¿Teléfono rojo? Volamos hacia Moscú (1964)
Convencido de que los comunistas están contaminando los Estados Unidos, un general ordena, en un acceso de locura, un ataque aéreo nuclear sorpresa contra la Unión Soviética. Su ayudante, el capitán Mandrake, trata de encontrar la fórmula para impedir el bombardeo. Por su parte, el presidente de los EE.UU. se pone en contacto con Moscú para convencer al gobierno soviético de que el ataque no es más que un estúpido error. Mientras tanto, el asesor estadounidense, un antiguo científico nazi, el doctor Strangelove, confirma la existencia de la «Máquina del Juicio Final», un dispositivo de represalia soviético capaz de acabar con la humanidad para siempre.
Directora:
Stanley Kubrick
Escritores:
Stanley Kubrick, Terry Southern, Peter George.
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Peter Sellers as Group Capt. Lionel Mandrake / President Merkin Muffley / Dr. Strangelove |
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George C. Scott as General 'Buck' Turgidson |
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Sterling Hayden as Brigadier General Jack D. Ripper |
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Keenan Wynn as Colonel Bat Guano |
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Slim Pickens as Major "King" Kong |
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Peter Bull as Botschafter De Sadesky |
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James Earl Jones as Lt. Lothar Zogg |
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Tracy Reed as Miss Scott |
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Jack Creley as Mr. Staines |
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Frank Berry as Lt. Dietrich |
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Robert O'Neil as Adm. Randolph |
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Glenn Beck as Lt. Kivel |
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Roy Stephens as Frank |
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Shane Rimmer as Capt. 'Ace' Owens |
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Hal Galili as Burpelson AFB Defense Team Member |
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Paul Tamarin as Lt. Goldberg |
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Laurence Herder as Burpelson AFB Defense Team Member |
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John McCarthy as Burpelson AFB Defense Team Member |
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Gordon Tanner as Gen. Faceman |
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Burnell Tucker as Mandrake' aide (uncredited) |
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Victor Harrington as War Room Aide (uncredited) |
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Peter Evans as War Room Aide (uncredited) |
| Directing | Stanley Kubrick | Director |
| Writing | Stanley Kubrick | Screenplay |
| Writing | Terry Southern | Screenplay |
| Writing | Peter George | Screenplay |
| Production | Stanley Kubrick | Producer |
| Production | Victor Lyndon | Producer |
| Production | Leon Minoff | Executive Producer |
| Sound | Laurie Johnson | Original Music Composer |
| Camera | Gilbert Taylor | Director of Photography |
| Editing | Anthony Harvey | Editor |
| Art | Ken Adam | Production Design |
| Writing | Peter George | Novel |
| Art | Pablo Ferro | Title Designer |
| Art | Peter Murton | Art Direction |
| Costume & Make-Up | Stuart Freeborn | Makeup Artist |
| Costume & Make-Up | Barbara Ritchie | Hairstylist |
| Production | Clifton Brandon | Production Manager |
| Directing | Eric Rattray | Assistant Director |
| Sound | John Aldred | ADR & Dubbing |
| Sound | John Cox | Sound |
| Sound | Leslie Hodgson | Sound Editor |
| Crew | Wally Veevers | Special Effects |
| Crew | Alan Bryce | Special Effects |
| Crew | Arthur 'Weegee' Fellig | Special Effects |
| Crew | Garth Inns | Special Effects |
| Camera | Kelvin Pike | Camera Operator |
| Camera | Bob Penn | Still Photographer |
| Editing | Ray Lovejoy | Assistant Editor |
| Camera | Michael Walter | Key Grip |
| Visual Effects | Jim Body | Visual Effects Camera |
| Crew | Alan Stuart | Stunt Double |
| Directing | Pamela Carlton | Continuity |
| Sound | Richard Bird | Sound Recordist |
