Die Todesschwester (2023)
Spanien, 1949. Narcisa, eine Novizin, kommt in ein altes Kloster, das in eine Mädchenschule umgewandelt wurde, um als Lehrerin zu arbeiten.
Der Regisseur:
Paco Plaza
Die Autor:
Paco Plaza, Jorge Guerricaechevarría.
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Aria Bedmar as Narcisa |
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Maru Valdivielso as Sister Julia |
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Luisa Merelas as Mother Superior |
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Almudena Amor as Sister Socorro |
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Chelo Vivares as Sister Sagrario |
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Sara Roch as Rosa |
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Olimpia Roch as Elvirita |
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Adriana Camarena as Ana María |
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Marina Delgado as Marina |
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Claudia Fernández Arroyo as Vinyet |
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Consuelo Trujillo as Sister Muerte |
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Sandra Escacena as Verónica |
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Arantza Vélez as Sister Tere |
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Ainoa Hernández as Child Narcisa |
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Antonio Duque as Confessing Priest |
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Daniela Casas as Little Girl |
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Guille Zavala as Church Militiaman |
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Marcelo Carvajal as Rapist Militiaman |
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Mónica Castillo as Chicken Stealing Militiawoman |
| Directing | Paco Plaza | Director |
| Production | Enrique López Lavigne | Producer |
| Production | Pablo Cruz | Producer |
| Production | Diego Suárez Chialvo | Producer |
| Camera | Daniel Férnandez Abelló | Director of Photography |
| Costume & Make-Up | Vinyet Escobar | Costume Designer |
| Editing | Guillermo de la Cal | Editor |
| Editing | Martí Roca | Editor |
| Writing | Paco Plaza | Screenplay |
| Production | Paco Plaza | Executive Producer |
| Production | Pablo Fernández Masó | Executive Producer |
| Art | Laia Ateca | Production Design |
| Sound | Mikel Salas | Original Music Composer |
| Production | Arantza Vélez | Casting |
| Production | Paula Cámara | Casting |
| Sound | Gabriel Gutiérrez | Sound Designer |
| Sound | Gabriel Gutiérrez | Sound Mixer |
| Visual Effects | David Heras | Visual Effects Supervisor |
| Sound | Diana Sagristá | Sound Recordist |
| Costume & Make-Up | Cecilia Escot Mangas | Key Makeup Artist |
| Costume & Make-Up | Eduardo Sánchez | Key Hair Stylist |
| Costume & Make-Up | Nacho Díaz | Special Effects Key Makeup Artist |
| Production | Alberto Álvarez | Production Director |
| Directing | Ana Hernando | Assistant Director |
| Production | Gisela Remolins | Production Manager |
| Directing | Pedro Giménez | Second Assistant Director |
| Directing | Alberto Pérez-Mora | Second Assistant Director |
| Directing | Raúl Acín | Script Supervisor |
| Camera | Alberto Ojeda Muñoz | Camera Operator |
| Camera | Alberto Ojeda Muñoz | Steadicam Operator |
| Camera | Pablo Pascual | Focus Puller |
| Camera | Daniel Escalé | Still Photographer |
| Art | Borja Gil Santamaría | Assistant Art Director |
| Art | Verónica Díez | Set Dresser |
| Art | Noemí García Avizanda | Property Master |
| Art | Gema López Pérez | Storyboard Artist |
| Costume & Make-Up | Ana Belén Cruces | Makeup Artist |
| Costume & Make-Up | Ana Belén Cruces | Hairstylist |
| Sound | Esther Marquina | Boom Operator |
| Editing | Pau Itarte | Co-Editor |
| Editing | Carlos de Havilland | Assistant Editor |
| Production | Eduard Aguiló | Post Production Coordinator |
| Lighting | Óscar de Luna | Gaffer |
| Lighting | Bart Pérez | Gaffer |
| Lighting | Kike Maño | Gaffer |
| Camera | Ángel Reina | Key Grip |
| Camera | Jorge Cortell Valet | Grip |
| Visual Effects | Iker de la Calle | Special Effects Supervisor |
| Production | Jaume Jordana | Location Manager |
| Crew | Rafael Ayuso | Stunt Coordinator |
| Editing | Noémie Dulau | Colorist |
| Sound | Miguel Barbosa | Foley Artist |
| Sound | Xes Diéguez | Foley Artist |
| Writing | Jorge Guerricaechevarría | Screenplay |
| Production | Itsaso Pol | Casting Assistant |
