Inferno (1953)
Der Ex-Marine-Offizier Adam Jones wird von einer Gruppe um den Wissenschaftler Prof. Montel als Kapitän eines U-Bootes angeheuert, um ein kommunistisches Frachtschiff von Tokio bis zu seinem Ziel zu verfolgen. Dabei stößt die Besatzung, zu der auch Montels Tochter Denise zählt, auf eine Insel mit einer geheimen chinesischen Militärbasis. Diese soll als Ausgangspunkt für einen Atombombenabwurf auf Korea dienen, welchen man den Amerikanern in die Schuhe schieben will, um damit den Dritten Weltkrieg auslösen zu können.
Der Regisseur: Roy Ward Baker
![]() |
Robert Ryan as Donald Whitley Carson III |
![]() |
Rhonda Fleming as Geraldine Carson |
![]() |
William Lundigan as Joseph Duncan |
![]() |
Larry Keating as Dave Emory |
![]() |
Henry Hull as Sam Elby |
![]() |
Carl Betz as Lt. Mike Platt |
![]() |
Robert Burton as Sheriff |
![]() |
Barbara Pepper as Waitress (uncredited) |
![]() |
Everett Glass as Mason (uncredited) |
![]() |
Robert Adler as Ken - Ranch Hand (uncredited) |
![]() |
Harry Carter as Deputy Fred Parks (uncredited) |
![]() |
Charles J. Conrad as (uncredited) |
![]() |
James Gonzalez as Hotel Guest (uncredited) |
![]() |
Adrienne Marden as Emory's Secretary (uncredited) |
![]() |
Charles Tannen as Police Radio Broadcaster (uncredited) |
![]() |
Dan White as Lee - Ranch Hand (uncredited) |
| Directing | Roy Ward Baker | Director |
| Writing | Francis M. Cockrell | Writer |
| Production | William Bloom | Producer |
| Sound | Paul Sawtell | Original Music Composer |
| Camera | Lucien Ballard | Director of Photography |
| Editing | Robert L. Simpson | Editor |
| Costume & Make-Up | Thomas Tuttle | Makeup Artist |
| Production | Sid Bowen | Unit Production Manager |
| Directing | Eli Dunn | Assistant Director |
| Directing | David Silver | Assistant Director |
| Sound | Carl Daniels | Boom Operator |
| Camera | F. Bud Mautino | Camera Operator |
| Camera | Ray Nolan | Still Photographer |
| Directing | Stanley K. Scheuer | Script Supervisor |
| Art | Lewis H. Creber | Art Direction |
| Art | Lyle R. Wheeler | Art Direction |
| Art | Al Orenbach | Set Decoration |
| Costume & Make-Up | Dorothy Jeakins | Costume Design |
| Costume & Make-Up | Ben Nye | Makeup Artist |
| Costume & Make-Up | Emmy Eckhardt | Hairstylist |
| Art | Fred J. Rode | Set Dresser |
| Sound | Z. Cummings | Sound |
| Sound | Roger Heman Sr. | Sound |
| Sound | Arthur von Kirbach | Sound |
| Visual Effects | Ray Kellogg | Visual Effects |
| Crew | Paul Stader | Stunts |
| Lighting | Jack Brown | Gaffer |
| Camera | Hugh Crawford | Assistant Camera |
| Camera | Bruce Hunsaker | Grip |
| Camera | Kenneth T. Williams | Assistant Camera |
| Sound | Edward B. Powell | Orchestrator |
| Production | Abe Steinberg | Assistant Production Manager |
| Art | Don B. Greenwood | Property Master |
| Camera | Wendell Jones | Best Boy Grip |
| Production | William Maybery | Casting |
| Production | Walter Whaley | Casting |
| Costume & Make-Up | Charles LeMaire | Wardrobe Supervisor |
| Costume & Make-Up | George Herrington | Wardrobe Master |
| Costume & Make-Up | Ollie Hughes | Wardrobe Master |
| Sound | Lionel Newman | Music Director |