Psycho II (1983)
Norman Bates, dopo aver passato 22 anni in un istituto di riadattamento (egli infatti era stato arrestato per gli omicidi commessi nel motel di sua proprietà e poi sottoposto a cure psichiche perché riconosciuto infermo di mente), torna a casa in quanto i medici lo dichiarano guarito: durante la seduta in tribunale, la sorella dell'ultima sua vittima minaccia di vendicarsi poiché secondo lei egli è un assassino che non doveva essere rimesso in libertà. Lo psicanalista che ha facilitato l'assoluzione di Norman lo accompagna a casa e poi al posto di lavoro che egli stesso gli ha trovato e cioè come aiutante in un ristorante del paese. Il primo impatto con la propria casa lasciata drammaticamente tanti anni prima è sconvolgente per il giovane, ma egli sembra superare il primo momento e pare ben disposto a lavorare...
Direttore: Richard Franklin
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Anthony Perkins as Norman Bates |
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Meg Tilly as Mary Samuels |
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Vera Miles as Lila Loomis |
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Robert Loggia as Dr. Bill Raymond |
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Dennis Franz as Warren Toomey |
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Hugh Gillin as Sheriff John Hunt |
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Tom Holland as Deputy Norris |
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Claudia Bryar as Miss Spool |
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Lee Garlington as Myrna |
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Robert Alan Browne as Ralph Statler |
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Ben Hartigan as Judge |
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Tim Maier as Josh |
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Jill Carroll as Kim |
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Chris Hendrie as Deputy Pool |
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Michael Lomazow as D.A. |
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Bob Hilgenberg as Public Defender |
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Osgood Perkins as Young Norman |
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Virginia Gregg as Norma Bates (voice) (uncredited) |
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Ben Frommer as Sexton |
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Gene Whittington as Diver |
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Robert Traynor as Desk Clerk |
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George Dickerson as County Sheriff |
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Thaddeus Smith as Deputy Sheriff |
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Sheila K. Adams as Deputy Woman |
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Victoria Brown as Deputy Clerk |
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Tom Willett as Gravedigger (uncredited) |
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Richard Franklin as Man Playing Arcade Video Game (uncredited) |
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Rebecca Pollack as Diner Patron (uncredited) |
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Janet Leigh as Marion Crane (archive footage) (uncredited) |
| Writing | Robert Bloch | Characters |
| Production | Hilton A. Green | Producer |
| Directing | Richard Franklin | Director |
| Art | John W. Corso | Production Design |
| Camera | Dean Cundey | Director of Photography |
| Production | Bernard Schwartz | Executive Producer |
| Editing | Andrew London | Editor |
| Sound | Jerry Goldsmith | Original Music Composer |
| Writing | Tom Holland | Writer |
| Camera | Raymond Stella | Camera Operator |
| Directing | Don Zepfel | First Assistant Director |
| Camera | Ronald Batzdorff | Still Photographer |
| Crew | Bob Yerkes | Stunts |
| Art | Martha Johnston | Set Designer |
| Crew | Greg C. Jensen | Special Effects |
| Directing | Lisa Marmon | Second Assistant Director |
| Art | Jennifer Polito | Set Decoration |
| Costume & Make-Up | Marla Schlom | Costume Design |
| Production | Jackie Burch | Casting |
| Costume & Make-Up | Peter V. Saldutti | Costume Design |
| Sound | Randy Kelley | Sound Effects Editor |
| Sound | Patrick Clark | Boom Operator |
| Costume & Make-Up | Brian Wade | Makeup Effects Designer |
| Sound | Lon Bender | Sound Editor |
| Sound | Bob Newlan | Foley Editor |
| Sound | Mark Server | Boom Operator |
| Sound | Anthony Milch | Sound Editor |
| Sound | James R. Alexander | Sound Mixer |
| Sound | Andrew London | Sound Designer |
| Sound | Michael D. Wilhoit | Sound Editor |
| Sound | Gordon Ecker | Supervising Sound Editor |
| Sound | John Roesch | Foley Artist |
| Sound | Glenn T. Morgan | Assistant Sound Editor |
