Auf Messers Schneide - Rivalen am Abgrund (1997)
Der alternde Milliardär Charles Morse verdächtigt den Mode-Fotografen Robert Green ein Verhältnis mit seiner Frau zu haben. Deshalb lädt er seinen Nebenbuhler zu einem Trip in die unendlichen weiten Alaskas ein. Was als normale Reise beginnt, entwickelt sich zum unerwarteten Horrortrip als der Privatjet abstürzt. Fernab jeglicher Zivilisation müssen sich die Rivalen nicht nur den brutalen Mächten der Natur und den Angriffen eines riesigen Grizzlys stellen – beide haben es mit einem noch intelligenteren, gefährlicheren und tödlicheren Gegner zu tun – der menschlichen Natur!
Der Regisseur:
Lee Tamahori
Der Autor:
David Mamet
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Anthony Hopkins as Charles Morse |
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Alec Baldwin as Robert Green |
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Elle Macpherson as Mickey Morse |
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Harold Perrineau as Stephen |
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L.Q. Jones as Styles |
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Kathleen Wilhoite as Ginny |
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Mark Kiely as Mechanic |
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Eli Gabay as Jet Pilot |
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Larry Musser as Amphibian Pilot |
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Bart the Bear as Bear |
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Brian Arnold as Reporter |
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David Lindstedt as James |
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Brian Steele as Bear (attack sequence) (uncredited) |
| Production | Art Linson | Producer |
| Directing | Lee Tamahori | Director |
| Writing | David Mamet | Screenplay |
| Sound | Jerry Goldsmith | Original Music Composer |
| Editing | Neil Travis | Editor |
| Camera | Donald McAlpine | Director of Photography |
| Crew | Betty Thomas Quee | Stunt Coordinator |
| Art | Melodi Petrigo | Art Department Coordinator |
| Sound | David A. Arnold | Sound Editor |
| Sound | Dave Kulczycki | Sound Editor |
| Camera | Richard G. Mason | Underwater Camera |
| Camera | Patrick McArdle | First Assistant Camera |
| Costume & Make-Up | Gail Kennedy | Makeup Artist |
| Sound | Donald Sylvester | Foley |
| Camera | Pauline Heaton | Underwater Camera |
| Costume & Make-Up | Julie Weiss | Costume Design |
| Art | Robert LaPrell | Construction Coordinator |
| Art | Wolf Kroeger | Production Design |
| Camera | Wayne Goodchild | Key Grip |
| Editing | Michael J. Wechsler | Assistant Editor |
| Sound | Alexander Courage | Orchestrator |
| Art | Robert Dawson | Title Designer |
| Art | Janice Blackie-Goodine | Set Decoration |
| Sound | Harry B. Miller III | ADR Supervisor |
| Visual Effects | Kent Houston | Visual Effects Supervisor |
| Production | Rino Pace | Location Manager |
| Costume & Make-Up | Iloe Flewelling | Key Hair Stylist |
| Art | Alfred A. Arndt | Construction Foreman |
| Directing | Philip A. Patterson | First Assistant Director |
| Sound | Steve Bissinger | Sound Editor |
| Sound | Michael Playfair | Boom Operator |
| Camera | Tim Milligan | Dolly Grip |
| Camera | Kurt E. Soderling | Aerial Camera |
| Lighting | Burton 'Joe' Kuchera | Rigging Gaffer |
| Art | Pierre Bartlette | Construction Foreman |
| Sound | Paul Urmson | Sound Editor |
| Camera | John Clothier | Camera Operator |
| Production | Donna Isaacson | Casting |
| Crew | John Dambrauskas | Carpenter |
| Sound | Kenneth Hall | Music Editor |
| Sound | Ted Caplan | Sound Editor |
| Sound | J.D. Ward | Sound Recordist |
| Lighting | Rick Youck | Best Boy Electric |
| Art | Gary Clayton Ripley | Painter |
| Directing | Christine Wilson | Script Supervisor |
| Costume & Make-Up | Christine Beveridge | Makeup Designer |
| Sound | Jay Wilkinson | Supervising Sound Editor |
| Crew | Mike Vézina | Special Effects Coordinator |
| Camera | Joseph Lederer | Still Photographer |
| Costume & Make-Up | Gail Johns | Seamstress |
| Editing | Nicolas De Toth | First Assistant Editor |
| Crew | Smith Wordes | Choreographer |
| Production | Yvonne Melville | Production Coordinator |
| Costume & Make-Up | B.J. Rogers | Costume Supervisor |
| Production | Alice Ferrier | Production Coordinator |
| Directing | Kevin Leslie | Third Assistant Director |
| Art | Richard Harrison | Art Direction |
| Production | Lloyd Phillips | Executive Producer |
