Ein Toter spielt Klavier (1961)
Die an den Rollstuhl gefesselte Penny Appleby will zum ersten Mal seit zehn Jahren ihren Vater an der französischen Riviera besuchen. Vor Ort wird sie von ihrer neuen Stiefmutter Jane empfangen und erfährt, dass sich ihr Vater auf einer überraschenden Geschäftsreise befindet. Umso schockierter ist Penny, als sie nachts die Leiche ihres Vaters im Gästehaus zu sehen glaubt. In den nächsten Tagen trifft sie wiederholt auf die Leiche, ohne dass eine Spur von ihr zurückbleibt. Der Arzt Dr. Gerrard verkündet, dass Penny unter Halluzinationen leidet, doch in dem attraktiven Chauffeur Bob scheint sie einen Verbündeten zu haben.
Der Regisseur: Seth Holt
 |
Susan Strasberg as Penny Appleby |
 |
Ronald Lewis as Robert |
 |
Ann Todd as Jane Appleby |
 |
Christopher Lee as Doctor Pierre Gerrard |
 |
John Serret as Inspector Legrand |
 |
Leonard Sachs as Mr. Spratt |
 |
Anne Blake as Marie the Maid |
 |
Fred Johnson as Mr. Appleby |
 |
Madame Lobegue as Swiss Air Hostess (uncredited) |
 |
Bernard Browne as Gendarme (uncredited) |
|
Frederick Rawlings as Plainclothes Sergeant (uncredited) |
|
Richard Klee as Plainclothes Sergeant (uncredited) |
 |
Brian Jackson as Plainclothes Officer (uncredited) |
 |
Heinz Bernard as Plainclothes Officer (uncredited) |
|
Frederick Schrecker as Plainclothes Officer (uncredited) |
 |
Gordon Sterne as Policeman (uncredited) |
 |
Rodney Burke as Policeman (uncredited) |
| Directing | Seth Holt | Director |
| Writing | Jimmy Sangster | Writer |
| Production | Michael Carreras | Executive Producer |
| Production | Jimmy Sangster | Producer |
| Sound | Clifton Parker | Original Music Composer |
| Camera | Douglas Slocombe | Director of Photography |
| Editing | Eric Boyd-Perkins | Editor |
| Art | Bernard Robinson | Production Design |
| Camera | Desmond Davis | Camera Operator |
| Production | Stuart Lyons | Casting |
| Art | Thomas Goswell | Art Direction |
| Costume & Make-Up | Eileen Bates | Hairstylist |
| Costume & Make-Up | Basil Newall | Makeup Artist |
| Production | William Hill | Production Manager |
| Directing | David Tomblin | Assistant Director |
| Directing | Terry Lens | Second Assistant Director |
| Art | William Constable | Assistant Art Director |
| Sound | Jim Groom | Sound Editor |
| Sound | Teddy Mason | Sound Recordist |
| Sound | Len Shilton | Sound Recordist |
| Sound | John Crome | Assistant Sound Editor |
| Crew | Les Bowie | Special Effects |
| Crew | Ian Scoones | Special Effects Assistant |
| Camera | Ray Andrew | Clapper Loader |
| Camera | Len Harris | Additional Camera |
| Camera | George Higgins | Still Photographer |
| Camera | Harry Oakes | Additional Camera |
| Camera | Egil S. Woxholt | Underwater Camera |
| Costume & Make-Up | Dora Lloyd | Wardrobe Master |
| Editing | James Needs | Supervising Editor |
| Editing | John Crome | Assistant Editor |
| Sound | John Hollingsworth | Music Supervisor |
| Directing | Pamela Mann | Continuity |
| Sound | Les Hammond | Sound Recordist |
| Camera | John M. Jordan | Underwater Camera |
