Earwig (2022)
Europe, au milieu du XXème siècle. Albert Scellinc, solitaire et taciturne, est employé au service d’une fillette de dix ans dont la dentition de glace doit être changée quotidiennement. Dans le vaste appartement qu'ils occupent, les jours s’écoulent parfaitement rythmés par les tâches quotidiennes d’Albert et les jeux de l’enfant. Cette harmonie est brisée le jour où l’homme reçoit l’ordre de conduire la fillette en train à Paris. Pour la première fois, Albert doit se résigner à sortir l’enfant de l’appartement où elle vivait recluse. Plus le voyage approche, et plus le passé qu’Albert a refoulé revient le hanter.
Directeur:
Lucile Hadzihalilovic
écrivains:
Geoff Cox, Lucile Hadzihalilovic.
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Paul Hilton as Albert |
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Romane Hemelaers as Mia |
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Romola Garai as Céleste |
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Alex Lawther as Laurence |
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Peter van den Begin as The Stranger |
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Anastasia Robin as Marie |
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Michaël Pas as The Dentist |
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Isabelle De Hertogh as The Concierge |
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Marie Bos as The Receptionist |
| Costume & Make-Up | Anne Moralis | Makeup Designer |
| Visual Effects | Denis Bedlow | VFX Editor |
| Sound | Ken Yasumoto | Sound Designer |
| Sound | Benoît Biral | Sound Re-Recording Mixer |
| Writing | Geoff Cox | Screenplay |
| Writing | Lucile Hadzihalilovic | Screenplay |
| Editing | Adam Finch | Editor |
| Camera | Jonathan Ricquebourg | Director of Photography |
| Art | Julien Dubourg | Art Direction |
| Production | Amélie Jacquis | Producer |
| Production | Christophe Hollebeke | Executive Producer |
| Art | Julia Irribarria | Art Direction |
| Costume & Make-Up | Jackye Fauconnier | Costume Design |
| Art | Julia Irribarria | Production Design |
| Art | Jeanne Fonsny | Set Decoration |
| Production | Jean-Yves Roubin | Co-Producer |
| Production | Serge Catoire | Production Manager |
| Art | Emilie Nelis-Culot | Decorator |
| Visual Effects | Murray Barber | Special Effects Supervisor |
| Visual Effects | Robin Stuart Cape | Compositing Supervisor |
| Directing | Charlène Sales | Second Assistant Director |
| Art | Louise Toby | Assistant Property Master |
| Costume & Make-Up | Mathilde Wallez | Makeup Artist |
| Sound | Warren Ellis | Original Music Composer |
| Production | Anne-Laure Declerck | Production Assistant |
| Production | Sebastiàn Moradiellos | Casting |
| Art | Laurent Gooris | Construction Manager |
| Sound | Bruno Schweisguth | Sound Mixer |
| Visual Effects | MJ Cunha | Rotoscoping Artist |
| Sound | Jo Masset | ADR Supervisor |
| Costume & Make-Up | Robert Smedt | Key Hair Stylist |
| Sound | Matt Coster | ADR Recordist |
| Sound | Laurence Morel | Boom Operator |
| Art | Amandine Grafé | Graphic Designer |
| Sound | Olivier Thys | Foley Artist |
| Visual Effects | Sefian Benssalem | Special Effects Supervisor |
| Visual Effects | Sam Lucas | Modelling Supervisor |
| Production | Cassandre Warnauts | Co-Producer |
| Sound | Nicolas Becker | Original Music Composer |
| Costume & Make-Up | Roz Gomersall | Prosthetic Supervisor |
| Art | Théodore Brisset | Props |
| Art | Julien Dubourg | Assistant Art Director |
| Visual Effects | Henning Glabbart | Digital Compositor |
| Costume & Make-Up | Lionel Le | Special Effects Makeup Artist |
| Directing | Celine Jacqmin | Additional Second Assistant Director |
| Visual Effects | Murray Barber | Visual Effects Supervisor |
| Directing | Maéva Buisse | First Assistant Director |
| Sound | Augustin Viard | Original Music Composer |
| Directing | Adèle Edwards | Third Assistant Director |
| Crew | Barbara Hellemans | Stunt Double |
| Production | Nanw Rowlands | Casting |
| Crew | Olivier Bisback | Stunt Coordinator |
| Visual Effects | Amy Felce | Matchmove Supervisor |
| Costume & Make-Up | Dan Martin | Prosthetic Designer |
| Crew | Gaspar Noé | Thanks |
| Directing | Lucile Hadzihalilovic | Director |
| Production | Andrew Starke | Producer |
| Production | Jean des Forêts | Producer |
| Writing | Brian Catling | Novel |
