02/02/1902
New Jersey, USA:
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Which Way to the Front? (1970) Director of Photography |
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Watermelon Man (1970) Director of Photography |
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Marooned (1969) Second Unit Director of Photography |
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The Comic (1969) Director of Photography |
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Hook, Line and Sinker (1969) Director of Photography |
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Day of the Evil Gun (1968) Director of Photography |
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The Fastest Guitar Alive (1967) Director of Photography |
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The Big Mouth (1967) Director of Photography |
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Red Tomahawk (1967) Director of Photography |
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Paradise, Hawaiian Style (1966) Director of Photography |
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Three on a Couch (1966) Director of Photography |
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Apache Uprising (1965) Director of Photography |
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Town Tamer (1965) Director of Photography |
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The Family Jewels (1965) Director of Photography |
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The Disorderly Orderly (1964) Director of Photography |
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The Patsy (1964) Director of Photography |
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Who's Minding the Store? (1963) Director of Photography |
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The Nutty Professor (1963) Director of Photography |
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It's Only Money (1962) Director of Photography |
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The Errand Boy (1961) Director of Photography |
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Blue Hawaii (1961) Second Unit Director of Photography |
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The Ladies Man (1961) Director of Photography |
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One-Eyed Jacks (1961) Second Unit Director of Photography |
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Look in Any Window (1961) Director of Photography |
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But Not for Me (1959) Second Unit Director of Photography |
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The Five Pennies (1959) Second Unit Director of Photography |
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The Trap (1959) Second Unit Director of Photography |
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Vertigo (1958) Visual Effects |
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Beau James (1957) Second Unit Director of Photography |
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Hollywood or Bust (1956) Second Unit Director of Photography |
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The Ten Commandments (1956) Additional Photography |
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Pardners (1956) Second Unit Director of Photography |
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To Catch a Thief (1955) Second Unit Director of Photography |
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Living It Up (1954) Second Unit Director of Photography |
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Jivaro (1954) Second Unit Director of Photography |
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Those Redheads from Seattle (1953) Second Unit Director of Photography |
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Sangaree (1953) Director of Photography |
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The War of the Worlds (1953) Visual Effects |
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Something to Live For (1952) Visual Effects |
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The Greatest Show on Earth (1952) Additional Photography |
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Branded (1950) Director of Photography |
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A Medal for Benny (1945) Special Effects Assistant |
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No Time for Love (1943) Camera Operator |