L'importance d'être constant (2002)
A la fin du XIXe siècle, en Angleterre, deux jeunes gentlemen, Jack Worthing et Algernon Moncrieff, se découvrent un stratagème commun. Jack, qui vit à la campagne, s'est inventé à Londres un frère débauché, Constant, qui lui sert d'excuse pour échapper à la pesante bienséance dont il doit s'entourer pour veiller sur Cecily, sa jeune pupille. Algernon, à Londres, s'est inventé un ami invalide qui vit à la campagne et qui lui sert de prétexte pour éviter certaines corvées mondaines de la cité. A Londres, Jack se fiance avec Gwendolen, fille de la tante d'Algernon, qui connaît Jack sous le nom de Constant. De son côté, Algernon se rend à l'adresse de Jack à la campagne et se fait passer aux yeux de Cecily pour Constant Worthing. Et là, c'est le coup de foudre. Mais Jack rentre chez lui et annonce le décès de son frère Constant...
Directeur:
Oliver Parker
écrivain:
Oliver Parker
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Rupert Everett as Algernon “Algy” Moncrieff |
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Colin Firth as John “Jack” Worthing |
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Reese Witherspoon as Cecily Cardew |
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Judi Dench as Lady Bracknell |
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Tom Wilkinson as Dr. Chasuble |
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Frances O'Connor as Gwendolen Fairfax |
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Anna Massey as Miss Laetitia Prism |
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Edward Fox as Lane |
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Patrick Godfrey as Merriman |
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Charles Kay as Gribsby |
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Marsha Fitzalan as Dowager |
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Cyril Shaps as Pew Opener |
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Finty Williams as Young Lady Bracknell |
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Guy Bensley as Young Lord Bracknell |
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Kiera Chaplin as Girl in Gambling Club |
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Suzy Boyle as Dancer |
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Bernadette Iglich as Dancer |
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Elaine Tyler-Hall as Dancer |
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Gillian Winn as Dancer |
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Suzanne Thomas as Dancer |
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Charlie Mole as Musical Butler |
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Sacha Bennett as Jenkins the Gamekeeper (uncredited) |
| Directing | Oliver Parker | Director |
| Writing | Oscar Wilde | Theatre Play |
| Production | Uri Fruchtmann | Executive Producer |
| Production | Barnaby Thompson | Producer |
| Sound | Charlie Mole | Original Music Composer |
| Camera | Tony Pierce-Roberts | Director of Photography |
| Editing | Guy Bensley | Editor |
| Writing | Oliver Parker | Screenplay |
| Art | Luciana Arrighi | Production Design |
| Art | Paul Ghirardani | Art Direction |
| Art | Ian Whittaker | Set Decoration |
| Costume & Make-Up | Maurizio Millenotti | Costume Design |
| Costume & Make-Up | Charmaine Fuller | Hairstylist |
| Costume & Make-Up | Renata Gilbert | Makeup & Hair |
| Costume & Make-Up | Pat Hay | Makeup Artist |
| Costume & Make-Up | Joe Hopker | Makeup Artist |
| Costume & Make-Up | Peter Swords King | Makeup & Hair |
| Costume & Make-Up | Dianne Millar | Makeup & Hair |
| Costume & Make-Up | Susan Parkinson | Makeup & Hair |
| Costume & Make-Up | Paula Price | Hairstylist |
| Costume & Make-Up | Jamie Pritchard | Hairstylist |
| Costume & Make-Up | Barbara Taylor | Makeup & Hair |
| Production | David Brown | Co-Producer |
| Sound | Ben Barker | Foley Editor |
| Sound | Mark DeSimone | ADR Mixer |
| Sound | Matthew Gough | Sound Re-Recording Mixer |
| Sound | Adrian Rhodes | Sound Re-Recording Mixer |
| Sound | Colin Cooper | ADR Recordist |
| Production | Celestia Fox | Casting |
