A Good Woman Is Hard to Find (2019)
Die alleinerziehende Witwe Sarah ist seit der Ermordung ihres Mannes ganz auf sich gestellt. Die Polizei hat die Ermittlungen abgebrochen, das Jugendamt klopft neuerdings an die Tür und laut ihrer Mutter hat Sarah ohnehin nichts im Griff. Als der Dealer Tito beschließt, Sarahs Sozialbauwohnung als Drogenversteck zu nutzen, ist bald auch noch ein lokaler Gangsterboss hinter ihr her. Doch dann hat sie genug.
Der Regisseur: Abner Pastoll
 |
Sarah Bolger as Sarah |
 |
Edward Hogg as Leo Miller |
 |
Andrew Simpson as Tito |
 |
Jane Brennan as Alice |
 |
Caolan Byrne as Terry |
 |
Packy Lee as Mackers |
 |
Rudy Doherty as Ben |
|
Macie McCauley as Lucy |
|
Susan Ateh as Emily Scott |
 |
Siobhan Kelly as Dr Rosa Brady |
 |
Josh Bolt as Donal |
 |
James McCaffrey as Conor |
 |
Nigel O'Neill as PC Huxley |
 |
Daryl McCormack as PC Reeves |
 |
Sean Sloan as Jimmy |
|
Jo Donnelly as Betty |
 |
Mary Lindsay as Mandy |
|
Rafaela Dias as Dr Reid |
|
Diego Calderón as Drunk Ray |
|
Shireen Azarmi as Sergeant Jones |
|
Garry Harper as Bin Man |
 |
Daniel Gosling as News Reporter |
| Production | 이범수 | Executive Producer |
| Production | Michael Hooley | Casting Associate |
| Production | Jean-Yves Roubin | Co-Producer |
| Production | Carla Stronge | Casting |
| Directing | Orla Finucane | Script Supervisor |
| Production | Mathilde Snodgrass | Casting |
| Production | Marie-Thérése Mackle | Production Manager |
| Production | Molly Stack | Production Coordinator |
| Camera | Cel Bothwell-Fitzpatrick | Digital Imaging Technician |
| Camera | Joe Ransom | "B" Camera Operator |
| Camera | Ondřej Rybár | Focus Puller |
| Lighting | Brian Livingstone | Gaffer |
| Camera | Tanmoye Khan | Second Assistant Camera |
| Sound | Adrian Furdui | Supervising Dialogue Editor |
| Sound | James Matthews | Foley Editor |
| Art | Virginia Apicella | Standby Art Director |
| Production | Catherine Geary | Location Manager |
| Art | Andrew Robinson | Assistant Art Director |
| Sound | Patrick Singer | Foley Artist |
| Art | Neal Hughes | Property Master |
| Art | Benen Dillon | Art Department Assistant |
| Editing | Lauren L'Estrange | Assistant Editor |
| Editing | Stéphanie Merken | Assistant Editor |
| Camera | Joanne Mullin | Still Photographer |
| Camera | Christopher Barr | Still Photographer |
| Lighting | Steven Livingstone | Best Boy Electric |
| Sound | Peter Baldock | Sound Designer |
| Sound | Olivia Celeste Barry | Sound Editor |
| Sound | Kristiana Udre | Foley Artist |
| Art | Catherine Brannigan | Property Buyer |
| Sound | Paul Heymans | Production Sound Mixer |
| Production | Cassandre Warnauts | Co-Producer |
| Production | Abner Pastoll | Executive Producer |
| Sound | Thomas Berliner | Boom Operator |
| Production | Ronan Blaney | Associate Producer |
| Camera | Reece Hearnshaw | Grip |
| Sound | Matthew Pusti | Original Music Composer |
| Production | Guillaume Benski | Producer |
| Production | Jean-Yves Roubin | Producer |
| Art | Gillian Devenney | Production Design |
| Production | James Atherton | Executive Producer |
| Production | Jan Pace | Executive Producer |
| Writing | Ronan Blaney | Writer |
| Camera | Richard C Bell | Director of Photography |
| Production | Junyoung Jang | Producer |
| Directing | Abner Pastoll | Director |
| Costume & Make-Up | Dan Martin | Special Effects Makeup Artist |
| Production | Jang Won-seok | Executive Producer |
| Directing | Neil Winterlich | Second Assistant Director |
| Sound | Nick Baldock | Supervising Sound Editor |
| Crew | Joe Condren | Stunt Coordinator |
| Directing | Laurie Mahon | First Assistant Director |
| Visual Effects | Stéphanie Pottier | Visual Effects Coordinator |
| Directing | Maéva Buisse | Second Assistant Director |
| Visual Effects | Nicolas Corson | Digital Compositor |
| Art | Megan Britton | Set Decoration |
| Directing | Dario Cappellini | Third Assistant Director |
| Costume & Make-Up | Liz Boston | Makeup Artist |
| Editing | Abner Pastoll | Editor |
| Costume & Make-Up | Elise Ancion | Costume Design |
