Alien Nation (1988)
FantascienzaCrimeThrillerAzione
California, 1988. Sbarcano nel deserto, dopo un viaggio senza ritorno, trecentomila extraterrestri. Bisogna tenerli e conviverci, dichiara il presidente R. Reagan. Vogliono integrarsi e far carriera. Li chiamano neoinseriti. Nel 1991 uno di loro commette un omicidio per ragioni di droga. Un poliziotto xenofobo (J. Caan) e un alieno (M. Patinkin) diventano amici durante le indagini.
Direttore:
Graham Baker
Scrittore:
Rockne S. O'Bannon
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James Caan as Matthew Sykes |
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Mandy Patinkin as Samuel 'George' Francisco |
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Terence Stamp as William Harcourt |
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Kevyn Major Howard as Rudyard Kipling |
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Leslie Bevis as Cassandra |
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Peter Jason as Fedorchuk |
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Conrad Dunn as Quint |
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Jeff Kober as Joshua Strader |
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Roger Aaron Brown as Bill Tuggle |
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Francis X. McCarthy as Captain Warner |
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Brian Thompson as Trent Porter |
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Tony Perez as Alterez |
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Tony Simotes as Wiltey |
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Jade Calegory as Mark |
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Angela O'Neill as Kristin Sykes |
| Editing | Kent Beyda | Editor |
| Directing | Graham Baker | Director |
| Writing | Rockne S. O'Bannon | Screenplay |
| Camera | Adam Greenberg | Director of Photography |
| Production | Richard Kobritz | Producer |
| Sound | Curt Sobel | Original Music Composer |
| Production | Gale Anne Hurd | Producer |
| Art | Louis S. Fleming | Property Master |
| Crew | Glory Fioramonti | Stunts |
| Sound | Robert Renga | Sound Recordist |
| Crew | Simone Boisseree | Stunts |
| Directing | Conrad E. Palmisano | Second Unit Director |
| Art | Jim Duffy | Set Decoration |
| Costume & Make-Up | Erica Edell Phillips | Costume Design |
| Art | Joseph C. Nemec III | Art Direction |
| Art | Nigel A. Boucher | Leadman |
| Art | Jack T. Collis | Production Design |
| Sound | Carlton Kaller | Music Editor |
| Sound | Mark Mangini | Supervising Sound Editor |
| Crew | Conrad E. Palmisano | Stunt Coordinator |
| Art | Dennis DeWaay | Construction Coordinator |
| Art | John Warnke | Set Designer |
| Lighting | Jono Kouzouyan | Gaffer |
| Crew | Joseph A. Unsinn | Special Effects Coordinator |
| Production | Karen Rea | Casting |
| Sound | Don J. Bassman | Sound Re-Recording Mixer |
| Sound | Kevin E. Carpenter | Sound Re-Recording Mixer |
| Sound | Kevin F. Cleary | Sound Re-Recording Mixer |
| Sound | Richard Overton | Sound Re-Recording Mixer |
| Crew | Sarah Elgart | Choreographer |
| Camera | Philip Caplan | Camera Operator |
| Camera | Jane O'Neal | Still Photographer |
| Costume & Make-Up | Michael J. Long | Costume Supervisor |
| Costume & Make-Up | Linda Serijan | Costume Supervisor |
| Sound | Daniel J. Johnson | Music Editor |
| Camera | Mike Benson | Camera Operator |
| Costume & Make-Up | Janice Alexander | Hairstylist |
| Costume & Make-Up | Katalin Elek | Makeup Artist |
| Costume & Make-Up | Zoltan Elek | Makeup Artist |
| Crew | Dick Ziker | Stunts |
| Crew | Eugene Collier | Stunts |
| Crew | Dick Warlock | Stunts |
| Crew | Debbie Evans | Stunts |
| Crew | Crit Killen | Propmaker |
| Directing | Newt Arnold | First Assistant Director |
| Sound | Peter Tomaszewicz | Foley Editor |
| Sound | Wayne Allwine | Sound Editor |
| Sound | Warren Hamilton Jr. | Sound Editor |
| Camera | Frank M. Holgate | Second Unit Director of Photography |
| Production | Janis Benjamin Collister | Production Coordinator |
| Sound | Colin C. Mouat | Sound Editor |
| Sound | David MacMillan | Sound Mixer |
| Camera | Gene Kearney | Key Grip |
| Crew | Michael P. Stipe | Special Effects |
| Crew | Bill Davis | Armorer |
| Sound | Michael J. Benavente | Sound Editor |
| Lighting | John Pierce | Best Boy Electric |
| Crew | Richard Lopez | Special Effects |
| Sound | Solange S. Schwalbe | Sound Editor |
| Sound | Charles M. Wilborn | Sound Mixer |
| Camera | David Christie | Best Boy Grip |
| Editing | Lorraine Salk | Assistant Editor |
| Directing | Herb Adelman | First Assistant Director |
| Art | Steven E. Fegley | Construction Foreman |
| Sound | David Spence | Sound Editor |
| Sound | Gordon Webb | Boom Operator |
| Crew | Alan Rifkin | Special Effects |
| Visual Effects | Monty Shook | Visual Effects Designer |
| Crew | Jeffrey Machit | Special Effects |
| Sound | Donlee Jorgensen | Sound Editor |
| Production | Franklyn Warren | Extras Casting |
| Crew | John Robles | Special Effects |
| Sound | Nicholas Korda | ADR Editor |
| Sound | Jerry Trent | Foley Artist |
| Sound | Christopher Flick | Foley Editor |
| Production | Doreen Lane | Casting Assistant |
| Editing | Jean Morrisey | Assistant Editor |
| Camera | Vance Piper | First Assistant Camera |
| Costume & Make-Up | Dan Bronson | Costumer |
| Sound | Steve Bowerman | Boom Operator |
| Lighting | Donald Dahlquist | Best Boy Electric |
| Production | Bill Borden | Production Executive |
| Camera | Bob Muñoz | Best Boy Grip |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Sound | Lucy Coldsnow-Smith | Sound Editor |
| Camera | Donald L. Hartley | Dolly Grip |
| Camera | Alicia Craft | Second Assistant Camera |
| Editing | Tracy Granger | Assistant Editor |
| Directing | Anne Warner | Script Supervisor |
| Editing | Phil Downey | Color Timer |
| Editing | Gary Burritt | Negative Cutter |
| Editing | Don Brochu | Additional Editor |
| Crew | George Fisher | Stunts |
| Crew | Erik Cord | Stunts |
| Art | Ernest Farino | Title Designer |
