Das Wiegenlied der Verdammten (1971)
Kurz vor Ende des 2. Weltkriegs torpediert ein plünderndes deutsches U- Boot in der Südsee ein bewaffnetes Handelsschiff. Als Murphy, ein irischer Flugzeugmechaniker und zugleich der einzige Überlebende, erfährt, daß die Deutschen die rettungssuchende Besatzung des Schiffes mit Maschinengewehren erledigt hat, schwört er, Rache zu nehmen. Murphy nimmt sich vor, auf eigene Faust und ganz allein, Rache an dem U- Boot und dessen Kommandanten zu vollziehen. Er macht ein altes Flugzeug flott und bastelt Bomben und Torpedos. Ein mörderischer Kampf beginnt...
Der Regisseur:
Peter Yates
Der Autor:
Stirling Silliphant
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Peter O'Toole as Murphy |
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Siân Phillips as Hayden |
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Philippe Noiret as Brezan |
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Horst Janson as Lauchs |
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John Hallam as Ellis |
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Ingo Mogendorf as Voght |
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John Clifford as German Submarine Crewman (uncredited) |
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Harry Fielder as German Submarine Crewman (uncredited) |
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George Roubicek as German Submarine Crewman (uncredited) |
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Bob Simmons as German Submarine Crewman (uncredited) |
| Directing | Peter Yates | Director |
| Writing | Stirling Silliphant | Screenplay |
| Writing | Max Catto | Novel |
| Lighting | Brian Smith | Best Boy Electric |
| Camera | Douglas Slocombe | Director of Photography |
| Editing | John Glen | Editor |
| Editing | Frank P. Keller | Editor |
| Production | Michael Deeley | Producer |
| Sound | Robin Gregory | Sound Recordist |
| Directing | Luis Armando Roche | Assistant Director |
| Production | Luis Guillermo Villegas Blanco | Producer |
| Production | Nestor Lovera | Producer |
| Production | Hernán Rubín | Producer |
| Art | Javier Lovera | Assistant Director of Photography |
| Sound | John Barry | Music |
| Production | Disley Jones | Production Designer |
| Costume & Make-Up | Anne Gainsford | Costume Designer |
| Costume & Make-Up | Gordon Bond | Hairdresser |
| Costume & Make-Up | Basil Newall | Makeup Artist |
| Production | Ron Carr | Production Supervisor |
| Production | Patrick Clayton | Production Manager |
| Directing | Bert Batt | Assistant Director |
| Directing | Colin Sherborne | Second Unit Director |
| Directing | Gerry Gavigan | Second Assistant Director |
| Directing | John Glen | Second Unit Director |
| Directing | Dusty Symonds | Second Assistant Director |
| Art | Terry Apsey | Construction Manager |
| Art | Chris Burke | Set Dresser |
| Sound | Gerry Humphreys | Sound |
| Sound | Rydal Love | Sound Editor |
| Sound | Nestor Lovera | Sound Editor |
| Sound | Allan Sones | Sound Editor |
| Sound | Paul Trevor Bale | Assistant Sound Editor |
| Sound | Robin O'Donoghue | Sound |
| Crew | Ira Anderson Jr. | Special Effects |
| Crew | Brian Warner | Special Effects |
| Crew | Roy Whybrow | Special Effects |
| Crew | Alan Barnard | Special Effects |
| Crew | Colin Chilvers | Special Effects |
| Crew | Martin Gutteridge | Special Effects |
| Crew | Bob Simmons | Stunt Coordinator |
| Crew | Joe Powell | Stunts |
| Crew | Colin Skeaping | Stunts |
| Camera | Ronnie Taylor | Aerial Camera |
| Camera | Chic Waterson | Camera Operator |
| Camera | Adrian Biddle | Underwater Camera |
| Camera | Robin Browne | Aerial Camera |
| Camera | Michael Garfath | Focus Puller |
| Camera | Anthony Gaudioz | Clapper Loader |
| Camera | Keith Hamshere | Still Photographer |
| Camera | Brian Smith | Best Boy Grip |
| Camera | Robin Vidgeon | Focus Puller |
| Costume & Make-Up | James Smith | Wardrobe Master |
| Editing | Robert Richardson | Assistant Editor |
| Production | Jonathan Benson | Location Manager |
| Sound | John Barry | Music Supervisor |
| Sound | Ken Thorne | Conductor |
| Directing | Susanna Merry | Continuity |
| Directing | Helen Whitson | Continuity |
| Production | Jonathan Benson | Production Assistant |
| Production | Mauricio Odremán | Production Assistant |
| Art | Graham Sumner | Property Master |
| Crew | Dimitri De Grunwald | Presenter |
| Crew | Roy Beck | Stand In |
| Crew | Roy Beck | Stunt Double |
