A sound designer and composer with over 15 years of experience working on major Spanish audiovisual productions, he has mastered Pro Tools. He has held every sound role in the audiovisual industry, gaining a thorough understanding of each process. He has been the sound designer for successful Spanish television series such as Vis a vis, El barco, Pulsaciones, Luna, Bienvenidos al Lolita, and Vive Cantando. In film, he has mixed and designed sound for internationally acclaimed movies like Wax, Stop Over in Hell, Los encantados, and Vampyres, and has collaborated on many more.
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Abril, hoy no es invierno (2026) Sound |
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Hasta que me quede sin voz (2025) Sound Re-Recording Mixer |
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Los Patos y las Patas (2025) Sound Designer |
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Voy a Pasármelo Mejor (2025) Sound Re-Recording Mixer |
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Lola, Lolita, Lolaza (2024) Original Music Composer |
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Lola, Lolita, Lolaza (2024) Sound Designer |
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Ponto Final (2022) Recording Supervision |
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Mi adorado Monster (2021) Sound Mixer |
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Regresa el Cepa (2019) Sound Mixer |
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De repente, la noche (2018) Sound Editor |
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Volcánica (2018) Sound Post Supervisor |
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Stop Over in Hell (2016) Original Music Composer |
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Vampyres (2015) Original Music Composer |
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¡Zarpazos! Un viaje por el spanish horror (2014) Sound Mixer |
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Wax (2014) Sound Recordist |
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Esto no es una cita (2013) Foley Artist |
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The Same () Stunt Coordinator |
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No enciendas la luz () Sound Director |