Open Season – Jagdzeit (1974)
Jeden Sommer zur Jagdzeit das gleiche Spiel: Drei junge wohlhabende Amerikaner, ehemalige Vietnamsoldaten, betreiben zum Spaß eine zynische Hetzjagd auf wehrlose Menschen, meistens Pärchen, die sie auf dem Weg zur Jagd in ihre Gewalt bringen und in die extrem abgelegene Wildnis zu einer komfortabel ausgestatteten Jagdhütte verschleppen. Und das alles sehr höflich, ohne brutale Gewaltanwendung. Während der Mann zur Hausarbeit gezwungen wird, vergnügen sich die drei mit der Frau. Nach Psychoterror, sexueller Nötigung der Frau, groben und derben Späßen, sowie unzähligen Demütigungen, werden die Verschleppten mit einem kleinen zeitlichen Vorsprung in die Wildnis entlassen - mit dem Ziel sie zu jagen und zu töten wie Tiere. Doch diesmal kommt alles etwas anders ...
Der Regisseur:
Peter Collinson
Die Autor:
Liz Charles-Williams, David D. Osborn.
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Peter Fonda as Ken |
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Cornelia Sharpe as Nancy Stillman |
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John Phillip Law as Greg |
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Richard Lynch as Art |
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Alberto de Mendoza as Martin |
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William Holden as Hal Wolkowski |
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Helga Liné as Sue |
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Didi Sherman as Helen |
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Concha Cuetos as Joyce |
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May Heatherly as Alicia Rennick |
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Norma Kastel as Annie |
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Beatriz Savón as Sandy |
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Loreta Tovar as Moonmaid |
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Simón Andreu as Barman |
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Blanca Estrada as Alice Rennick |
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Mabel Escaño as Waitress |
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Amory Fitzpatrick as Niña |
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William Layton as District Attorney |
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Gudrun McCleary as Mrs. Rennick |
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Scott Miller as Purcell |
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Mike Zambeck as Niño |
| Directing | Peter Collinson | Director |
| Writing | David D. Osborn | Novel |
| Editing | Alan Pattillo | Editor |
| Production | José Antonio Sáinz de Vicuña | Producer |
| Production | George H. Brown | Executive Producer |
| Art | Gil Parrondo | Production Design |
| Art | Gil Parrondo | Art Direction |
| Costume & Make-Up | Ana Criado | Hairstylist |
| Costume & Make-Up | Cristóbal Criado | Makeup Artist |
| Costume & Make-Up | Luis Criado | Assistant Makeup Artist |
| Production | Manuel Amigo | Production Manager |
| Production | Francisco Molero | Production Supervisor |
| Production | Carlos Orengo | Unit Manager |
| Directing | Adolfo Aristarain | Assistant Director |
| Directing | Juan Estelrich March | Second Assistant Director |
| Art | Julián Mateos | Property Master |
| Sound | Sebastián Cabezas | Sound Recordist |
| Sound | John Hayward | Sound Re-Recording Mixer |
| Sound | Gordon K. McCallum | Sound Mixer |
| Sound | Wally Milner | Sound Recordist |
| Sound | Don Sharpe | Sound Editor |
| Crew | Antonio Balandín | Special Effects |
| Crew | Juan Maján | Stunts |
| Camera | Eduardo Noé | Camera Operator |
| Camera | Julio Leyva | Assistant Camera |
| Camera | Ramiro Sabell | Assistant Camera |
| Costume & Make-Up | Martín Díaz | Wardrobe Master |
| Costume & Make-Up | Tony Pueo | Wardrobe Master |
| Production | Graciela Nunez | Production Secretary |
| Directing | Margarita Pardo | Continuity |
| Sound | Ruggero Cini | Original Music Composer |
| Writing | Liz Charles-Williams | Screenplay |
| Writing | David D. Osborn | Screenplay |
| Camera | Fernando Arribas | Director of Photography |
| Editing | Alan Paley | Assistant Editor |
