Air Strike (2018)
China, 1941: Die japanischen Streitkräfte bombardieren die chinesische Hauptstadt ohne Gnade, Tausende von Zivilisten verlieren ihr Leben. Unter diesen grauenhaften Bedingungen versucht US-Colonel Johnson (Bruce Willis), unerfahrene junge Chinesen zu Piloten auszubilden, um den Luftraum zu verteidigen. Währenddessen befindet sich Captain Xue (Ye Liu) auf einer heiklen Geheimmission und muss eine Dechiffriermaschine heil in die Hauptstadt bringen. Die Japaner haben allerdings von der Mission erfahren, ein Geheimagent ist Xue dicht auf den Fersen …
Der Regisseur: 萧锋
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刘烨 as Xue Gangtou |
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Bruce Willis as Jack |
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Adrien Brody as Steve |
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송승헌 as An Minxun |
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范偉 as Uncle Cui |
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Cao Kefan as Patriot |
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范冰冰 as Ye Peixuan |
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陳偉霆 as Cheng Ting |
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謝霆鋒 as Lei Tao |
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Rumer Willis as Julia |
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張鈞甯 as Qian Xue |
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Simon Yam as Air Defense Comander |
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Shibuya Tenma as Zero Fighter Pilot Sato |
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Hu Bing as Hospital Dean |
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刘晓庆 as Madam Zheng |
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Feng Yuanzheng as Xue ManGui |
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呂良偉 as |
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周勵淇 as |
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鍾鎮濤 as Governmental Officer |
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Eric Tsang as |
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吴刚 as Zhao Chun |
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黄圣依 as Du Mei |
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耿乐 as Jin Xiang |
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马苏 as Ding Lian |
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Che Yongli as Yagou |
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张帆 as Cui Liu (as Zhang Fan) |
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喜利图 as Ambassador |
| Production | Ding Wang | Production Manager |
| Writing | Ping Chen | Writer |
| Sound | Wang Liguang | Original Music Composer |
| Visual Effects | Han Tae-jung | VFX Supervisor |
| Directing | 萧锋 | Director |
| Crew | Tie Dong Zhou | Translator |
| Sound | Veronica Li | Sound Effects Editor |
| Visual Effects | Nidhi Agarwal | Matchmove Supervisor |
| Sound | Eric A. Norris | Sound Designer |
| Crew | Bruno Martins de Azevedo | Compositor |
| Editing | 이용기 | Colorist |
| Production | Yang Buting | Producer |
| Camera | 杨述 | Director of Photography |
| Crew | Ivo Kalyonski | Compositor |
| Sound | Greg P. Russell | Sound Re-Recording Mixer |
| Visual Effects | Ravikumar Kajipuram | Visual Effects |
| Camera | Conrad W. Hall | Second Unit Director of Photography |
| Crew | Zexia Wang | Post Production Assistant |
| Sound | David Jobe | Foley Mixer |
| Lighting | Atish Ranjan | Lighting Artist |
| Production | Jian-Xiang Shi | Producer |
| Production | Stephen Eckelberry | Producer |
| Sound | Tim Walston | Sound Designer |
| Production | Kimberley Kates | Post Production Coordinator |
| Production | Stephen J. Eads | Producer |
| Crew | Caine Dickinson | CG Supervisor |
| Visual Effects | Angelika Schierz | Visual Effects Producer |
| Editing | Robert A. Ferretti | Editor |
| Art | Huaiqing Mao | Production Design |
| Sound | Brandon Jones | Sound Effects Editor |
| Visual Effects | B.R. Rajeev | Visual Effects Supervisor |
| Visual Effects | Q-Hyun Kim | Animation |
| Editing | Paul Harb | Additional Editor |
| Crew | Sang Ma | Post Production Assistant |
| Editing | 鄺志良 | Editor |
| Visual Effects | Virginia Marinova | Visual Effects Producer |
| Camera | Bill McClelland | Underwater Camera |
| Editing | Alan H. Jackman | Assistant Editor |
| Art | Karl Tam | Assistant Art Director |
| Sound | Gary Summers | Sound Re-Recording Mixer |
| Crew | Keun-Pyo Park | CG Supervisor |
| Visual Effects | Martin Naydenski | VFX Supervisor |
| Visual Effects | Rajat Amin | Visual Effects Coordinator |
| Camera | Bill McClelland | Steadicam Operator |
| Writing | Tie Dong Zhou | Script Editor |
| Writing | Mel Gibson | Creative Producer |
