Permis de tromper (2022)
Carrie se rend à un séminaire avec ses deux collègues et amies, Lexi et Beth. Ces dernières conseillent à Carrie de profiter d'un soir de "liberté" ou plutôt d'une espèce de "permis" de tromper son mari. A les entendre, cela résoudrait leur problème de couple. Au bar de l'hôtel se trouve aussi Dante, le chanteur d'un groupe qu'adorait Carrie quand elle était adolescente. Celui-ci vient à leur table. Visiblement séduit par Carrie, il lui propose de le suivre dans sa chambre. D'abord troublée, Carrie se reprend et refuse fermement les avances de Dante. Mais il ne supporte pas qu'on lui résiste et se met à harceler Carrie pour la faire céder et devient menaçant. Carrie est terrorisée et vit un cauchemar...
Directeur: Marla Sokoloff
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Andrea Bowen as Carrie Palmer |
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Matt Magnusson as Dante Jones |
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Gib Gerard as Justin Palmer |
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Ciarra Carter as Beth |
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April Lynn Nelson as Lexi |
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Kacy Owens as Brenda |
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Alan Pietruszewski as Quinn |
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Maya Goodwin as Detective Lee |
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Jane Papageorge as Marilyn |
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Ryan Sturz as Andrew |
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Andrew Sikking as Boss |
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Katie A. Keane as Katie |
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Anne Stedman as Clerk |
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Eva Ceja as Colleague |
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Nanda Ziegler as Wanda |
| Production | Brian Nolan | Producer |
| Editing | Mark Noad | Online Editor |
| Costume & Make-Up | Jacqueline Holden | Key Makeup Artist |
| Production | Nima Azadi | Production Supervisor |
| Sound | Chris Ridenhour | Original Music Composer |
| Editing | Michael Kuge | Editor |
| Directing | Marla Sokoloff | Director |
| Writing | Peter Sullivan | Writer |
| Writing | Jeffrey Schenck | Story |
| Costume & Make-Up | Emily Mefford | Key Makeup Artist |
| Visual Effects | Joseph J. Lawson | Visual Effects |
| Sound | Marc Ferrari | Music Supervisor |
| Production | Christopher Ray | Line Producer |
| Art | Dave Rose | Set Dresser |
| Sound | Dave Moorman | Sound Re-Recording Mixer |
| Crew | Sean Christopher | Stunt Coordinator |
| Crew | Brandon Amano | Stunt Double |
| Camera | Emmeline Shafer | Key Grip |
| Sound | Chris Cano | Original Music Composer |
| Writing | Peter Sullivan | Story |
| Art | Taylor Venegas | Set Dresser |
| Camera | Alexander Yellen | Director of Photography |
| Production | Dean E. Fronk | Casting Director |
| Production | Donald Paul Pemrick | Casting Director |
| Costume & Make-Up | Michael Spezzano | Makeup Department Head |
| Production | Barry Barnholtz | Executive Producer |
| Production | Peter Sullivan | Co-Producer |
| Costume & Make-Up | Kris Deskins | Costume Design |
| Production | Jeffrey Schenck | Executive Producer |
| Production | Gene George | Co-Executive Producer |
| Production | Dakotah Hitt | Unit Production Manager |
| Sound | David Michael Erwin | Sound Designer |
| Production | Zelma Kiwi | Executive Producer |
| Art | Joe Cox | Production Design |
| Production | Brian Nolan | Co-Producer |
| Directing | Marquis Willis | Second Assistant Director |
| Directing | Xavier S. Puslowski | First Assistant Director |
| Camera | Kasee Shambora | Still Photographer |
| Editing | Allen Kelly | Colorist |
| Costume & Make-Up | Rachelle Moser | Key Costumer |
| Crew | Dianna Rochelle Johnson | Set Medic |
| Crew | Morris Aroesti | Transportation Coordinator |
| Sound | Mark McBryde | Foley Artist |
| Camera | Tommy Crockett | Digital Imaging Technician |
| Lighting | Michael Stark | Gaffer |
| Directing | Cassidy Warren | Script Supervisor |
| Sound | Alexander Hutchinson | Production Sound Mixer |
| Camera | Sebastian DeLorey | First Assistant "B" Camera |
| Directing | Nathan Gallie | Second Second Assistant Director |
| Camera | Ryan Wilson | "B" Camera Operator |
| Art | William French | Art Direction |
| Costume & Make-Up | Matthew Brandon | Key Makeup Artist |
| Camera | Oliver Pipkin | First Assistant "A" Camera |
| Production | Josh Best | Production Coordinator |
| Production | Virginija Lewis | Accountant |
| Sound | Jeff Noller | Dialogue Editor |
| Production | Christopher Ray | Associate Producer |
