The Last Vermeer (2019)
Kurz nach dem Zweiten Weltkrieg ermittelt der Soldat Joseph Piller, ob der renommierte niederländische Künstler Han van Meegeren sich tatsächlich mit den Nazis verschworen hat. Es wird vermutet, dass Han den Nazis ein Gemälde verkauft hat. Obwohl sich die Beweise häufen, wächst in Piller die Überzeugung, dass Han unschuldig ist. Letztlich fühlt sich Piller dazu verpflichtet, das Leben des Malers zu retten.
Der Regisseur:
Dan Friedkin
Die Autor:
Mark Fergus, Hawk Ostby, John Orloff.
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Guy Pearce as Han van Meegeren |
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Claes Bang as Joseph Piller |
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Vicky Krieps as Minna Holmberg |
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Roland Møller as Esper Dekker |
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August Diehl as Alex De Klerks |
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Karl Johnson as Bernard Bakker |
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Andrew Havill as Maarten Wooning |
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Paul Bentall as Chief Judge |
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Olivia Grant as Cootje Henning |
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Adrian Scarborough as Dirk Hannema |
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Marie Bach Hansen as Leez |
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Tom Mulheron as Finn |
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Cameron Jack as De Klerk's Henchman |
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Susannah Doyle as Johana |
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Richard Dillane as Colonel Jenkins |
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Oliver Ryan as Jerome Heidjen |
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Simon Paisley Day as Rienstra Van Stuyvesant |
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Jamie Newall as Prison Clerk |
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Pitou Gomes as Girl on Rubble |
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Richard Newgass as Lecherous Nazi |
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Kim Chapman as Party Girl |
| Production | Kate Ringsell | Casting |
| Sound | Rebecca Heathcote | Foley Artist |
| Costume & Make-Up | Eva Marieges Moore | Makeup Artist |
| Sound | Lilly Blazewicz | Foley Editor |
| Sound | Zoe Freed | Foley Artist |
| Sound | Julien Paschal | Sound Re-Recording Mixer |
| Art | Arthur Max | Art Direction |
| Costume & Make-Up | Sara Meerman | Makeup Artist |
| Costume & Make-Up | Leendert van Nimwegen | Hairstylist |
| Art | Fabrice Spelta | Art Direction |
| Costume & Make-Up | Chris Lyons | Makeup Artist |
| Sound | Glen Gathard | Foley Mixer |
| Costume & Make-Up | Doone Forsyth | Makeup Artist |
| Costume & Make-Up | Doone Forsyth | Hairstylist |
| Sound | Jemma Riley-Tolch | Foley Mixer |
| Sound | Peter Burgis | Foley Artist |
| Costume & Make-Up | Marjon Hoogendoorn | Makeup Artist |
| Production | Dan Friedkin | Producer |
| Directing | Dan Friedkin | Director |
| Production | Sabine Brian | Producer |
| Art | Anthony Caron-Delion | Art Direction |
| Production | Elwin Looije | Line Producer |
| Directing | Richard Goodwin | First Assistant Director |
| Editing | Victoria Boydell | Editor |
| Production | Ryan Friedkin | Producer |
| Art | Arthur Max | Production Design |
| Sound | Johan Söderqvist | Original Music Composer |
| Camera | Remi Adefarasin | Director of Photography |
| Production | Ridley Scott | Executive Producer |
| Production | Gino Falsetto | Executive Producer |
| Production | Peter Heslop | Executive Producer |
| Writing | Jonathan Lopez | Book |
| Writing | Mark Fergus | Screenplay |
| Production | Bradley Thomas | Producer |
| Writing | Hawk Ostby | Screenplay |
| Writing | John Orloff | Screenplay |
| Sound | Peter Polak | Boom Operator |
| Sound | Rob Turner | Sound Effects Editor |
| Sound | Danny Sheehan | Supervising Sound Editor |
| Art | Judy Farr | Set Decoration |
| Sound | Hugh Sherlock | Boom Operator |
| Sound | Paul Carter | Sound Designer |
| Sound | Duncan Craig | Boom Operator |
| Sound | Andrew Stirk | Sound Re-Recording Mixer |
| Crew | Aidan Brindle | Stunts |
| Costume & Make-Up | Guy Speranza | Costume Design |
| Production | Richard Goodwin | Co-Producer |
| Directing | Fraser Fennell-Ball | Second Assistant Director |
| Directing | Josie Morgan | Assistant Director |
| Costume & Make-Up | Chris Lyons | Special Effects Makeup Artist |
