Foxtrot (2017)
Ein Klopfen an der Tür verändert das Leben des wohlsituierten Tel Aviver Architekten Michael und seiner Frau Dafna. Die Nachricht vom Tod ihres Sohnes Jonathan, der gerade seinen Militärdienst leistet, wirft Leben, Psyche und Ehe des Paars aus der Bahn. Getrieben von tiefer Trauer und Verständnislosigkeit entwickelt sich in Michael ein Sturm aus rasender Wut, geprägt von Unsicherheiten und Traumata. Doch plötzlich nimmt die Geschichte eine unvorhersehbare Wendung, die das Schicksal der ganzen Familie in eine neue Richtung lenkt.
Der Regisseur:
Samuel Maoz
Der Autor:
Samuel Maoz
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ליאור אשכנזי as Michael Feldmann |
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Sarah Adler as Daphna Feldmann |
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Yonaton Shiray as Jonathan Feldmann |
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Shira Haas as Alma Feldmann |
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Yehuda Almagor as Avigdor, Michael's Brother |
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Karin Ugowski as Michael's Mother |
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Etay Axelrod as Dancer Soldier |
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Dekel Adin as Soldier Rolling Cans |
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Shaul Amir as Soldier with Headphones |
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Gefen Barkai as Squad Commander |
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Yael Eisenberg as Female Soldier |
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Aryeh Cherner as High Ranking Officer |
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Roi Miller as Military M. D. |
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Danny Isserles as Official Military Officer |
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Itamar Rotschild as Religion Officer |
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Eden Daniel as A Boy in the Back Seat |
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Eden Gmliel as A Girl in the Back Seat |
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Rami Buzaglo as Driver of the Toy Van |
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Ilia Grosz as Daphna's Sister |
| Production | Tanja Schuh | Casting |
| Sound | Fabian Weigmann | Foley Editor |
| Directing | Adin Weiner | First Assistant Director |
| Sound | Sam Cohen | Sound Mixer |
| Camera | Jacky Revah | Clapper Loader |
| Camera | Frédéric Batier | Still Photographer |
| Camera | Gil Ezrahi | Focus Puller |
| Art | Shahar Kston | Property Master |
| Production | Matthias Ruppelt | Unit Manager |
| Directing | Esther Miriam | Second Unit Director |
| Sound | Moritz Unger | Foley Recordist |
| Production | Miriam Zacheiss | Production Coordinator |
| Production | Chamutal Zerem | Casting |
| Production | Nati Dotan | Unit Production Manager |
| Costume & Make-Up | Klaudia Rath | Makeup Artist |
| Lighting | Avi Dassberg | Gaffer |
| Lighting | Eli Turgeman | Best Boy Electric |
| Sound | Daniel Iribarren | Dialogue Editor |
| Camera | Julia von Vietinghoff | Still Photographer |
| Art | Yael Ben Cnaan | Concept Artist |
| Sound | Daniel Weis | Foley Artist |
| Sound | Julien Gonzalez | Boom Operator |
| Sound | Sebastian Tesch | Foley Editor |
| Production | Kobu Azran | Location Manager |
| Writing | Samuel Maoz | Screenplay |
| Directing | Samuel Maoz | Director |
| Sound | Ansgar Frerich | Sound Re-Recording Mixer |
| Production | Eitan Mansuri | Producer |
| Editing | Guy Nemesh | Editor |
| Editing | Arik Lahav-Leibovich | Editor |
| Production | Viola Fügen | Producer |
| Production | Čédomir Kolar | Producer |
| Costume & Make-Up | Barbara Kreuzer | Makeup Artist |
| Production | Michel Merkt | Producer |
| Production | Marc Baschet | Producer |
| Production | Michael Weber | Producer |
| Camera | Giora Bejach | Director of Photography |
| Sound | Alex Claude | Sound Director |
| Sound | Jonathan Ritzel | Sound Designer |
| Sound | Jürgen Göpfert | Sound Recordist |
| Art | Arad Sawat | Production Design |
| Sound | Samuel Cohen | Sound Mixer |
| Art | Felicity Good | Set Decoration |
| Art | Eyal Elhadad | Art Direction |
| Art | Francis 'Kiko' Soeder | Art Direction |
| Sound | Ophir Leibovitch | Original Music Composer |
| Sound | Amit Poznansky | Original Music Composer |
