Tony Manero (2008)
Printemps 1978, John Travolta est "Tony Manero" dans le film "La fièvre du samedi soir", et enflamme le monde du disco. Au même moment à Santiago du Chili, alors que la terrible dictature de Pinochet sévit, Raùl Peralta, 50 ans, est fasciné par ce personnage et par l'univers du film. Tous les samedis soirs, il libère sa passion pour le disco. En compagnie d'autres danseurs amateurs, il crée un spectacle dans un night club de banlieue. Quand il apprend que la télévision organise un concours du meilleur sosie de Tony Manero, Raùl y voit sa chance de devenir une star. Sa fascination se transforme en obsession. Plus rien ni personne ne pourra alors l'arrêter...
Directeur:
Pablo Larraín
écrivains:
Mateo Iribarren, Pablo Larraín, Alfredo Castro.
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Alfredo Castro as Raúl Peralta |
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Amparo Noguera as Cony |
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Paola Lattus as Pauli |
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Héctor Morales as Goyo |
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Elsa Poblete as Wilma |
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Maité Fernández as Maria |
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Marcelo Alonso as Rumano |
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Marcial Tagle as Vidrero |
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Rodrigo Pérez as CNI Agent 1 |
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Enrique Maluenda as Television Host |
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Antonia Zegers as TV Producer |
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Greta Nilsson as Cashier |
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Luis Uribe as Tony 5 (Winner) |
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Sergio Monge as Tony 1 |
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Jaime Silva as Projectionist |
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Fredy Huerta as Bag Man |
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Juan Pino as Tony 3 |
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Ruth Orellana as Wallet Woman |
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Sebastián Pinto as Tony 2 |
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Francisco González Hermosilla as CNI Agent 2 |
| Directing | Pablo Larraín | Director |
| Writing | Mateo Iribarren | Screenplay |
| Writing | Pablo Larraín | Screenplay |
| Writing | Alfredo Castro | Screenplay |
| Camera | Sergio Armstrong | Director of Photography |
| Sound | Miguel Hormazábal | Sound |
| Editing | Andrea Chignoli | Editor |
| Production | Juan de Dios Larraín | Producer |
| Production | Juan Ignacio Correa | Executive Producer |
| Costume & Make-Up | Muriel Parra | Costume Design |
| Production | Cao Quintas | Co-Producer |
| Art | Polin Garbizu | Production Design |
| Production | Mariane Hartard | Executive Producer |
| Production | Paula Leoncini | Casting |
| Camera | Sergio Armstrong | Camera Operator |
| Directing | María José Droguett | Second Assistant Director |
| Directing | Karina Elgueda | Continuity |
| Sound | Mario Faucher | Dolby Consultant |
| Production | Ruth Orellana | Production Manager |
| Costume & Make-Up | Valentina Mac-Pherson | Costume Assistant |
| Lighting | Víctor Rojas | Gaffer |
| Costume & Make-Up | Viviana Verges O'Ryan | Assistant Makeup Artist |
| Editing | Cristóbal Azócar | First Assistant Editor |
| Camera | Tomás Dittborn | Still Photographer |
| Sound | Miguel Hormazábal | Sound Mixer |
| Costume & Make-Up | Valeria Goffreri | Assistant Makeup Artist |
| Visual Effects | Margarita Marchi | Visual Effects Designer |
| Writing | Juan Radrigán | Other |
| Camera | Cristián Petit-Laurent | Assistant Camera |
| Sound | Marcelo Corvetto | Foley |
| Visual Effects | Juan Pablo Aliaga | Visual Effects Designer |
| Sound | Miguel Hormazábal | Sound Editor |
| Writing | Eliseo Altunaga | Script Consultant |
| Costume & Make-Up | Margarita Marchi | Makeup Artist |
| Sound | Ernesto Trujillo | Sound |
| Production | Juan Carlos Arriagada | Post Production Coordinator |
| Sound | Roberto Zuñiga | Foley |
| Sound | Miguel Hormazábal | Sound Designer |
| Costume & Make-Up | Paola Morales | Hairdresser |
| Sound | Roberto Zuñiga | Sound Editor |
| Directing | Oscar Godoy | Assistant Director |
| Camera | Pablo Larraín | Camera Operator |
| Production | Tomás Dittborn | Associate Producer |
