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Henri Jeanson


Henri Jeanson

Birthday:

03/06/1900

Place of birth:

Paris, France:

Biography:

Henri Jules Louis Jeanson (6 March 1900 in Paris – 6 November 1970 in Équemauville) was a French writer and journalist. He was a "satrap" in the "College of 'Pataphysics". Jeanson was born on 6 March 1900 in Paris. His father was a teacher. Before becoming a journalist, he had several casual jobs, including being depicted as a soldier on a good-luck card for a postcard seller, belying his future pacifism. In 1917, he started work for La Bataille, newspaper of the Confédération générale du travail. Noted for his strong writing, he was a journalist throughout the 1920s, with intervening stints as reporter, interviewer and film critic. He was distinguished by the potency of his style and a taste for polemic. Jeanson worked for several papers including the Journal du peuple, Hommes du Jour and the Canard enchaîné, where he defended complete pacifism. He resigned from the Canard enchaîné in 1937, in solidarity with Jean Galtier-Boissière. He was sentenced to 18 months in prison in July 1939, for publishing an article in Solidarité internationale antifasciste, a periodical founded in November 1938 by Louis Lecoin, in which he congratulated Herschel Grynszpan for his assassination of Ernst vom Rath, an official of the German embassy in Paris. He was arrested in November 1939, at which time he had already joined his regiment in Meaux, for articles which had appeared in March and August 1939, and for having signed Louis Lecoin's tract "Paix immédiate". On 20 December 1939, he was sentenced by a military tribunal to five years in prison for "calling for disobedience within the ranks". Jeanson was in prison for his pacifist writings, and this only a few days before the German army marched into Paris. His freedom was obtained by the lawyer and minister César Campinchi. He remained in Paris and in August 1940 was given the chief editorship of Aujourd'hui, an "independent" newspaper. The first issue went out on 10 September 1940. In November 1940, the German authorities pressured him to take a public position against the Jews and in favour of the politics of collaboration with the Vichy regime. Jeanson resigned and went back to prison. He was freed a few months later after the intervention of his friend Gaston Bergery, a neo-radical who had turned to the collaborationists through ultra-pacifism. From that point on he was banned from the press and the cinema, and worked secretly, writing film dialogues without putting his name to them. With Pierre Bénard, Jeanson participated in the development of secret pamphlets, and just missed being re-arrested in 1942. He continued to lie low until the liberation of France. His story is said to illustrate the contradictions and compromises of absolute pacifism: the willingness to seek an understanding with Germany to avoid war, transforming, after France's defeat, into a desire for proper coexistence, even offering to serve the Germans. The newspaper Aujourd'hui was far from being innocent in its hunting down those allegedly responsible for France's defeat, resorting to the "clean sweep of the broom" myth in its Anglophobia. The paper entered into resonance with Marshal Philippe Pétain's narrative, and took the direction of German propaganda. ... Source: Article "Henri Jeanson" from Wikipedia in English, licensed under CC-BY-SA 3.0.



Credits

Arletty, Lady Paname (2007)
as Self (archive footage)
L'Homme à la Buick (1968)
Dialogue
Paris au mois d'août (1966)
Dialogue
Le Majordome (1965)
Writer
Le Repas des fauves (1964)
Writer
Paris When It Sizzles (1964)
Original Film Writer
La Tulipe noire (1964)
Screenplay
Les Bonnes Causes (1963)
Dialogue
Le Glaive et la Balance (1963)
Writer
Le Diable et les Dix Commandements (1962)
Dialogue
Le crime ne paie pas (1962)
Scenario Writer
Madame Sans-Gêne (1961)
Screenplay
Diesmal muß es Kaviar sein (1961)
Writer
Es muß nicht immer Kaviar sein (1961)
Writer
Vive Henri IV... Vive l'amour (1961)
Writer
Terrain vague (1960)
Story
L'Affaire d'une nuit (1960)
Dialogue
L'Affaire d'une nuit (1960)
Screenplay
La Vache et le Prisonnier (1959)
Writer
La Vache et le Prisonnier (1959)
Dialogue
Nathalie, agent secret (1959)
Writer
Marie-Octobre (1959)
Dialogue
Guinguette (1959)
Screenplay
Maxime (1958)
Screenplay
Nathalie (1957)
Dialogue
Pot-Bouille (1957)
Writer
Nana (1955)
Writer
Madame du Barry (1954)
Adaptation
Madame du Barry (1954)
Writer
Destinées (1954)
Writer
La Fête à Henriette (1952)
Writer
La Minute de vérité (1952)
Writer
L'Homme de ma vie (1952)
Writer
Barbe-Bleue (1951)
Dialogue
Le Garçon sauvage (1951)
Adaptation
Le Garçon sauvage (1951)
Screenplay
Souvenirs perdus (1950)
Dialogue
Souvenirs perdus (1950)
Scenario Writer
È più facile che un cammello... (1950)
Screenplay
Meurtres ? (1950)
Dialogue
Lady Paname (1950)
Director
Lady Paname (1950)
Writer
Au royaume des cieux (1949)
Dialogue
Entre onze heures et minuit (1949)
Dialogue
Aux yeux du souvenir (1948)
Writer
Les amoureux sont seuls au monde (1948)
Writer
La Vie en rose (1948)
Dialogue
Carré de valets (1947)
Dialogue
Carré de valets (1947)
Writer
La Taverne du poisson couronné (1947)
Dialogue
Les Maudits (1947)
Writer
Copie conforme (1947)
Dialogue
Un revenant (1946)
Screenplay
Boule de suif (1945)
Scenario Writer
Carmen (1944)
Dialogue
L'aventure est au coin de la rue (1944)
Screenplay
Hôtel du Nord (1938)
Screenplay
Entrée des artistes (1938)
Dialogue
Le Drame de Shanghaï (1938)
Adaptation
Le Patriote (1938)
Dialogue
Tarakanova (1938)
Dialogue
La principessa Tarakanova (1938)
Writer
Naples au baiser de feu (1937)
Writer
Le Mensonge de Nina Petrovna (1937)
Dialogue
Un carnet de bal (1937)
Dialogue
Le Chemin de Rio (1937)
Screenplay
Pépé le Moko (1937)
Dialogue
Mister Flow (1936)
Writer
Sidonie Panache (1934)
Writer
Les Aventures du roi Pausole (1933)
Screenplay
The Girl from Maxim's (1933)
Writer
La Dame de chez Maxim's (1933)
Screenplay