Lean on Pete (2018)
Der 15-jährige Charley Thompson findet, neu angekommen in der Stadt Portland, einen Job auf einer Pferderennbahn: Dort kümmert er sich um das alte Rennpferd Lean On Pete. Der Besitzer des Pferdes, der ruppige Del Montgomery, und die erfahrene Jockette Bonnie werden für den Jungen zu einer Art Ersatzeltern. Doch als Charley rausfindet, dass das ältliche Pferd geschlachtet werden soll, flüchtet er gemeinsam mit seinem neuen Freund. Die beiden begeben sich auf die Suche nach Charleys liebevoller Tante, die er seit Jahren nicht gesehen hat, und durchqueren dabei die amerikanische Landschaft.
Der Regisseur:
Andrew Haigh
Der Autor:
Andrew Haigh
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Charlie Plummer as Charley |
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Amy Seimetz as Lynn |
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Travis Fimmel as Ray |
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Steve Buscemi as Del |
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Jason Beem as Race Announcer |
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Tolo Tuitele as Lynn's Husband |
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Ayanna Berkshire as Cop 1 |
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Connor Brenes as Cop 2 |
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Kurt Conroyd as Nurse |
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Chloë Sevigny as Bonnie |
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Dennis Fitzpatrick as Old Timer |
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Rusty Tennant as Portland Downs Security Guard |
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Julia Prud'homme as Ruby |
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Jason Rouse as Mitch |
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Lewis Pullman as Dallas |
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Justin Rain as Mike |
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Bob Olin as Mr. Kendall |
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Teyah Hartley as Laurie |
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Dana Millican as Woman Driver |
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Heath Lourwood as Desert Officer |
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Steve Zahn as Silver |
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Rachael Perrell Fosket as Martha |
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Joseph Bertót as Warehouse Man |
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Frank Gallegos as Santiago |
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Francisco Diego Garcia as Bob |
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Alison Elliott as Aunt Margy |
| Editing | Jonathan Alberts | Editor |
| Directing | Andrew Haigh | Director |
| Production | Tristan Goligher | Producer |
| Production | Carmen Cuba | Casting |
| Art | Ryan Warren Smith | Production Design |
| Costume & Make-Up | Julie Carnahan | Costume Design |
| Writing | Willy Vlautin | Novel |
| Lighting | Jake Lyon | Gaffer |
| Visual Effects | Nicholas Bennett | Visual Effects |
| Production | Daniel Battsek | Executive Producer |
| Costume & Make-Up | Crystal Shade | Key Makeup Artist |
| Costume & Make-Up | Christina Kortum | Makeup Department Head |
| Visual Effects | Sally Goldberg | Visual Effects |
| Production | Ben Roberts | Executive Producer |
| Production | Lizzie Francke | Executive Producer |
| Production | Sam Lavender | Executive Producer |
| Sound | Joakim Sundström | Supervising Sound Editor |
| Costume & Make-Up | Eva Lohse | Key Makeup Artist |
| Visual Effects | Jonathan Rawlinson | Senior Visual Effects Supervisor |
| Sound | James Edward Barker | Original Music Composer |
| Costume & Make-Up | Dusti Leon | Key Hair Stylist |
| Sound | Per Boström | Sound Re-Recording Mixer |
| Production | David Kosse | Executive Producer |
| Camera | Magnus Nordenhof Jønck | Director of Photography |
| Costume & Make-Up | Autumn Sanders | Hair Department Head |
| Writing | Andrew Haigh | Screenplay |
| Art | Jenelle Giordano | Set Decoration |
| Sound | Christian Dolan | Production Sound Mixer |
| Production | Darren M. Demetre | Executive Producer |
| Art | Jonny Fenix | Art Direction |
| Visual Effects | Miguel Algora | Visual Effects |
| Production | Vincent Gadelle | Executive Producer |
| Visual Effects | Ben McIlveen | Visual Effects |
| Production | Aimee Lynn Barneburg | Associate Producer |
| Art | Jarred Decker | Construction Coordinator |
| Art | Patricia Ibanez | Art Department Coordinator |
| Art | Drew Pinniger | Property Master |
| Crew | Cody Boat | Carpenter |
| Sound | Chris Navarro | ADR Mixer |
| Art | Dan Schaefer | Storyboard Artist |
| Directing | Janet Beeson | Script Supervisor |
| Sound | Matthew Skelding | Dialogue Editor |
| Sound | Connie Farr | Music Supervisor |
| Art | Greg Brown | Assistant Property Master |
| Camera | Scott Patrick Green | Still Photographer |
| Costume & Make-Up | Angelique Paull | Costume Supervisor |
| Production | Dawnn Pavlonnis | Production Supervisor |
| Art | Carly Sertic | Graphic Designer |
| Sound | Julien Naudin | Foley Artist |
| Camera | Michael Crockett | Second Assistant Camera |
| Editing | John Claude | Colorist |
| Production | Don Baldwin | Location Manager |
| Directing | Kathleen Campbell | Second Second Assistant Director |
| Sound | Patrick Ghislain | Foley Mixer |
| Production | Darren M. Demetre | Unit Production Manager |
| Directing | Ime Etuk | Second Assistant Director |
| Directing | Antonio Graña | First Assistant Director |
| Camera | Nils Benson | Camera Operator |
| Editing | Marina Morales Moya | Assistant Editor |
| Crew | Ellen Lepinski | Scenic Artist |
| Camera | William Clouter | Dolly Grip |
| Editing | Matt Hornick | First Assistant Editor |
| Crew | Mary McDonald-Lewis | Dialect Coach |
| Camera | Oliver Schaal | Key Grip |
| Sound | Christer Melén | Sound Effects Editor |
| Sound | Creed Spencer | Boom Operator |
| Camera | David Parson | First Assistant "A" Camera |
| Art | Chandler Vinar | Leadman |
| Production | Jen Tam | Extras Casting |
| Production | Jennifer Bertram | Production Coordinator |
| Camera | Peter Parson | Second Assistant "A" Camera |
| Camera | Noah Dille | Steadicam Operator |
| Editing | Charlotte Llewelyn | Digital Intermediate Producer |
| Crew | Kent W. Luttrell | Stunt Coordinator |
| Lighting | Jason Campbell | Best Boy Electric |
| Production | Rachel Mossey | Casting Associate |
| Crew | Kenneth Lewis | Set Medic |
| Crew | Gerardine O'Flynn | Post Production Supervisor |
