L'Heure suprême (1927)
Chico travaille dans les égouts mais rêve de balayer les rues pour voir la couleur du ciel. Se lamentant sur son sort, il nie l'existence de Dieu au prétexte de sa condition actuelle. Il a prié et donné dix francs dans une église sans obtenir la moindre réalisation de ses vœux. Mais le père Chevillon entendant sa plainte lui offre deux médailles religieuses et lui offre le poste de balayeur dont il rêve.
Directeur:
Frank Borzage
écrivain:
Benjamin Glazer
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Janet Gaynor as Diane |
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Charles Farrell as Chico |
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Albert Gran as Boul |
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David Butler as Gobin |
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Marie Mosquini as Madame Gobin |
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Gladys Brockwell as Nana |
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Émile Chautard as Father Chevillon |
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Ben Bard as Col. Brissac |
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George E. Stone as Sewer Rat |
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Jessie Haslett as Aunt Valentine |
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Brandon Hurst as Uncle George |
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Lillian West as Arlette |
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Mary Borzage as Bullet Factory Worker |
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Lewis Borzage Sr. as Streetlamp Lighter |
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Sue Borzage as Street Girl |
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Dolly Borzage as Street Girl |
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Henry Armetta as |
| Directing | Frank Borzage | Director |
| Writing | Benjamin Glazer | Screenplay |
| Production | William Fox | Producer |
| Camera | Ernest Palmer | Director of Photography |
| Camera | Joseph A. Valentine | Director of Photography |
| Editing | H.H. Caldwell | Editor |
| Editing | Katherine Hilliker | Editor |
| Art | Freddie Stoos | Art Direction |
| Costume & Make-Up | Kathleen Kay | Costume Design |
| Costume & Make-Up | Bert Offord | Costume Design |
| Writing | Austin Strong | Theatre Play |
| Writing | Katherine Hilliker | Adaptation |
| Writing | H.H. Caldwell | Adaptation |
| Writing | Katherine Hilliker | Writer |
| Writing | H.H. Caldwell | Writer |
| Production | Sol M. Wurtzel | Supervising Producer |
| Editing | Barney Wolf | Editor |
| Art | Harry Oliver | Settings |
| Costume & Make-Up | Peggy Christman | Hairstylist |
| Costume & Make-Up | Kitty Thompson | Hairstylist |
| Directing | Lew Borzage | Assistant Director |
| Directing | Park Frame | Assistant Director |
| Visual Effects | Walter Pallman | Visual Effects |
| Camera | Max Munn Autrey | Still Photographer |
| Editing | Philip Klein | Supervising Editor |
| Art | Harry Oliver | Art Direction |
