La Barbe à papa (1973)
Kansas, dans les années 30, Moses Pray, escroc à la petite semaine, assiste à l’enterrement d’une ex-maîtresse et accepte d’emmener sa prétendue fille de 9 ans, Addie, chez une tante. Pendant leur trajet, leurs rapports sont tendus. L’orpheline est persuadée que celui-ci est son père, en raison de la ressemblance de leur menton mais Moses refuse d’endosser ce rôle. Étonnamment mûre pour son âge, la petite Addie s’avère être une coéquipière très efficace : c’est le début de leur épopée.
Directeur:
Peter Bogdanovich
écrivain:
Alvin Sargent
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Tatum O'Neal as Addie Loggins |
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Ryan O'Neal as Moses Pray |
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Madeline Kahn as Trixie Delight |
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John Hillerman as Deputy Hardin / Jess Hardin |
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Jessie Lee Fulton as Miss Ollie |
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Noble Willingham as Mr. Robertson |
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Randy Quaid as Leroy |
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P.J. Johnson as Imogene |
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James N. Harrell as The Minister |
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Burton Gilliam as Floyd (Desk Clerk) |
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Hugh Gillin as 2nd Deputy |
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Desmond Dhooge as Cotton Candy Man |
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Art Ellison as Silver Mine Gentleman |
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Lila Waters as The Minister's Wife |
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Bob Young as Gas Station Attendant |
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Jack Saunders as Station Master |
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Jody Wilbur as Cafe Waitress |
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Liz Ross as The Widow Morgan - Pearl |
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Yvonne Harrison as The Widow Bates - Marie |
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Ed Reed as The Lawman - Bates' Home |
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Dorothy Price as Ribbon Saleslady |
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Eleanor Bogart as The Widow Stanley - Elvira |
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Dorothy Forster as The Widow Huff - Edna |
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Lana Daniel as Moze's Girlfriend |
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Herschel Morris as The Barber |
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Dejah Moore as Salesgirl - $20 Bill |
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Ralph Coder as Store Manager |
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Harriet Ketchum as Store Customer |
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Kenneth Hughes as Harem Tent Barker |
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George Lillie as The Photographer |
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Floyd Mahaney as Beau - Hardin's Deputy |
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Gilbert Milton as Leroy's Father |
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Tandy Arnold as Leroy's Brother |
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Dennis Beden as Leroy's Brother |
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Vernon Schwanke as Leroy's Brother |
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Rose-Mary Rumbley as Aunt Billie (as Rosemary Rumbley) |
| Production | Peter Bogdanovich | Producer |
| Editing | Verna Fields | Editor |
| Writing | Joe David Brown | Novel |
| Camera | László Kovács | Director of Photography |
| Directing | Peter Bogdanovich | Director |
| Writing | Alvin Sargent | Screenplay |
| Production | Gary Chason | Casting Director |
| Costume & Make-Up | Rolf Miller | Makeup Artist |
| Art | Mark Wade | Property Master |
| Sound | Frank E. Warner | Sound Editor |
| Art | Polly Platt | Production Design |
| Crew | Jack Benny | Thanks |
| Camera | Dick Colean | First Assistant Camera |
| Crew | Marian Jordan | Thanks |
| Crew | Frank Luther | Thanks |
| Crew | Larry Stewart | Thanks |
| Camera | Bobby Byrne | Camera Operator |
| Crew | Jim Jordan | Thanks |
| Lighting | Richmond L. Aguilar | Gaffer |
| Directing | Karen Hale Wookey | Script Supervisor |
| Costume & Make-Up | Dorothy Byrne | Hairstylist |
| Directing | Ray Gosnell Jr. | Assistant Director |
| Directing | Gary Daigler | Assistant Director |
| Sound | Richard Portman | Sound Re-Recording Mixer |
| Production | Ralph M. Leo | Production Accountant |
| Art | James H. Spencer | Set Designer |
| Crew | Bing Crosby | Thanks |
| Crew | Don Wilson | Thanks |
| Sound | Les Fresholtz | Sound mixer |
| Lighting | Paul Caven | Electrician |
| Crew | Rick Fields | Post Production Assistant |
| Art | John P. Austin | Set Decoration |
| Costume & Make-Up | Polly Platt | Costume Design |
| Sound | William C. Carruth | Sound Editor |
| Camera | George Hill | Grip |
| Crew | Dick Powell | Thanks |
| Production | Frank Marshall | Associate Producer |
| Sound | Kay Rose | Sound Editor |
| Art | Ed Shanley | Construction Coordinator |
| Production | Francis Ford Coppola | Executive Producer |
| Production | William Friedkin | Executive Producer |