The Power of the Dog (2021)
Originaires du Montana, les frères Phil et George Burbank sont diamétralement opposés. Autant Phil est raffiné, brillant et cruel – autant George est flegmatique, méticuleux et bienveillant. À eux deux, ils sont à la tête du plus gros ranch de la vallée du Montana. Une région, loin de la modernité galopante du XXème siècle, où les hommes assument toujours leur virilité et où l'on vénère la figure de Bronco Henry, le plus grand cow-boy que Phil ait jamais rencontré. Lorsque George épouse en secret Rose, une jeune veuve, Phil, ivre de colère, se met en tête d'anéantir celle-ci. Il cherche alors à atteindre Rose en se servant de son fils Peter, garçon sensible et efféminé, comme d'un pion dans sa stratégie sadique et sans merci…
Directeur: Jane Campion
| Sound | Jonny Greenwood | Original Music Composer |
| Crew | Ben Ruffell | Drone Operator |
| Directing | Matt Johnston | Second Second Assistant Director |
| Camera | Kirsty Griffin | Still Photographer |
| Directing | Renata Blaich | Second Assistant Director |
| Directing | Phil Jones | First Assistant Director |
| Art | Peter Long | Title Designer |
| Camera | Daniel Foeldes | First Assistant "A" Camera |
| Crew | Bryan Haas | Thanks |
| Camera | Nick Willoughby | Second Assistant "A" Camera |
| Crew | Colleen Clarke | Post Production Supervisor |
| Directing | Kathleen Thomas | Script Supervisor |
| Lighting | Thad Lawrence | Gaffer |
| Production | Libby Sharpe | Co-Producer |
| Production | Phil Jones | Associate Producer |
| Production | Steven McKinnon | Finance |
| Camera | Ben Rowsell | First Assistant "A" Camera |
| Camera | Jimmy Bollinger | Second Assistant "B" Camera |
| Lighting | Nicholas Riini | Best Boy Electric |
| Production | Chloe Smith | Co-Producer |
| Costume & Make-Up | Noriko Watanabe | Makeup Designer |
| Camera | Grant Adams | Second Unit Director of Photography |
| Camera | Henry West | First Assistant "B" Camera |
| Lighting | Cilly Lawrence | Rigging Gaffer |
| Costume & Make-Up | Noriko Watanabe | Hair Designer |
| Camera | Grant Adams | Steadicam Operator |
| Sound | Sandy Wakefield | Boom Operator |
| Lighting | Merlin Wilford | Best Boy Electric |
| Camera | Grant Adams | Camera Operator |
| Production | Moira Grant | Unit Production Manager |
| Production | Linda Fenwick | Production Coordinator |
| Production | Chloe Smith | Line Producer |
| Writing | Tanya Seghatchian | Script Consultant |
| Production | Carmen Cuba | Casting Consultant |
| Art | Amber Richards | Set Decoration |
| Production | Roger Frappier | Producer |
| Production | Nikki Barrett | Casting |
| Sound | Dave Whitehead | Sound Designer |
| Art | Mark Robins | Supervising Art Director |
| Sound | Robert Mackenzie | Supervising Sound Editor |
| Costume & Make-Up | Kirsty Cameron | Costume Design |
| Sound | Owen Grieve | ADR Recordist |
| Art | Nick Connor | Art Direction |
| Production | Jane Campion | Producer |
| Production | Nina Gold | Casting |
| Art | George Hamilton | Art Direction |
| Visual Effects | Rui Li | Visual Effects |
| Camera | Ari Wegner | Director of Photography |
| Production | Tina Cleary | Casting |
| Art | Grant Major | Production Design |
| Sound | Mario Vaccaro | Foley Artist |
| Art | Matt Austin | Art Direction |
| Visual Effects | Jason Hawkins | Visual Effects Supervisor |
| Editing | Peter Sciberras | Editor |
| Visual Effects | Alison Ingram | Visual Effects Producer |
| Sound | Tara Webb | Sound Effects Editor |
| Visual Effects | Flavia Dias Riley | Visual Effects Producer |
| Costume & Make-Up | Alice Baker | Costume Supervisor |
| Sound | Mick Boraso | Sound Editor |
| Art | Ben Whale | Set Dresser |
| Writing | Jane Campion | Writer |
| Art | Sarah Cathie | Set Designer |
| Art | Daniel Koene | Set Designer |
| Production | Emile Sherman | Producer |
| Production | John Woodward | Executive Producer |
| Directing | Jane Campion | Director |
| Production | Simon Gillis | Executive Producer |
| Production | Iain Canning | Producer |
| Production | Tanya Seghatchian | Producer |
| Production | Rose Garnett | Executive Producer |
| Sound | Graeme Stewart | Music Editor |
| Lighting | Warwick Millar | Lighting Technician |
| Crew | Mark Harris | Stunt Coordinator |
| Crew | Ross McCormack | Choreographer |
| Art | Eliza Meldrum | Set Decoration Buyer |
| Art | Deirdre McKessar | Set Decoration Buyer |
| Art | Gemma Richardson | Set Dresser |
| Costume & Make-Up | Deirdre Cowley | Makeup Department Head |
| Costume & Make-Up | Sarah Bernard | Key Hair Stylist |
| Costume & Make-Up | Sarah Bernard | Key Makeup Artist |
| Costume & Make-Up | Kelly Mitchell | Key Hair Stylist |
| Costume & Make-Up | Kelly Mitchell | Key Makeup Artist |
| Costume & Make-Up | Daniel Sewpersad | Makeup & Hair |
| Costume & Make-Up | Claire Rutledge | Makeup & Hair |
| Costume & Make-Up | Heather Newcombe | Makeup & Hair |
| Costume & Make-Up | Niki Adlington | Makeup & Hair |
| Sound | Steve Burgess | Foley Editor |
| Sound | Steve Burgess | Foley Mixer |
| Sound | Alex Francis | Foley Recordist |
| Production | Sylvie Lacoste | Associate Producer |
| Sound | Richard Flynn | Production Sound Mixer |
| Writing | Thomas Savage | Book |
| Art | Gareth Edwards | Assistant Set Decoration |
