Die Erlösung der Fanny Lye (2019)
Auf einer abgelegenen Farm in Shropshire im Jahr 1657: Fanny Lye lernt ihre bedrückende Ehe zu überwinden, und eine neue Welt voller Möglichkeiten zu entdecken – wenn auch zu einem hohen Preis. Sie lebt ein Leben puritanischer Strenge mit ihrem Ehemann John und dem kleinen Sohn Arthur. Die Welt von Fanny Lye wird durch die unerwartete Ankunft zweier bedürftiger Fremder, eines jungen Paares, das von einem rücksichtslosen Sheriff und seinem Stellvertreter verfolgt wird, bis ins Mark erschüttert.
Der Regisseur: Thomas Clay
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Maxine Peake as Fanny Lye |
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Charles Dance as John Lye |
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Freddie Fox as Thomas Ashbury |
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Tanya Reynolds as Rebecca Henshaw |
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Zak Adams as Arthur Lye |
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Peter McDonald as High Sheriff for the Council of State |
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Perry Fitzpatrick as Sheriff's Deputy |
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Kenneth Collard as Constable |
| Crew | Corin Mellinger | Dialect Coach |
| Directing | Heike Manzke | Script Supervisor |
| Production | Victoria Colwill | Production Runner |
| Art | Rob Crewe | Construction Manager |
| Directing | Mariana Vodenicharova | Second Assistant Director |
| Crew | Samuel Horrocks | Stunt Double |
| Sound | Vincent Watts | Sound Designer |
| Sound | Anthony Weeden | Orchestrator |
| Production | Edward Rastelli-Lewis | Production Coordinator |
| Lighting | Iraklis Mitropoulos | Gaffer |
| Crew | James Ingrey | Stunts |
| Visual Effects | Mark Meddings | Special Effects Supervisor |
| Production | Nessa King | Production Accountant |
| Art | Nenad Pečur | Production Design |
| Production | Jenna Mills | Line Producer |
| Sound | Thomas Clay | Sound Re-Recording Mixer |
| Production | Joseph Lang | Producer |
| Production | Sean Wheelan | Co-Producer |
| Production | Natalie Clausen | Production Manager |
| Costume & Make-Up | Jennifer Lenard | Makeup & Hair |
| Sound | Konrad Kassing | Sound Recordist |
| Editing | Thomas Clay | Digital Colorist |
| Crew | Mark Johnston | Stunt Coordinator |
| Camera | Léonidas Arvanitis | Focus Puller |
| Camera | Matthieu Fabbri | Second Assistant Camera |
| Camera | Dirk Eichler | Steadicam Operator |
| Visual Effects | Graham Povey | Special Effects Supervisor |
| Sound | Thomas Clay | Sound Designer |
| Directing | Ina Lüders | First Assistant Director |
| Directing | Michelle McDermott | Second Assistant Director |
| Directing | Jen Rhodes | Third Assistant Director |
| Art | Rob Crewe | Art Direction |
| Art | Samuel Horrocks | Art Department Assistant |
| Costume & Make-Up | Sandra O'Brien | Hair Designer |
| Art | Silke Pufz | Painter |
| Sound | Thomas Clay | Supervising Sound Editor |
| Sound | Thomas Clay | Orchestrator |
| Directing | Mark Goddard | First Assistant Director |
| Art | Dean Pearson | Property Master |
| Production | Anthony Muir | Co-Producer |
| Camera | Alison Martin | Camera Trainee |
| Editing | Matthew Troughton | Colorist |
| Camera | Alexandra Voikou | Second Assistant Camera |
| Camera | Davey Logan | Grip |
| Art | Charlie Whiteway | Standby Art Director |
| Sound | Dean Humphreys | Sound Re-Recording Mixer |
| Production | Irene Ilias | Casting Associate |
| Editing | Noémie T.J. Phillipson | Assistant Editor |
| Directing | Charles Oakden | Second Assistant Director |
| Directing | Harry Guest | Third Assistant Director |
| Production | Evan Richards | Associate Producer |
| Camera | Son Doan | Second Assistant Camera |
| Camera | Vakis Grillis | Key Grip |
| Lighting | Kyriakos Toufexis | Best Boy Electric |
| Costume & Make-Up | Rúben Samos | Makeup & Hair |
| Costume & Make-Up | Marina Altomare | Makeup & Hair Assistant |
| Crew | Andrew Candish | Stunt Double |
| Sound | Anthony Weeden | Conductor |
| Production | Edward Rastelli-Lewis | Production Manager |
| Production | Gemma Sykes | Casting |
| Art | Mary-Ann Foster | Set Decoration |
| Costume & Make-Up | Joanne Mosley | Costume Supervisor |
| Production | Jennine Baker | Production Accountant |
| Editing | Thomas Clay | Editor |
| Lighting | Oliver Taubrich | Best Boy Electric |
| Camera | Dirk Eichler | Second Unit Director of Photography |
| Sound | Steve Bond | Sound Designer |
| Production | Jeremy Zimmermann | Casting |
| Costume & Make-Up | Sandra O'Brien | Makeup Designer |
| Camera | Brett Lameron | Key Grip |
| Sound | Thomas Clay | Music |
| Directing | Gesine Blanke | First Assistant Director (Prep) |
| Directing | Thomas Clay | Director |
| Writing | Thomas Clay | Writer |
| Sound | Thomas Clay | Original Music Composer |
| Costume & Make-Up | Michael O'Connor | Costume Design |
| Production | Michel Merkt | Producer |
| Production | Celine Haddad | Executive Producer |
| Production | Rob Cannan | Producer |
| Production | Thomas Clay | Executive Producer |
| Production | Lizzie Francke | Executive Producer |
| Production | Philippe Bober | Producer |
| Camera | Γιώργος Αρβανίτης | Director of Photography |
| Production | Compton Ross | Executive Producer |
| Production | Rick Holmes | Executive Producer |
| Production | Phil Hunt | Executive Producer |
| Production | Zorana Piggott | Producer |
