A Good Woman (2019)
Suite au meurtre de son mari, Sarah Collins se retrouve seule avec ses deux enfants. Elle s’efforce de relancer l’enquête de police pour retrouver l’assassin de son mari tout en essayant de reprendre le cours d’une vie normale. Lorsque Tito, un dealer recherché par la pègre locale, fait irruption chez elle pour se mettre à l’abri et cacher sa drogue, elle n’aura d’autre but que de protéger ses enfants. L’instinct protecteur de Sarah laissera place à une frénésie vengeresse inimaginable.
Directeur: Abner Pastoll
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Sarah Bolger as Sarah |
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Edward Hogg as Leo Miller |
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Andrew Simpson as Tito |
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Jane Brennan as Alice |
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Caolan Byrne as Terry |
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Packy Lee as Mackers |
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Rudy Doherty as Ben |
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Macie McCauley as Lucy |
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Susan Ateh as Emily Scott |
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Siobhan Kelly as Dr Rosa Brady |
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Josh Bolt as Donal |
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James McCaffrey as Conor |
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Nigel O'Neill as PC Huxley |
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Daryl McCormack as PC Reeves |
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Sean Sloan as Jimmy |
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Jo Donnelly as Betty |
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Mary Lindsay as Mandy |
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Rafaela Dias as Dr Reid |
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Diego Calderón as Drunk Ray |
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Shireen Azarmi as Sergeant Jones |
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Garry Harper as Bin Man |
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Daniel Gosling as News Reporter |
| Production | Marie-Thérése Mackle | Production Manager |
| Production | Michael Hooley | Casting Associate |
| Production | Jean-Yves Roubin | Co-Producer |
| Production | Mathilde Snodgrass | Casting |
| Production | 이범수 | Executive Producer |
| Production | Carla Stronge | Casting |
| Production | Molly Stack | Production Coordinator |
| Directing | Orla Finucane | Script Supervisor |
| Camera | Cel Bothwell-Fitzpatrick | Digital Imaging Technician |
| Art | Benen Dillon | Art Department Assistant |
| Camera | Ondřej Rybár | Focus Puller |
| Camera | Tanmoye Khan | Second Assistant Camera |
| Camera | Joanne Mullin | Still Photographer |
| Camera | Christopher Barr | Still Photographer |
| Sound | Olivia Celeste Barry | Sound Editor |
| Lighting | Steven Livingstone | Best Boy Electric |
| Sound | Peter Baldock | Sound Designer |
| Sound | Kristiana Udre | Foley Artist |
| Lighting | Brian Livingstone | Gaffer |
| Sound | James Matthews | Foley Editor |
| Camera | Joe Ransom | "B" Camera Operator |
| Art | Catherine Brannigan | Property Buyer |
| Editing | Lauren L'Estrange | Assistant Editor |
| Art | Andrew Robinson | Assistant Art Director |
| Production | Catherine Geary | Location Manager |
| Sound | Adrian Furdui | Supervising Dialogue Editor |
| Art | Neal Hughes | Property Master |
| Art | Virginia Apicella | Standby Art Director |
| Editing | Stéphanie Merken | Assistant Editor |
| Sound | Patrick Singer | Foley Artist |
| Sound | Paul Heymans | Production Sound Mixer |
| Camera | Reece Hearnshaw | Grip |
| Sound | Thomas Berliner | Boom Operator |
| Production | Ronan Blaney | Associate Producer |
| Production | Cassandre Warnauts | Co-Producer |
| Production | Abner Pastoll | Executive Producer |
| Sound | Matthew Pusti | Original Music Composer |
| Production | Jan Pace | Executive Producer |
| Directing | Abner Pastoll | Director |
| Production | Guillaume Benski | Producer |
| Writing | Ronan Blaney | Writer |
| Production | Junyoung Jang | Producer |
| Production | Jean-Yves Roubin | Producer |
| Camera | Richard C Bell | Director of Photography |
| Art | Gillian Devenney | Production Design |
| Production | James Atherton | Executive Producer |
| Costume & Make-Up | Dan Martin | Special Effects Makeup Artist |
| Production | 장원석 | Executive Producer |
| Directing | Dario Cappellini | Third Assistant Director |
| Directing | Laurie Mahon | First Assistant Director |
| Art | Megan Britton | Set Decoration |
| Directing | Maéva Buisse | Second Assistant Director |
| Visual Effects | Stéphanie Pottier | Visual Effects Coordinator |
| Costume & Make-Up | Liz Boston | Makeup Artist |
| Editing | Abner Pastoll | Editor |
| Costume & Make-Up | Elise Ancion | Costume Design |
| Sound | Nick Baldock | Supervising Sound Editor |
| Crew | Joe Condren | Stunt Coordinator |
| Visual Effects | Nicolas Corson | Digital Compositor |
| Directing | Neil Winterlich | Second Assistant Director |
