Sur la piste des Mohawks (1939)
En pleine guerre d'indépendance américaine, Gil Martin, un jeune colon de Deerfield, se rend à Albany pour épouser Lana Borst. Après la cérémonie, le couple part en chariot vers la ferme de Gil. En s'arrêtant dans une auberge, ils font la connaissance de Caldwell, un espion anglais qui porte un bandeau noir à l’œil…
Directeur:
John Ford
écrivains:
Sonya Levien, Lamar Trotti.
 |
Claudette Colbert as Lana (Magdelana) |
 |
Henry Fonda as Gilbert Martin |
 |
Edna May Oliver as Mrs. Mc Klennar |
 |
Eddie Collins as Christian Reall |
 |
John Carradine as Caldwell |
 |
Dorris Bowdon as Mary Reall |
 |
Jessie Ralph as Mrs. Weaver |
 |
Arthur Shields as Reverend Rosenkrantz |
 |
Robert Lowery as John Weaver |
 |
Roger Imhof as Gen. Nicholas Herkimer |
 |
Francis Ford as Joe Boleo |
 |
Ward Bond as Adam Hartman |
 |
Kay Linaker as Mrs. Demooth |
 |
Russell Simpson as Dr. Petry |
 |
Spencer Charters as Innkeeper |
 |
Si Jenks as Jacob Small |
 |
Jack Pennick as Amos Hartman |
 |
Arthur Aylesworth as George Weaver |
 |
Chief John Big Tree as Blue Back |
 |
Charles Tannen as Dr. Robert Johnson |
 |
Paul McVey as Capt. Mark Demooth |
 |
Tiny Jones as Mrs. Reall |
|
Beulah Hall Jones as Daisy |
 |
Edwin Maxwell as Rev. Daniel Gros |
 |
Robert Greig as Mr. Borst |
 |
Clara Blandick as Mrs. Borst |
 |
Frank Baker as Commander of Colonial Troops (uncredited) |
 |
Ruth Clifford as Pioneer Woman (uncredited) |
|
George Huggins as Pioneer Man (uncredited) |
 |
Noble Johnson as Native American (uncredited) |
|
Payne B. Johnson as Boy in Wedding (uncredited) |
 |
Mae Marsh as Pioneer Woman (uncredited) |
|
Lionel Pape as General (uncredited) |
 |
Tom Tyler as Capt. Morgan (uncredited) |
 |
Clarence Wilson as Paymaster (uncredited) |
| Camera | Bert Glennon | Director of Photography |
| Directing | John Ford | Director |
| Writing | Sonya Levien | Screenplay |
| Production | Darryl F. Zanuck | Producer |
| Sound | Alfred Newman | Original Music Composer |
| Editing | Robert L. Simpson | Editor |
| Writing | Walter D. Edmonds | Novel |
| Camera | Ray Rennahan | Director of Photography |
| Art | Richard Day | Art Direction |
| Writing | Lamar Trotti | Screenplay |
| Art | Mark-Lee Kirk | Art Direction |
| Production | Lew Schreiber | Casting |
| Crew | Jackie Hamblin | Stunt Double |
| Crew | Howard Hill | Stunts |
| Costume & Make-Up | Marie Brasselle | Hairstylist |
| Costume & Make-Up | Robert Cowan | Makeup Artist |
| Costume & Make-Up | Norbert A. Myles | Makeup Artist |
| Costume & Make-Up | Irene Beshon | Hairstylist |
| Costume & Make-Up | Steve Drumm | Makeup Artist |
| Sound | Harold A. Root | Assistant Sound Editor |
| Costume & Make-Up | Ann Barr | Hairstylist |
| Directing | F.E. Johnson | Assistant Director |
| Costume & Make-Up | Myrtle Ford | Hairstylist |
| Directing | Edward O'Fearna | Assistant Director |
| Sound | Robert Parrish | Sound Effects Editor |
| Costume & Make-Up | Newton House | Makeup Artist |
| Directing | Wingate Smith | Assistant Director |
| Art | Thomas Little | Set Decoration |
| Sound | E. Clayton Ward | Sound |
| Sound | Roger Heman Sr. | Sound |
| Production | Raymond Griffith | Associate Producer |
| Visual Effects | Henri Jaffa | Color Designer |
| Visual Effects | Natalie Kalmus | Color Designer |
| Costume & Make-Up | Gwen Wakeling | Costume Designer |
