The Call Up - An den Grenzen der Wirklichkeit (2016)
AbenteuerActionScience Fiction
Eine Gruppe begeisterter Online-Computerspieler wird eingeladen, ein völlig neues Virtual-Reality-Spiel auszuprobieren. Es ist der feuchte Traum eines jeden Zockers, denn nachdem die Gamer ihre High-Tech-Anzüge angezogen haben, verwandelt sich ihre Umgebung in ein hyperrealistisches Kriegsszenario. Nehmen sie ihre VR-Masken wieder ab, befinden sie sich wieder in der Realität. Alle sind begeistert und das fröhliche Rumgeballere beginnt. Wie in einem Egoshooter müssen sie als Team zusammenarbeiten, um sich von Level zu Level bis zum Highscore in Höhe von 100.000 Euro durchzuarbeiten. Schnell wird jedoch aus dem munteren Spiel tödlicher Ernst, als sie bemerken, dass ihre Leben auf dem Spiel stehen. Denn wer im VR-Spiel verwundet wird, trägt auch in der Wirklichkeit Verletzungen davon. Die Anzüge sind gesichert und können nicht mehr ausgezogen werden, das blutige Spiel nimmt seinen Lauf...
Der Regisseur: Charles Barker
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Max Deacon as Carl |
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Morfydd Clark as Shelly |
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Ali Cook as Edward |
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Chris Obi as The Sergeant |
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Tom Benedict Knight as Marco |
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Dino Fazzani as Terrorist |
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Adriana Randall as Taylor |
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Malcolm Modele as Terrorist |
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Parker Sawyers as Andre |
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Boris Ler as Zahid |
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Douggie McMeekin as Adam |
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Jaimi Barbakoff as Wanda |
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Greg Kolpakchi as Terrorist |
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Mac Pietowski as Terrorist |
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Stuart McNeil as Terrorist |
| Writing | Charles Barker | Writer |
| Directing | Charles Barker | Director |
| Crew | Vincent Keane | Stunt Coordinator |
| Lighting | Peter Burgoyne | Rigging Gaffer |
| Crew | Levan Doran | Stunts Coordinator |
| Lighting | Peter Trevena | Gaffer |
| Art | Alex Woodward | Art Direction |
| Costume & Make-Up | Libby Irwin | Costume Supervisor |
| Production | John Giwa-Amu | Producer |
| Camera | John Lee | Director of Photography |
| Production | Matthew James Wilkinson | Producer |
| Editing | Tommy Boulding | Editor |
| Sound | Tom Raybould | Music |
| Costume & Make-Up | Scarlett O'Connell | Makeup Designer |
| Directing | Liz West | Script Supervisor |
| Visual Effects | Deborah Price | Visual Effects Coordinator |
| Costume & Make-Up | Velina Iankova | Makeup Artist |
| Art | Richard Campling | Production Design |
| Crew | Lee James Trueman | Armorer |
| Production | Celebrity Booker | Casting Associate |
| Camera | Robert Austin-Taylor | First Assistant Camera |
| Costume & Make-Up | Jennifer Drew | Makeup Artist |
| Costume & Make-Up | Lindsey Archer | Costume Design |
| Production | Toby Spigel | Casting Associate |
| Camera | James Harrison | Camera Operator |
| Visual Effects | Peter Rogers | Visual Effects Producer |
| Sound | Paul McFadden | Sound Re-Recording Mixer |
| Production | Colin Jones | Casting |
| Art | Ellie Pash | Set Decoration |
| Camera | Ryan William White | Director of Photography |
| Visual Effects | Christian Lett | Visual Effects Supervisor |
| Production | Victoria Goodall | Line Producer |
| Crew | Eleanor Boyce | Dialect Coach |
| Sound | Nathan Palmer | Foley Editor |
| Costume & Make-Up | Hannah Forbes | Makeup Artist |
| Production | Rose Wilde | Production Coordinator |
| Art | Annabelle Bevan | Set Dresser |
| Directing | Liam Lock | First Assistant Director |
| Costume & Make-Up | Dan Martin | Special Effects Makeup Artist |
| Sound | Doug Sinclair | ADR Editor |
| Camera | Mitchell Payne | Camera Trainee |
| Editing | Tobias James Tomkins | Colorist |
| Sound | Bryn Duffy | Boom Operator |
| Sound | Jamie Talbutt | Foley Mixer |
| Camera | Lauren Hatchard | Focus Puller |
| Visual Effects | Toffee Mushawasha | CG Artist |
| Visual Effects | Daniel Wood | Visual Effects Technical Director |
| Crew | Laura O'Connell | Scenic Artist |
| Costume & Make-Up | Liam Doyle | Prosthetics |
| Camera | Arthur Graham-Maw | Digital Imaging Technician |
| Crew | Anthony Williams | Compositor |
| Visual Effects | Cale Pugh | Compositing Lead |
| Sound | Meltem Baytok | Foley Artist |
| Sound | Nigel Albermaniche | Production Sound Mixer |
| Production | Roopesh Parekh | Production Consultant |
| Crew | Paul Vorsman | Compositor |
| Sound | Mirza Tahirović | ADR Recordist |
| Camera | Eliot Stone | Camera Loader |
| Crew | Samantha Day-Lewis | Compositor |
| Crew | Rachel Denning | Scenic Artist |
| Sound | Julie Ankerson | Foley Artist |
| Crew | Slobodan Velickovic | Special Effects Technician |
| Crew | Matt Reeves | Scenic Artist |
| Visual Effects | Toke Jepsen | CG Artist |
| Camera | Jaime Medrano Jr. | Focus Puller |
| Directing | James Nunn | Second Unit Director |
| Sound | Jon Salmon-Joyce | Supervising Sound Effects Editor |
| Camera | Erin Currie | Focus Puller |
| Camera | Marcus Knight | Grip |
| Directing | Nick Starr | Second Assistant Director |
| Art | Lottie McDowell | Standby Art Director |
| Sound | Robin Gerrard | Boom Operator |
| Crew | Jonathon Parker | Compositor |
| Art | Paul Nicholas | Creative Director |
| Sound | Matthew Kallen | ADR Mixer |
| Costume & Make-Up | Kirsty Allen | Costume Standby |
| Camera | Luke Stone | Key Grip |
| Crew | Cristian Knight | Stunts |
| Crew | Levan Doran | Fight Choreographer |
| Directing | Sophie Kenny | Assistant Director Trainee |
