They Shall Not Grow Old (2018)
DokumentarfilmHistorieKriegsfilm
Peter Jackson greift in seinem Dokumentarfilm das Geschehen des Ersten Weltkriegs auf und zeigt dabei nicht nur die Kriegsvorbereitungen, sondern auch die an der Front kämpfenden, in Gräben stationierten Soldaten bis hin zum 1918 eintretenden Waffenstillstand. Unter Verwendung modernster Technik erweckt der neuseeländische Filmemacher historisches Filmmaterial zum Leben, wie man es noch nie zuvor gesehen hat: Die über 100 Jahre alten Schwarz-Weiß-Bilder wurden aufwändig restauriert und koloriert, geschärft und in 3D konvertiert, und vermitteln dem Zuschauer intensiver denn je, was es im Ersten Weltkrieg bedeutete, durch den Schlamm zu kriechen, dem Feind aufzulauern und nicht zu wissen, ob man am nächsten Tag überhaupt noch am Leben sein wird.
Der Regisseur: Peter Jackson
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Thomas Adlam as Self - Bedfordshire Regiment (voice) |
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William Argent as Self - Royal Naval Air Service (voice) |
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John Ashby as Self - The Duke of Cambridge's Own (Middlesex Regiment) (voice) |
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Attwood as Self - British Army (voice) |
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Walter Aust as Self - East Yorkshire Regiment (voice) |
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Donald Bain as Self - Seaford Highlanders (voice) |
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Thomas Baker as Self - Chatham Battalion, Royal Naval Division (voice) |
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George Banton as Self - 50th Division Headquarters (voice) |
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Walter Becklake as Self - Northamptonshire Yeomanry (voice) |
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Arthur Beeton as Self - Royal Navy Air Service (voice) |
| Production | Clare Olssen | Producer |
| Directing | Peter Jackson | Director |
| Costume & Make-Up | Hil Cook | Makeup Department Head |
| Editing | Jabez Olssen | Editor |
| Production | Tessa Ross | Executive Producer |
| Production | Peter Jackson | Producer |
| Writing | Peter Jackson | Writer |
| Sound | Andrew Moore | Assistant Sound Editor |
| Sound | Hayden Collow | Sound Effects Editor |
| Sound | Emile de la Rey | Supervising Dialogue Editor |
| Sound | Helen Luttrell | Dialogue Editor |
| Sound | Matt Stutter | Dialogue Editor |
| Sound | Tom Scott-Toft | Foley Editor |
| Editing | Jon Newell | Colorist |
| Editing | Francisco Cubas | Online Editor |
| Editing | Tim Willis | Online Editor |
| Sound | Matthew Lambourn | Dialogue Editor |
| Sound | Brent Burge | Supervising Sound Editor |
| Visual Effects | Thomas Haley-Hermiz | Visual Effects Technical Director |
| Visual Effects | Wayne Stables | Visual Effects Supervisor |
| Crew | Jessica Grimshaw | Compositor |
| Visual Effects | Andrew Kennedy | Visual Effects Technical Director |
| Editing | Rob Gordon | Online Editor |
| Sound | Chris Todd | Dialogue Editor |
| Sound | Michael Hedges | Sound Re-Recording Mixer |
| Sound | Phil Heywood | Sound Re-Recording Mixer |
| Sound | Martin Kwok | Supervising Sound Editor |
| Visual Effects | Steven Kaelin | Compositing Lead |
| Editing | Reginald Harber Jr. | Editor |
| Sound | Craig Tomlinson | Foley Editor |
| Crew | Nachiket Kulkarni | Compositor |
| Sound | Dave Whitehead | Sound Effects Editor |
| Crew | Ieva Cerps | Compositor |
| Visual Effects | Zach Smothers | Matte Painter |
| Editing | Matthew Wear | Colorist |
| Sound | Simon Riley | Foley Recordist |
| Crew | Jarrod Nichols | Compositor |
| Crew | Jordan Lucchino | Compositor |
| Crew | Liz McLelland | Compositor |
| Visual Effects | Victor Manuel Fernandez | Compositing Lead |
| Sound | Nigel Stone | ADR Supervisor |
| Sound | James Carroll | Foley Artist |
| Sound | Alexis Feodoroff | Sound Re-Recording Mixer |
| Visual Effects | Amin Taghipour | Digital Compositor |
| Crew | Megan Graham | Compositor |
| Editing | Elliot Travers | Assistant Editor |
