12/12/1899
New York City, New York, USA:
Floyd Delafield Crosby war ein US-amerikanischer Kameramann. 1927 begleitete er als Fotograf und Kameramann den Forscher William Beebe auf dessen Reise nach Haiti. 1931 wurde Crosby von Robert Flaherty und Friedrich Wilhelm Murnau als Kameramann für das Stummfilm-Südseedrama Tabu angestellt. Für seine Leistung bekam Crosby 1931 den Oscar für die Beste Kamera. 1952 betreute er die Kamera für den Klassiker 12 Uhr mittags, wofür er 1953 mit dem Golden Globe ausgezeichnet wurde. Von 1954 bis 1963 übernahm er für 21 zumeist B-Filme unterschiedlicher Genres unter der Regie von Roger Corman die Arbeit als Kameramann. Floyd Crosby war der Vater des Rockstars David Crosby.
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The Cool Ones (1967) Director of Photography |
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Fireball 500 (1966) Director of Photography |
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Beach Ball (1965) Director of Photography |
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Sergeant Deadhead (1965) Director of Photography |
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How to Stuff a Wild Bikini (1965) Director of Photography |
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Beach Blanket Bingo (1965) Director of Photography |
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Pajama Party (1964) Director of Photography |
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Sex and the College Girl (1964) Director of Photography |
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Bikini Beach (1964) Director of Photography |
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סאלח שבתי (1964) Director of Photography |
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The Comedy of Terrors (1964) Director of Photography |
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The Haunted Palace (1963) Director of Photography |
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X: The Man with the X-Ray Eyes (1963) Director of Photography |
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The Yellow Canary (1963) Director of Photography |
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Black Zoo (1963) Director of Photography |
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The Raven (1963) Director of Photography |
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The Young Racers (1963) Cinematography |
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The Young Racers (1963) Director of Photography |
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Tales of Terror (1962) Director of Photography |
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Terror At Black Falls (1962) Cinematography |
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The Broken Land (1962) Director of Photography |
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The Premature Burial (1962) Director of Photography |
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Hand of Death (1962) Director of Photography |
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The Pit and the Pendulum (1961) Director of Photography |
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A Cold Wind in August (1961) Director of Photography |
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Night Tide (1961) Director of Photography |
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Freckles (1960) Director of Photography |
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House of Usher (1960) Director of Photography |
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Blood and Steel (1959) Director of Photography |
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Crime and Punishment USA (1959) Director of Photography |
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The Wonderful Country (1959) Director of Photography |
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I, Mobster (1959) Director of Photography |
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The Old Man and the Sea (1958) Director of Photography |
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The Screaming Skull (1958) Director of Photography |
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Cry Baby Killer (1958) Director of Photography |
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Hot Rod Gang (1958) Director of Photography |
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She Gods of Shark Reef (1958) Director of Photography |
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Teenage Cave Man (1958) Director of Photography |
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War of the Satellites (1958) Director of Photography |
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Machine-Gun Kelly (1958) Director of Photography |
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Suicide Battalion (1958) Director of Photography |
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Ride Out for Revenge (1957) Director of Photography |
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Hell Canyon Outlaws (1957) Director of Photography |
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Teenage Doll (1957) Director of Photography |
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Carnival Rock (1957) Director of Photography |
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Reform School Girl (1957) Director of Photography |
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Rock All Night (1957) Director of Photography |
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Attack of the Crab Monsters (1957) Director of Photography |
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Naked Paradise (1957) Director of Photography |
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Alaska Lifeboat (1956) Cinematography |
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Shack Out on 101 (1955) Director of Photography |
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Apache Woman (1955) Director of Photography |
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The Naked Street (1955) Director of Photography |
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Five Guns West (1955) Director of Photography |
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The Fast and the Furious (1954) Director of Photography |
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The Snow Creature (1954) Director of Photography |
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Monster from the Ocean Floor (1954) Director of Photography |
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Stormy, the Thoroughbred (1954) Director of Photography |
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The Steel Lady (1953) Director of Photography |
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From Here to Eternity (1953) Cinematography |
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Man in the Dark (1953) Director of Photography |
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High Noon (1952) Director of Photography |
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Devil Take Us (1952) Director of Photography |
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The Brave Bulls (1951) Cinematography |
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Heart to Heart (1949) Director of Photography |
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It's All True (1943) Cinematography |
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The Land (1942) Additional Director of Photography |
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The Land (1942) Camera Operator |
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Power and the Land (1940) Director of Photography |
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The Fight for Life (1940) Cinematography |
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The River (1938) Director of Photography |
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New York to Berlin in Twenty-Six Hours (1933) Cinematography |
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Matto Grosso, the Great Brazilian Wilderness (1933) Director |
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Matto Grosso, the Great Brazilian Wilderness (1933) Director of Photography |
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The Nesting of the Sea Turtle (1933) Director |
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Tabu: A Story of the South Seas (1931) Director of Photography |
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Tabu: A Story of the South Seas (1931) Camera Operator |