Self |
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Angelo Barbagallo as Self (uncredited) |
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Andrea Molaioli as Self (uncredited) |
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Alessandro Pesci as Self (uncredited) |
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Alessandro Angelini as Self (uncredited) |
| Production | Angelo Barbagallo | Producer |
| Sound | Alessandro Zanon | Sound |
| Directing | Andrea Molaioli | First Assistant Director |
| Sound | Danilo Moroni | Sound Mixer |
| Production | Nanni Moretti | Producer |
| Directing | Valia Santella | Script Supervisor |
| Directing | Nanni Moretti | Director |
| Writing | Nanni Moretti | Writer |
| Production | Luigi Lagrasta | Production Manager |
| Editing | Alexander Skerl | Assistant Editor |
| Camera | Franco Bruni | Camera Operator |
| Camera | Andrea Collepiccolo | First Assistant Camera |
| Camera | Fabrizio Vicari | Camera Operator |
| Production | Nadia Breccia | Administration |
| Camera | Eleonora Patriarca | Second Assistant Camera |
| Production | Nicola Giuliano | Production Manager |
| Camera | Roberto Cimatti | Camera Operator |
| Crew | Gianni Santucci | Choreographer |
| Costume & Make-Up | Germana Melodia | Assistant Costume Designer |
| Art | Roberto Giacomelli | Property Master |
| Directing | Alessandro Angelini | Second Assistant Director |
| Camera | Andrea Legnani | First Assistant Camera |
| Costume & Make-Up | Gianfranco Mecacci | Makeup Artist |
| Costume & Make-Up | Gino Tamagnini | Makeup Artist |
| Costume & Make-Up | Michele Vigliotta | Hairstylist |
| Lighting | Roberto Belli | Gaffer |
| Editing | Lucia Deidda | Assistant Editor |
| Production | Annamaria Cocchioni | Production Secretary |
| Art | Maria Castrovilli | Assistant Production Design |
| Costume & Make-Up | Gaia Calderone | Assistant Costume Designer |
| Costume & Make-Up | Marcello Meniconi | Makeup Artist |
| Production | Paolo Centore | Production Secretary |
| Editing | Delia Apolloni | Assistant Editor |
| Sound | Angelo Amatulli | Boom Operator |
| Costume & Make-Up | Maura Zuccherofino | Seamstress |
| Camera | Umberto Montiroli | Still Photographer |
| Production | Fabrizio Amato | Unit Manager |
| Production | Bruno Memoli | Unit Manager |
| Sound | Filippo Bussi | Sound Editor |
| Camera | Eraldo Barbona | Key Grip |
| Camera | Alessia Bulgari | Still Photographer |
| Sound | Ludovico Einaudi | Original Music Composer |
| Editing | Angelo Nicolini | Editor |
| Camera | Giuseppe Lanci | Director of Photography |
| Costume & Make-Up | Valentina Taviani | Costume Design |
| Art | Marta Maffucci | Production Design |
