Mandingo (1975)
Año 1820. En una plantación esclavista del sur de Estados Unidos, el propietario Warren Maxwell (James Mason) los explota inhumanamente, los dedica a luchar en espectáculos públicos, fomenta la natalidad de las mujeres para vender los bebés. Ignora que su sobrina Blanche está enamorada del mejor de sus luchadores. Se la descalificó por sus desnudos frontales, las relaciones interraciales de amor y sexo, las relaciones incestuosas entre blancos, la ninfomanía de Blanche,... Críticas que fomentaron su éxito comercial, pero determinaron su olvido progresivo hasta el punto que en los años 90 del XX sólo se pudo encontrar una copia de la película.
Directora:
Richard Fleischer
Escritor:
Norman Wexler
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Perry King as Hammond Maxwell |
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James Mason as Warren Maxwell |
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Susan George as Blanche Woodford Maxwell |
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Ken Norton as Mede (Ganymede) |
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Richard Ward as Agamemnon |
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Brenda Sykes as Ellen |
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Lillian Hayman as Lucrezia Borgia |
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Roy Poole as Doc Redfield |
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Ji-Tu Cumbuka as Cicero |
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Paul Benedict as Brownlee |
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Ben Masters as Charles Woodford |
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Ray Spruell as Wallace |
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Louis Turenne as De Veve |
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Duane Allen as Topaz |
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Earl Maynard as Babouin |
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Beatrice Winde as Lucy |
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Debbi Morgan as Dite |
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Irene Tedrow as Mrs. Redfield |
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Reda Wyatt as Big Pearl |
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Simon McQueen as Madam Caroline (as Simone McQueen) |
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Evelyn Hendrickson as Beatrix |
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Stanley J. Reyes as Major Woodford |
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John Barber as Le Toscan |
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Durwyn Robinson as Meg |
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Kerwin Robinson as Alph |
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Deborah Ann Young as Tense |
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Debra Blackwell as Blonde Girl |
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Sylvia Kuumba Williams as Black Mother |
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Stocker Fontelieu as Wilson |
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Edwin Edwards as Gambler |
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Warren Kenner as |
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Laura Misch Owens as Prostitute |
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Rosemary Tichenor as Slave-Buying Woman |
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Sylvester Stallone as Lynching Witness (uncredited) |
| Directing | Richard Fleischer | Director |
| Writing | Kyle Onstott | Novel |
| Writing | Jack Kirkland | Writer |
| Writing | Norman Wexler | Screenplay |
| Production | Dino De Laurentiis | Producer |
| Production | Ralph B. Serpe | Executive Producer |
| Camera | Richard H. Kline | Director of Photography |
| Editing | Frank Bracht | Editor |
| Production | Lynn Stalmaster | Casting |
| Art | Boris Leven | Production Design |
| Art | John P. Austin | Set Decoration |
| Costume & Make-Up | Ann Roth | Costume Design |
| Costume & Make-Up | Sugar Blymyer | Hairstylist |
| Costume & Make-Up | Hank Edds | Makeup Artist |
| Production | Peter V. Herald | Production Manager |
| Crew | Stanley Neufeld | Post Production Supervisor |
| Directing | Frederic W. Brost | First Assistant Director |
| Directing | Gary Daigler | Second Assistant Director |
| Directing | Albert Shepard | Second Assistant Director |
| Art | Bill Wainess | Property Master |
| Sound | James Nelson | Sound Effects Editor |
| Sound | William Randall Jr. | Production Sound Mixer |
| Sound | Raul A. Bruce | Boom Operator |
| Sound | Donald C. Rogers | Sound Director |
| Crew | Ira Anderson Jr. | Special Effects |
| Crew | Joe Canutt | Stunt Coordinator |
| Crew | Alan Oliney | Stunt Coordinator |
| Crew | Alan Oliney | Stunts |
| Camera | Gene Kearney | Grip |
| Lighting | Ross A. Maehl | Gaffer |
| Lighting | Calvin Maehl | Best Boy Electric |
| Production | Hector Freeman | Casting Assistant |
| Costume & Make-Up | Jack Martell | Wardrobe Supervisor |
| Editing | Chris Kaeselau | Assistant Editor |
| Sound | Maurice Jarre | Conductor |
| Sound | Milton Lustig | Music Editor |
| Crew | Dino De Laurentiis | Presenter |
| Directing | Alvin Greenman | Script Supervisor |
| Sound | John Wilkinson | Sound Re-Recording Mixer |
| Sound | Maurice Jarre | Original Music Composer |
