¿Teléfono rojo? Volamos hacia Moscú (1964)
Convencido de que los comunistas están contaminando los Estados Unidos, un general ordena, en un acceso de locura, un ataque aéreo nuclear sorpresa contra la Unión Soviética. Su ayudante, el capitán Mandrake, trata de encontrar la fórmula para impedir el bombardeo. Por su parte, el presidente de los EE.UU. se pone en contacto con Moscú para convencer al gobierno soviético de que el ataque no es más que un estúpido error. Mientras tanto, el asesor estadounidense, un antiguo científico nazi, el doctor Strangelove, confirma la existencia de la «Máquina del Juicio Final», un dispositivo de represalia soviético capaz de acabar con la humanidad para siempre.
Directora:
Stanley Kubrick
Escritores:
Terry Southern, Peter George, Stanley Kubrick.
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Peter Sellers as Group Capt. Lionel Mandrake / President Merkin Muffley / Dr. Strangelove |
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George C. Scott as General 'Buck' Turgidson |
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Sterling Hayden as Brigadier General Jack D. Ripper |
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Keenan Wynn as Colonel Bat Guano |
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Slim Pickens as Major "King" Kong |
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Peter Bull as Botschafter De Sadesky |
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James Earl Jones as Lt. Lothar Zogg |
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Tracy Reed as Miss Scott |
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Jack Creley as Mr. Staines |
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Frank Berry as Lt. Dietrich |
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Robert O'Neil as Adm. Randolph |
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Glenn Beck as Lt. Kivel |
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Roy Stephens as Frank |
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Shane Rimmer as Capt. 'Ace' Owens |
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Hal Galili as Burpelson AFB Defense Team Member |
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Paul Tamarin as Lt. Goldberg |
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Laurence Herder as Burpelson AFB Defense Team Member |
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John McCarthy as Burpelson AFB Defense Team Member |
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Gordon Tanner as Gen. Faceman |
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Burnell Tucker as Mandrake' aide (uncredited) |
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Victor Harrington as War Room Aide (uncredited) |
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Peter Evans as War Room Aide (uncredited) |
| Writing | Terry Southern | Screenplay |
| Directing | Stanley Kubrick | Director |
| Writing | Peter George | Novel |
| Writing | Peter George | Screenplay |
| Production | Victor Lyndon | Producer |
| Camera | Gilbert Taylor | Director of Photography |
| Production | Stanley Kubrick | Producer |
| Editing | Anthony Harvey | Editor |
| Production | Leon Minoff | Executive Producer |
| Writing | Stanley Kubrick | Screenplay |
| Art | Ken Adam | Production Design |
| Sound | Laurie Johnson | Original Music Composer |
| Art | Pablo Ferro | Title Designer |
| Crew | Wally Veevers | Special Effects |
| Crew | Arthur 'Weegee' Fellig | Special Effects |
| Camera | Kelvin Pike | Camera Operator |
| Camera | Bob Penn | Still Photographer |
| Costume & Make-Up | Stuart Freeborn | Makeup Artist |
| Crew | Garth Inns | Special Effects |
| Costume & Make-Up | Barbara Ritchie | Hairstylist |
| Production | Clifton Brandon | Production Manager |
| Art | Peter Murton | Art Direction |
| Sound | John Cox | Sound |
| Sound | John Aldred | ADR & Dubbing |
| Directing | Eric Rattray | Assistant Director |
| Sound | Leslie Hodgson | Sound Editor |
| Editing | Ray Lovejoy | Assistant Editor |
| Crew | Alan Bryce | Special Effects |
| Camera | Michael Walter | Key Grip |
| Visual Effects | Jim Body | Visual Effects Camera |
| Directing | Pamela Carlton | Continuity |
| Crew | Alan Stuart | Stunt Double |
| Sound | Richard Bird | Sound Recordist |
